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6,6/10
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Adicionar um enredo no seu idiomaIn Bologna, a young Latin teacher seeks a spouse to continue his family's tailoring legacy. He unexpectedly falls for a vibrant blind woman, igniting a passionate romance that faces oppositi... Ler tudoIn Bologna, a young Latin teacher seeks a spouse to continue his family's tailoring legacy. He unexpectedly falls for a vibrant blind woman, igniting a passionate romance that faces opposition from both sides.In Bologna, a young Latin teacher seeks a spouse to continue his family's tailoring legacy. He unexpectedly falls for a vibrant blind woman, igniting a passionate romance that faces opposition from both sides.
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- 4 vitórias e 12 indicações no total
Avaliações em destaque
"Incantato (Il Cuore altrove)" is a beautiful looking film with an odd set-up and story line.
It's set in the Northern Italy of pre-World War II as that's about the last point one could have such naive characters, particularly the central man, a 35-year-old virgin classics teacher whose idea of love is what he's learned from the Latin poets.
He is a misfit everywhere - from his earthy family of Papal tailors, from beloved choruses because he sings too loudly, from his boarding housemates and their assignations, from the school administration about curriculum, and especially from women. He is under orders from his father, Giancarlo Giannini (in a virtual cameo whose comically vulgar language is not fully translated in the English subtitles), to get laid and get married, not with the same woman, so that he can follow dad's lifestyle in business, marriage and affairs.
He becomes infatuated with first one then another inappropriate woman, for opposite reasons. While he is sweet, and he wins over his students and all who he comes in contact with and his improbable courtships are charming to a point, but as we feel more and more sorry for him as we hope he won't but are sure he will end up in heart break, the movie just gets too unreservedly bittersweet.
The ending is simply a head-scratcher. The movie titles certainly don't help -- the original Italian title translates as "The Found Heart," while the U.S. title translates as "Enchanted" and neither is helpful to interpretation. (One member of the audience came to the movie not realizing it would be the same film she had already seen under the former title.)
The subtitles are not only annoyingly white on white, but put up both parts of a conversation at the same time.
It's set in the Northern Italy of pre-World War II as that's about the last point one could have such naive characters, particularly the central man, a 35-year-old virgin classics teacher whose idea of love is what he's learned from the Latin poets.
He is a misfit everywhere - from his earthy family of Papal tailors, from beloved choruses because he sings too loudly, from his boarding housemates and their assignations, from the school administration about curriculum, and especially from women. He is under orders from his father, Giancarlo Giannini (in a virtual cameo whose comically vulgar language is not fully translated in the English subtitles), to get laid and get married, not with the same woman, so that he can follow dad's lifestyle in business, marriage and affairs.
He becomes infatuated with first one then another inappropriate woman, for opposite reasons. While he is sweet, and he wins over his students and all who he comes in contact with and his improbable courtships are charming to a point, but as we feel more and more sorry for him as we hope he won't but are sure he will end up in heart break, the movie just gets too unreservedly bittersweet.
The ending is simply a head-scratcher. The movie titles certainly don't help -- the original Italian title translates as "The Found Heart," while the U.S. title translates as "Enchanted" and neither is helpful to interpretation. (One member of the audience came to the movie not realizing it would be the same film she had already seen under the former title.)
The subtitles are not only annoyingly white on white, but put up both parts of a conversation at the same time.
Pupi Avati is one of the best current directors working in the Italian Cinema. He is an original. His stories are never boring and he has the talent to create a stir among his viewers.
There is a role reversal here. Nello, the young Latin and Greek professor, has never known love, nor has he pursued it before. He meets and falls in love with Angela, the rich society girl that is temporarily blind. Little does Nello knows what he is getting into. Angela wants a vendetta against the real love of her life, who has abandoned her, when she loses her sight, for another.
The irony of the story is that Nello, even though he can see, is in reality the blind one, and it is Angela, the blind one, who will go to extremes to use him until she achieves the revenge she wants, except that at one point, she comes to realize that Nello adores her, but it's too late because then all she wants is to go ahead with an operation that might restore her eyesight.
Neri Marcore, is perfect as Nello. He makes us believe he is the awkward and naive Nello. Giancarlo Giannini is Cesare, Nello's father, who cheats on his wife, shamelessly. Vanessa Incontrada is perhaps the weakest of the principals since it appears this is her first appearance in a film.
Pupi Avati delivers another film that is well crafted and makes one think.
There is a role reversal here. Nello, the young Latin and Greek professor, has never known love, nor has he pursued it before. He meets and falls in love with Angela, the rich society girl that is temporarily blind. Little does Nello knows what he is getting into. Angela wants a vendetta against the real love of her life, who has abandoned her, when she loses her sight, for another.
The irony of the story is that Nello, even though he can see, is in reality the blind one, and it is Angela, the blind one, who will go to extremes to use him until she achieves the revenge she wants, except that at one point, she comes to realize that Nello adores her, but it's too late because then all she wants is to go ahead with an operation that might restore her eyesight.
Neri Marcore, is perfect as Nello. He makes us believe he is the awkward and naive Nello. Giancarlo Giannini is Cesare, Nello's father, who cheats on his wife, shamelessly. Vanessa Incontrada is perhaps the weakest of the principals since it appears this is her first appearance in a film.
Pupi Avati delivers another film that is well crafted and makes one think.
While this movie has some good moments, I found both the plot and the pace of the movie uneven to the point where I was not engaged in the movie for most of the time. The lead actor is talented, so talented and so convincing as the sweet, lonely, and socially awkward 35 year-old he plays - at points in the movie - you feel bored of him and tired of his introversion and immersion in ancient poetry. The leading lady, while beautiful, does not deliver a convincing performance. That role required an actor with a broader range and she falls flat. There are, however, scenes that made me laugh aloud and all of them featured the legendary Giancarlo Giannini.
If you enjoy lush European/Italian settings and fairy-tale stories, with poignant, but not unhappy endings, you'll enjoy this film. Beautiful setting, some "stereo-types" in characters, but suspend reality for a few hours and enjoy the tale of the MALE ugly-duckling who gets a chance to spend some time with his "swan" even though it's not meant to be forever.
This ostensibly simple but ultimately haunting tale of a virginal teacher in search of a soul mate of proportions equal to the Latin and Greek verses he teaches captures the essence of selfless love, so very rare in male film protagonists since the invention of the Spaghetti Western (also Italian!).
Bookworm Neri Marcore is sent from Rome to Bologna by father Giancarlo Giannini (who's tailor to the Pope and well-versed extramaritally) to learn something about the opposite sex. And learn his son does when he meets the beautiful Vanessa Incontrada at a dance for the blind. But blindness turns out to be more than meets the eye when Vanessa's previous life catches up with them both.
Marcore's subtle performance is reminiscent of Chaplin at his most engaging and Olivier at his most nuanced, with Marcore's smile leaving an imprint long after the screen fades to black.
Bookworm Neri Marcore is sent from Rome to Bologna by father Giancarlo Giannini (who's tailor to the Pope and well-versed extramaritally) to learn something about the opposite sex. And learn his son does when he meets the beautiful Vanessa Incontrada at a dance for the blind. But blindness turns out to be more than meets the eye when Vanessa's previous life catches up with them both.
Marcore's subtle performance is reminiscent of Chaplin at his most engaging and Olivier at his most nuanced, with Marcore's smile leaving an imprint long after the screen fades to black.
Você sabia?
- CuriosidadesVanessa Incontrada's debut.
- Erros de gravaçãoAccording to the English subtitles, Nello walks into Angela's room and says, "Good morning". They only talk for a few minutes. She then asks him if it is dark outside, to which he replies: "It's almost evening". However, this is not necessarily a mistake in the original Italian. "Buon giorno" is said until afternoon, and "buona sera" takes over from 5 p.m. onwards. Saying "E' quasi sera" would not be an error if the scene began at lunchtime.
- ConexõesReferences Luzes da Cidade (1931)
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 131.993
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.701
- 26 de set. de 2004
- Faturamento bruto mundial
- US$ 3.105.235
- Tempo de duração
- 1 h 47 min(107 min)
- Cor
- Proporção
- 2.35 : 1
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