A Verdadeira História de Martin e Lewis
Título original: Martin and Lewis
- Filme para televisão
- 2002
- 1 h 32 min
AVALIAÇÃO DA IMDb
6,4/10
845
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaThe story of the 10-year rocky relationship between Dean Martin and Jerry Lewis.The story of the 10-year rocky relationship between Dean Martin and Jerry Lewis.The story of the 10-year rocky relationship between Dean Martin and Jerry Lewis.
- Direção
- Roteiristas
- Artistas
- Indicado para 1 Primetime Emmy
- 7 indicações no total
Fotos
Todd Bendera
- Audience Member
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I was pulled into this movie, despite a clichéd and standard TV movie type script. This was probably due to the performances and good recreation of the times.
Sean Hayes does not look like Jerry Lewis but made a good stab at recreating his manic energy and routines. Only in the dramatic scenes did I feel a lack of insight in his performance.
Jeremy Northam convinced admirably with his laid back Dean Martin, unfortunately he had little material to work with script wise but got across Dino's couldn't care less attitude which rolled along for years with Lewis until he could take no more.
I think the fault with the movie was that it was made when only one of the duo has passed on, so perhaps there were Lewis traits that had to be down graded at the expense of Martin. However to be fair they did show some of Lewis's control freakery and joke stealing that led to the final breakup.
Still for a TV movie it was definitely above average, these 2 stars were huge successes in their partnership days, and each went on to show their own brand of showbiz genius as they went their separate ways afterwards. In the end a rather sad story.
Sean Hayes does not look like Jerry Lewis but made a good stab at recreating his manic energy and routines. Only in the dramatic scenes did I feel a lack of insight in his performance.
Jeremy Northam convinced admirably with his laid back Dean Martin, unfortunately he had little material to work with script wise but got across Dino's couldn't care less attitude which rolled along for years with Lewis until he could take no more.
I think the fault with the movie was that it was made when only one of the duo has passed on, so perhaps there were Lewis traits that had to be down graded at the expense of Martin. However to be fair they did show some of Lewis's control freakery and joke stealing that led to the final breakup.
Still for a TV movie it was definitely above average, these 2 stars were huge successes in their partnership days, and each went on to show their own brand of showbiz genius as they went their separate ways afterwards. In the end a rather sad story.
More and more, as the evolution of television leaps forward with such groundbreaking shows as 24, Band of Brothers and 6 Feet Under, we are taught how antiquated and limited your basic TV Movie has become. No better example here in MARTIN AND LEWIS which in years past would shine as your basic movie-of-the-week. But now, with those shining comparisons, it seems like a low-budget, commercial-laden highlight reel of a much longer and complex tale. That being said, the one thing that does rise above it's medium here is the talents of both Northam and Hayes. Jeremy Northam has a twinkle in his eye as he dances around the murmuring voice cadences of Dean Martin (who seems to be positing that Martin sounded drunk even when he wasn't...if that is possible). I don't know another actor who could so effortlessly play Martin's playful masculinity. Unfortunately the actor is forced to go from 0-60 because he must portray divorce, conflict and then playful boozer in scenes back-to-back. The same can be said of Hayes ,who has the unenviable job of homaging an actor still alive and is under that scrutiny (with the apparent well-wishing Lewis on-hand). Both actors live up to their spot-on casting but the production seems bogged down by it's limited time-length and by the length of ground it needs to cover (which it wearily tries to compensate for by endless scrolls of posters portraying the countless films these two did together). All in all, a great effort but, once again, it leaves one asking..."Why didn't they do this on HBO?" which is less a criticism of the movie than of network programming altogether.
Save for a slight alteration of a fact in the genesis of the Dean Martin and Jerry Lewis saga, this made-for-television bio-pic is perfect in its story and depictions. The alteration concerns how the duo got together for what would be the triggering of their memorable 10-year partnership. The film shows Lewis, about to bomb himself out of his engagement at the 500 Club in Atlantic City, phoning Martin's (first) agent, Lou Perry. Lewis specifically asks him to send Dean to reprise their earlier-shown, spur-of-the-moment, stage collaboration (at the Havana-Madrid Club). In reality, it was the compassionate Perry who, upon receiving a frantic call from a sobbing Jerry Lewis asking for help, decides to send Dean Martin to the rescue. The result correctly is shown to be alchemic, and, for at first better-then-worse, the Martin and Lewis team is truly born. In 1973, Arthur Marx penned an outstanding bio-novel about the duo, "Everybody Loves Somebody Sometime." As Marx, the writers/producers of this film are admirably unafraid to present full character profiles of Martin and Lewis. As human beings, the performers sometimes glaringly left much to be desired. Jeremy Northam and Sean Hayes, as Dean and Jerry, give excellent performances, as do Paula Gale and Kate Levering as Martin's first and second wives, Betty and Jeanne. This is a first-rate production, not the least of its values is its capturing of the post-war cultural flavor of the period in which the Martin and Lewis tandem flourished.
I think a better title for "Martin & Lewis" would have been, "Dean Martin was nothing without Jerry Lewis". Sadly, this was not true.
It's no surprise that Lewis said he loved this film. At the same time, I'm sure if Martin were alive today, he would feel he had just been roasted, in a bad way.
It seems as though this film was actually written by Jerry Lewis or by fans of Lewis angry at Dean Martin. The portrayal of Dean Martin in this film as an alcoholic, philandering, friend of mobsters is wholly inaccurate. This TV-movie would have you believe that without Lewis, Martin would have gone down in flames early in his career. Again, this is simply not true. Dean Martin was already a success when Lewis came along with sole comic routine. Further proof against this fallacy is the fact that Martin went on, after the dissolution of the partnership, to a very successful career in films and music.
The real story as to why this partnership broke-up? Jerry Lewis was an insecure, money-grubbing, control-freak that would steal Martin's lines and would be jealous of any attention Martin would get. Does this TV-film allude to any of this? To its' credit, yes, it does, but the films' writers dire need to try and show a balanced reason for why the comedy team broke up moves past these issues far too fast and attacks Martin in ways that have no connection to reality.
The worst part of all this is that I didn't even find myself laughing at any of the "comic" bits that were in this film. I think if you're going to make a film about one of the most successful comedy teams in history, you should at least make some of it funny.
It's no surprise that Lewis said he loved this film. At the same time, I'm sure if Martin were alive today, he would feel he had just been roasted, in a bad way.
It seems as though this film was actually written by Jerry Lewis or by fans of Lewis angry at Dean Martin. The portrayal of Dean Martin in this film as an alcoholic, philandering, friend of mobsters is wholly inaccurate. This TV-movie would have you believe that without Lewis, Martin would have gone down in flames early in his career. Again, this is simply not true. Dean Martin was already a success when Lewis came along with sole comic routine. Further proof against this fallacy is the fact that Martin went on, after the dissolution of the partnership, to a very successful career in films and music.
The real story as to why this partnership broke-up? Jerry Lewis was an insecure, money-grubbing, control-freak that would steal Martin's lines and would be jealous of any attention Martin would get. Does this TV-film allude to any of this? To its' credit, yes, it does, but the films' writers dire need to try and show a balanced reason for why the comedy team broke up moves past these issues far too fast and attacks Martin in ways that have no connection to reality.
The worst part of all this is that I didn't even find myself laughing at any of the "comic" bits that were in this film. I think if you're going to make a film about one of the most successful comedy teams in history, you should at least make some of it funny.
If you liked Martin and Lewis movies, then you'll like this movie. It tells of the rocky history that may not have known about these two. I was pleasantly surprised when I saw it. Even though it was a made for TV movie, You'll still like it. I would even watch it again.
Você sabia?
- CuriosidadesJerry Lewis himself insisted on coaching Sean Hayes on how to portray him and his mugging and physical comedy accurately for the film.
- Erros de gravaçãoWhen Dean and Jerry are driving through Hollywood for the first time, there is a crew member/cameraman clearly sitting on the the hood of the car, or where the hood would be.
- ConexõesFeatured in 9th Annual Screen Actors Guild Awards (2003)
- Trilhas sonorasThat's Amore
(uncredited)
Music by Harry Warren
Lyrics by Jack Brooks
Performed by Jeremy Northam during a re-enactment of the Colgate Comedy Hour
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Martin and Lewis
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 32 min(92 min)
- Cor
- Mixagem de som
- Proporção
- 1.33 : 1
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