Campo Sangrento

Release date is September 9, 2003.

1) If you enjoyed movies like "Don't go in the House," or "Don't go in the Basement," then you must like low budget horror films that are so campy they are funny. The Greenskeeper is one of those movies.

2) If you laughed during Final Destination 2 because people were killed off in a funny manner then you'll also laugh at the way adults (not teens) are killed off in The Greenskeeper.

3) If seeing a couple killed while they are having sex bothers you than this is not the movie for you. Although the way he kills them is so gross and so funny that you will be laughing and gaging at the same time.

The point of this movie is not to scare you but to make you laugh.

You laugh not because of any witty banter but because the banter is so bad that you groan.

You laugh because the budget for special effects was so low that the killings looked really fake but that's the beauty of seeing these types of films. In fact at the end of the movie when one of the special effects gets a little carried away the actors broke character and started laughing but the producers kept this shot anyway. The producers understood they were not making some great piece of art to scare you off of a golf course.

If you are a John Rocker fan and plan on buying this movie because he's in it let me warn you ahead of time you'll only get to see John's face for maybe a total of 2 minutes during the film. About half of his screen time is spent in make-up like a serious burn victim (The rest of the time he looks very cute). When the killer goes on his rampage he's in a beekeepers bonnet so you can't see his face. The producers said they had asked John (not his character) to help out by throwing tennis balls off camera onto the tennis court when the tennis ball machine broke down.

I do plan on buying this movie because I love horror movies that can make me laugh and gag at the same time.

It seems like everywhere you turn there's some horror movie that's trying to be a throwback to the golden age of eighties slashers. However, none that I've come across have perfectly captured the magic that can be found within a VHS of something like BLOOD RAGE or ROCKTOBER BLOOD. Some have come close (CLUB DREAD), and others have failed miserably. So which category does THE GREENSKEEPER fall under?

Allen is the assistant greens keeper at a lush country club, which his mother and stepfather/ex-uncle own. Some snobby young adults convince him to let them in after the place is closed for a little party. However, someone wearing a greens keeper's outfit begins picking them off in various creative and gruesome ways. Is it Allen, who's had enough with the snobs that tease him? Is it Otis, the head greens keeper who's a little loopy? Or is it Allen's father, back from the dead?

The only thing that saved THE SLEEPER from being complete bottom of the barrel trash was the kills, which really brought be back to the methods of murder in classic late twentieth-century slashers. The same almost applies for THE GREENSKEEPER. Most of the kills are reserved for the last half-hour or so, and they are SUPERB. They're gory, funny, and creative, with each utilizing the golf-theme to a tee (pun not intended). Nails are put in one of those automatic tennis ball shooters, tees are forced through someone's forehead, some gets beaten to death with a nine-iron (I think), and you know those golf ball washers? A DIFFERENT kind of balls is put in it. Ouch.

However, some of the characters in THE GREENSKEEPER are likable, including Allen, Otis, and even Allen's stoner friend. You get a sense that these are real people and they come across as very likable. The snobs that get in, however, you want to see die immediately. This is where it fails as an eighties throwback. Typically in eighties movies, we follow the group for most of the time. Here, most of the time is spent on Allen, and him getting most of the attention causes the movie to drag a tad.

However, I loved the killer's disguise, the ridiculous reveal of the killer (as well as his death), the motive, etc. There are some intentionally funny moments during the first hour or so, but as a whole, it felt very blah before the kills began. It was a bit of a chore to sit through, but the brilliant deaths made up for it.

Overall, I liked it. It's nothing special, but it's a decently fun watch if you want to get your slasher kicks. It's far from a perfect slasher, but it's really not that bad as far as entertainment goes.

Don't go in expecting a new classic, but you could certainly do worse.

I FINALLY got to see this movie. I was looking forward to it but was thoroughly disappointed. The plot, if any was there, was lame and tired at best. The acting was below sub-par (for the corpse). The directing was too choppy with jagged scene shifts and the lighting and audio need help. I would not recommend this double-bogey movie to anyone.

The Greenskeeper is an emotionally shattering experience that will undeniably open your eyes to what cinema can TRULY be. It isn't so much the character's usage of booze or crack, but rather, the emotion that the Greenskeeper conveys that truly sets him apart from your standard slasher villain. The subtle, nuanced performance by John Rocker will captivate the viewer and draw you into the mind of a disturbed, misunderstood soul. When the film is finally released to the general public, do not be surprised if you hear Oscar buzz soon building, not only for Rocker, but for the rest of the exceptional cast as well. In particular, the character of Otis Washington is played marvelously by Thomas Merdis, although it fails to match his prior performance in My Cousin Vinny as The Man in Town Square, which I am positive everyone remembers. All in all this film can only be described as brilliant, although if I were to TRULY and ACCURATELY sing it's praises, I would be sitting here typing all night... Don't miss this mindblowing combination of sex, drugs, and Rocker.

Golf is one of the worst of all possible sports, pointlessly wasteful of natural resources and harmful to the environment; country clubs, as a playground for the rich and powerful, deserve to be abolished outright. Slashers are one of the worst of all possible movie genres, not exactly being known for cleverness. For that matter the early 2000s weren't exactly a great time for cinema, as computer-generated imagery of the era was just advanced enough that everyone and their cousin wanted to make use of it, but not nearly good enough to have aged well thereafter; conceptions of music too often involved very tiresome, sterile pop and radio-friendly rock; and humor was defined by a lot of 'American pie'-like raunchiness and 'Dude, where's my car?' stoner bits, both of which are rather dull and have very limited appeal. Now put all these elements together into one supposed "horror-comedy,' and we have 2002's 'The greenskeeper.' I didn't have high expectations when I sat to watch, but for better and for worse I'll sit for almost anything. The opening scene seems kind of promising, and the film quickly gives us a large roster of awful, obnoxious, privileged white characters that we'll be glad to see sent off to the sand trap of eternity - but otherwise, in all earnestness, this swiftly grows tiresome.

Given that the whole bent here is far less than serious, I suppose it's only fair to wonder if it's not on purpose that everything is so over the top and kitschy, and so pointedly betrays the falseness of the presentation. Are filmmakers Kevin Greene, Adam Johnson, Tripp Norton, and Alex Wier making fun of all these tropes and ideas, or using them for lack of any other creativity, substance, or means? It's a fair question, I think, as our attention is caught in the wrong way by the dialogue, characters, scene writing, and narrative; the attempted humor, the tawdrily boorish and obnoxious sensibilities about sexuality and anatomy; the direction, too much of the acting, the rather bare-faced production values, and cinematography and editing that are only ever unremarkable or outrageous with no middle ground; plain art direction, overbearing music, and aspects of homophobia, racism, and classism. Then again, maybe it's not even a question that really matters, for whether all this is employed in jest or as a sincere expression of film-making, it's just not any fun. In one fashion or another some small moments come off better than others, but I definitely didn't laugh once in eighty-two minutes. I've seen the bottom of the barrel, and this isn't it, but there simply isn't any actual entertainment to be had here.

I guess the practical effects are well done, including blood and gore. The costume design, hair, and makeup are nice, such as they are. The root story in and of itself is decent, if truly nothing special. Despite the worst efforts of all involved, Melissa Ponzio turns in a performance that is fairly admirable. But is there anything else here that's baseline commendable? Is there anything about this that is meaningfully enjoyable? I don't think there is. If you're desperate for slasher fare, juvenile humor circa 2000, nudity, or "horror-comedy," then I guess you'll find what you're looking for. Yet what possible other reason would anyone have to watch this, especially since we could be watching literally anything else instead? What's really terrible is that the only reason I found this in the first place was because the 2018 'Ducktales' episode "The missing links of Moorshire!" was so outstanding that I found myself wondering about other horror or fantasy involving golf; finding this, in turn, feels like the classic notion of a genie granting a wish, but with awful, ironic consequences. There are much worse things one could watch, sure, but for as bland and pretty much outright boring as 'The greenskeeper' is, the distinction doesn't count for much. Check it out if you like, but I don't know why you would.