AVALIAÇÃO DA IMDb
6,6/10
36 mil
SUA AVALIAÇÃO
Jake Vig é um perfeito vigarista prestes a fazer seu maior golpe até agora, um golpe para vingar o assassinato de seu amigo. Mas seu último golpe saiu pela culatra, deixando-o em dívida com ... Ler tudoJake Vig é um perfeito vigarista prestes a fazer seu maior golpe até agora, um golpe para vingar o assassinato de seu amigo. Mas seu último golpe saiu pela culatra, deixando-o em dívida com um chefão da máfia e seu executor.Jake Vig é um perfeito vigarista prestes a fazer seu maior golpe até agora, um golpe para vingar o assassinato de seu amigo. Mas seu último golpe saiu pela culatra, deixando-o em dívida com um chefão da máfia e seu executor.
- Direção
- Roteirista
- Artistas
Luis Guzmán
- Manzano
- (as Luis Guzman)
Tom Lister Jr.
- Harlin
- (as Tommy 'Tiny' Lister)
Nicole Marie Lenz
- Nicole
- (as Nicole Lenz)
Avaliações em destaque
A mediocre script that is saved by the performances of its actors. Ed Burns does pretty good job as the lead in this film and Dustin Hoffman whose brief appearance here shows how a true legend works. Rachel Weisz makes this film a lot of fun with her performance as a sexy female con, and Andy Garcia continues to make himself into one of the great character actors of our generation. The big problem this movie has is its script, and the plot holes and continuity problems that come with it. You can tell that the story really was not though out well, and you can see the rewrites in some of the scenes in the film. Maybe if the script were more though out, we would have had a better movie than we have here right now.
There's this rule in Hollywood that may be unwritten but is nonetheless ironclad: stick to the formula. The hero can't die in a romantic comedy. The drama can't be too funny, and the comedy can't be too sad. Action flicks can't be too deep, and "serious" movies have to be somewhat boring.
On the rare occasions when some movie comes along that breaks these rules, we usually get cinematic excellence. But with Confidence, don't be expecting any deviation from the format. Confidence is a fun, enjoyable, light caper movie. It doesn't pretend to be anything else. And for what it is, it's not half bad.
Edward Burns plays a con man, Jake Vig. Together with his crew of seasoned, confident fellow con men, he scams people out of money. Lots of money. And of course, sooner or later he's bound to pick the wrong person to scam. In this case it's a seemingly innocuous accountant who just happens to work for a mob kingpin, cheesily called "the King" (but played brilliantly by Dustin Hoffman). In a tight spot, Jake agrees to do a con and split the proceeds with the King, to get him off his back. What follows is the usual series of crosses, double-crosses, and triple-crosses while everyone tries to figure out who to trust and who's about to screw who over.
When I say that Confidence follows the rules, I mean it. Crime capers must have wise-talking characters. This does. Crime capers must be stylish. This is. Crime capers must have the token female, whose role is to be sexy but not too sexy. Rachel Weisz fills the part here, and does a decent job at it. (Other such token women included Julia Roberts in Ocean's Eleven, and Angela Bassett in The Score). Crime capers must make the audience scratch their heads trying to piece it all together, but must not make them think about any deeper moral issues of right and wrong. Again, Confidence lives up to that deal on both counts.
Still, it was fun escapist entertainment. And, without giving away too much of the ending, let's just say that I'm always impressed with a movie that manages to surprise me. That alone makes it worth seeing.
On the rare occasions when some movie comes along that breaks these rules, we usually get cinematic excellence. But with Confidence, don't be expecting any deviation from the format. Confidence is a fun, enjoyable, light caper movie. It doesn't pretend to be anything else. And for what it is, it's not half bad.
Edward Burns plays a con man, Jake Vig. Together with his crew of seasoned, confident fellow con men, he scams people out of money. Lots of money. And of course, sooner or later he's bound to pick the wrong person to scam. In this case it's a seemingly innocuous accountant who just happens to work for a mob kingpin, cheesily called "the King" (but played brilliantly by Dustin Hoffman). In a tight spot, Jake agrees to do a con and split the proceeds with the King, to get him off his back. What follows is the usual series of crosses, double-crosses, and triple-crosses while everyone tries to figure out who to trust and who's about to screw who over.
When I say that Confidence follows the rules, I mean it. Crime capers must have wise-talking characters. This does. Crime capers must be stylish. This is. Crime capers must have the token female, whose role is to be sexy but not too sexy. Rachel Weisz fills the part here, and does a decent job at it. (Other such token women included Julia Roberts in Ocean's Eleven, and Angela Bassett in The Score). Crime capers must make the audience scratch their heads trying to piece it all together, but must not make them think about any deeper moral issues of right and wrong. Again, Confidence lives up to that deal on both counts.
Still, it was fun escapist entertainment. And, without giving away too much of the ending, let's just say that I'm always impressed with a movie that manages to surprise me. That alone makes it worth seeing.
Foley's 'Confidence' is very much a formulaic gangster con-thriller with the usual gang, the villain, the feminine touch, the weapons and money and the twists. But it still manages to remain engaging and entertaining. It's a small film but the resources have been adequately used and it is very well executed with style and substance. The cinematography and visuals are wild and the score is energetic.
The story's pretty tight and moves at a steady pace. The characters are richly defined. The dialogues are sharp, witty and funny. Edward Burns's voice-over adds to the humour. Doug Jung does a splendid job indeed in the writing department.
Performances by all the actors is great. Edward Burns is brilliant as the superstitious con artist Jake. His fellow team-members Brian Van Holt and Paul Giamatti are equally good. Rachel Weisz oozes sensuality (but thankfully doesn't go overboard with it) and acts very well. Andy Garcia is adequate and Dustin Hoffman is a natural (this guy will make one laugh out loud).
'Confidence' is a slick stylish thriller that doesn't pretend to be anything else, when compared to other weaker movies like 'The Heist', 'Ocean's 11' or 'The Score'. It follows the formula of the genre but it's a smart film and has its twists that are enough to grip your attention.
The story's pretty tight and moves at a steady pace. The characters are richly defined. The dialogues are sharp, witty and funny. Edward Burns's voice-over adds to the humour. Doug Jung does a splendid job indeed in the writing department.
Performances by all the actors is great. Edward Burns is brilliant as the superstitious con artist Jake. His fellow team-members Brian Van Holt and Paul Giamatti are equally good. Rachel Weisz oozes sensuality (but thankfully doesn't go overboard with it) and acts very well. Andy Garcia is adequate and Dustin Hoffman is a natural (this guy will make one laugh out loud).
'Confidence' is a slick stylish thriller that doesn't pretend to be anything else, when compared to other weaker movies like 'The Heist', 'Ocean's 11' or 'The Score'. It follows the formula of the genre but it's a smart film and has its twists that are enough to grip your attention.
Ed Burns has "Confidence" in this 2003 film also starring Dustin Hoffman, Andy Garcia, Rachel Weisz, Paul Giametti, and Donal Logue.
Burns is Jake Vig, a professional grifter who, with the help of his usual crew, has just swindled a ton of money from a mark. Unfortunately for Jake and his group of merry men -- which includes two LA cops - the mark was an accountant for a crime boss, Winston King. Not a nice guy. And two of Jake's men wind up dead.
Jake doesn't have much choice but to go to King and offer to pull off another huge job that will not only make King a fortune but pay him back. He chooses a banker, Morgan Price, and for this job, he brings in Lily (Weisz). Then Jake finds out an old Federal nemesis of his (Garcia) is following his every move and determined to bring him down.
For what it is, "Confidence" is an okay movie with good performances. It doesn't break any new ground but it's entertaining. And of course, it has the ubiquitous twists. Nowadays there's no suspense or thriller without a few twists. I will say, one I could predict, the other I didn't.
Burns is Jake Vig, a professional grifter who, with the help of his usual crew, has just swindled a ton of money from a mark. Unfortunately for Jake and his group of merry men -- which includes two LA cops - the mark was an accountant for a crime boss, Winston King. Not a nice guy. And two of Jake's men wind up dead.
Jake doesn't have much choice but to go to King and offer to pull off another huge job that will not only make King a fortune but pay him back. He chooses a banker, Morgan Price, and for this job, he brings in Lily (Weisz). Then Jake finds out an old Federal nemesis of his (Garcia) is following his every move and determined to bring him down.
For what it is, "Confidence" is an okay movie with good performances. It doesn't break any new ground but it's entertaining. And of course, it has the ubiquitous twists. Nowadays there's no suspense or thriller without a few twists. I will say, one I could predict, the other I didn't.
'Confidence' is an empty exercise in style. Based on a crooks scheme story filmed with some skill, and acted pretty decently by a good cast, it soon falls in routine and looks like a useless effort. The film is too technical and never succeeds to make us care about the characters or to entangle us in the grip of the plot. Even the final twist in the story comes too late - they lost us already, and good chances are that the spectator went out of the theater, or took the DVD out of the player already. 6/10 on my personal scale. Can be avoided.
Você sabia?
- CuriosidadesThe character of the King was originally written as weighing 250 pounds and owning a boxing gym. When Dustin Hoffman read the script and told the filmmakers that he was interested in the story, but not in playing that kind of character, they rewrote the King to make him a nightclub owner instead.
- Erros de gravação$5m in $100 bills weighs approximately 100lbs. It would not have been so easily maneuvered by Gordo.
- ConexõesFeatured in Anatomy of a Scene: Confidence (2003)
- Trilhas sonorasSuntoucher
Performed by Groove Armada
Written by Jeru the Damaja, Kenny Gamble, Thom Bell (as Thomas Bell),
Roland Chambers, Andrew Cato (as Andy Cato), Tom Findlay (as Thomas C. Findlay),Jonathan White and Keeling Lee
Published by Zomba Music Publishers Ltd. administered by Zomba Enterprises Inc. in the US and Canada (ASCAP)/Warner-Tamerland Publishing Corp./WB Music Corp. (ASCAP) o/b/o Warner/Chappell Music Ltd. (PRS)/Universal - Polygram International Publishing,
Inc. o/b/o Polygram Music Publishing Ltd. (ASCAP) Irving Music, Inc. for itself and Perverted Alchemist Music, Inc. (BMI)
Courtesy of Jive Electro
Contains Sample of "Something for Nothing"
Written by Kenny Gamble (as K. Gamble), Thom Bell (as T. Bell) and Roland Chambers (as R. Chambers)
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Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Confidence
- Locações de filme
- Ontario, Califórnia, EUA(Ontario International Airport location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 12.251.640
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.800.000
- 27 de abr. de 2003
- Faturamento bruto mundial
- US$ 23.014.206
- Tempo de duração
- 1 h 37 min(97 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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