Punch

I really enjoyed this movie. The characters draw you in. I was intrigued from the beginning. The characters are very well written. I was surprised by the complexity of the female characters. Women can be very hard to understand. I loved how complex the female characters were. Especially because they are so rare to see. The daughter is very well written. Julie the Beauty could benefit from more character development. Extremely well acted. KUDOS to all involved. I would have sworn this was written by a female. Excellent. I liked all the female characters and felt the tortured existence of the male "dad" lead. Great flick. Even my non film-minded Pakistani husband enjoyed it.

Punch is a risky Canadian drama that explores an emotionally incestuous relationship between a father and daughter. It also introduces us to the world of Topless Female Boxers, but more about that later.

Newcomer Sonya Bennett is the teenaged Ariel, a rebellious young girl being raised by her single parent father (Michael Riley). When he brings home a woman he is dating Ariel feels betrayed and punches the woman in the face, giving her a black eye. Enter the aforementioned Topless Female Boxer (Meredith McGeachie). She is the tough, lesbian sister of the wronged women, and comes to extract an apology from Ariel and her father.

It all sounds very `Jerry Springer,' and to a degree it is - the topless boxing angle is pure titillation - but there is some substance here. Director and screenwriter Guy Bennett introduces many interesting human drama elements to Ariel's coming-of-age story, but frustratingly fails to fully explore any of them. He hints at things that are daring and unusual, but then backs away from the difficult material. At its core Punch delves into the pain of finding the right emotional distance between yourself and those whom you love, but the message is muddied by too many plot twists. The topless boxing is very, uh. visual and will probably put some bums in the seats but unnecessarily clogs up the story.

Sonya Bennett sizzles as the audacious daughter, while Riley subtly conveys the turmoil the father feels as a respectable man who realizes that his relationship with his daughter is tainted.

This is Guy Bennett's first film and there are enough indications in this movie of someone who really knows how to direct actors and is willing to take interesting risks as a screenwriter to make lead one to think that while Punch isn't quite there, it'll be interesting to see what this guy will do next.

First of all then, my proper mark out of 10 here should be 6.5. I think that a 7 would be too generous for a film which, in the main, is very good indeed. I am not plot spoiling here by saying that the film contains unnecessary female topless boxing. In all honesty, the director could have chosen something completely different to link his characters. But then I believe that he has openly admitted that the audience can make their own mind up as to if the boxing is just in there to titillate the majority of the male contingent of those watching. This, in itself, is basically admitting that that is just the reason why it's there. However, if I were a female spectator, I would feel somewhat uncomfortable. This is unfortunate really because, in the main, the bulk of the story is more one that would appeal to the female movie watcher. I think that what I am trying to say here is that I have marked the film down purely because of the inclusion of the boxing.

It is true that the DVD box and its description are a little deceiving. This is a film far more involved in dealing with relationships. The oh so very close relationship between father and daughter, between the father and his new partner (and how the daughter copes with it), and then the relationship between the new partner and her sister. The box clearly depicts the daughter (Sonja Bennett) as a boxer....well, she isn't. Clearly unstable and ready for fight maybe.....but not a boxer.

I believe that Sonja Bennett received awards in her homeland of Canada for her acting in this movie but I really can't say that she was at all brilliant. Her maniacal display of tap dancing was more funny than anything else. However, I feel that the acting awards here should go to the father (Michael Riley). He was outstanding, and his monologue story about his first meeting with his now deceased wife was so so heart wrenching and beautifully done.

I have to admit that when I read that Sonja Bennett is, in actual fact, the daughter of the director Guy Bennett, i felt just a little uncomfortable by the fact that there are two scenes of nudity involving his daughter, one of which leaves nothing to the imagination. It therefore made me watch the scenes with the directors audio commentary to see what he had to say about them. Happily, he did say that he wasn't in the room when these scenes were shot.

So to conclude.......it is a shame to say that this very good movie could so much have been a great movie. Some viewers should not be left feeling uncomfortable about what is, in essence, a simple tale of relationships. Please give it a watch.

It's easy to over-look the real issues in the film Punch when it contains such outrageous plot element as female topless boxing, but that would be a mistake. The film is more about the relationship between father and daughter, about dealing with loss, anger, and reclaiming one's emotional self.

The script is well-written and the performances are real. There is a real risk of it turning into melodrama but director Guy Bennett does a good job preventing that by keeping the characters and situations real.

The film deals with many complex issues but does not ruin it by trying to provide us with answers to everything but simply presents them and leaving the rest to the audience. That takes guts... as it does when one makes a film with female topless boxing and wishes to be taken seriously.

This is what the movie box says: "Ariel is a girl with more than her fair share of personal problems. When she learns to take out her frustrations in the boxing ring, she find it just might be her chance to fight for a better life." The front of the box has a pic of Ariel, played extremely well by Sonja Bennet, with a tank top and her hands wrapped for boxing-a little spatter of blood-standing in a boxing pose. Now, the problem with that is that never once in the movie did she learn to box. And never once in the movie did she get inside a boxing ring!

Now, if you just ignore those facts, this film is a great movie. It was well directed-Guy Bennett's first film. Michael Riley plays Ariel's father and he was quite impressive. What this film is really about is a young girl, who's trauma from her mother's death has made her a mean antisocial type, who's possessive of her father. There is a very obvious sexual tension between her and her father as a result of her taking on the housewife role of her mother, and this is really the the base of the story. After assaulting his new girlfriend, she's forced to grow up and take responsibility for her life and her actions by the victim's sister- an undefeated topless boxer. That part, as others here have said, was just for titillation. She learns to grow, to let go, and to experience life through the consequences of her actions. This is a great movie, well acted and directed. Well told. There are a handful of short, well done fight scenes-especially the one at the climax. I don't want to say to much her and give anything away. Pick it up for a good conversation piece, not date-night with the town tough girl. Just ignore the stuff on the back of the box.