Looney Tunes: De Volta à Ação

Daffy Duck finally has enough of playing second fiddle to Bugs Bunny, he quits the Hollywood studio and teams up with Bobby Delmont (Brendan Fraser) an ex-stuntman; together they go on a mission to rescue Damian Drake (Timothy Dalton) a spy who has been captured by the evil chairman of the Acne corporation (Steve Martin)

With strong comic performances from Brendan Fraser, Steve Martin and Jenna Elfman, plus everyone's favourite Looney Tunes, this film is a good laugh for the whole family, and the blend between cartoon and real life is the best i have seen.

7/10

I really like Jenna Elfman (Kate) as a comedienne. She generally does pretty well. She started off great in Looney Tunes searching for Daffy Duck to get him back to the studio, because her job depended on it. But then the plot morphs into Brendan Fraser (Drake) looking for his father and Elfman becomes simply a spectator in the second half of the movie. She becomes a prop on the set, rather than a character having something to do with the action.

After her trip to Las Vegas in the film, Kate serves pretty much as a prop rather than as a character. She does throw a monkey wrench and puts a piece into a puzzle. But after the trip to Las Vegas, Ms. Elfman is mostly just a prop on the set. When the camera goes to her, she is simply standing there watching at Brendan Fraser (Drake) do his part. Fraser does pretty well. He does act through out, but in the second half of the film Elfman is simply a prop.

I went to see this film as a fan of Ms. Elfman's. I heard Ms. Elfman on TV state that she wanted to do more films with Fraser. That will probably be a good thing. I know she can act as I have seen her in other films doing a great job. I think Elfman & Fraser will make a good pair, but Elfman has got to do more acting and less spectating. The definition of "act" is "do", not "spectate" or "watch".

I give the first half a 7 and the second half a 3 for an average of 5. After the first half I was just hoping it would end.

The real fun of this movie is to see if you can catch all the gags in it such as the show frog eating flys and the man sneaking away with him as in the cartoon. I'll have to watch it again to catch them all. It was also fun to see them use stuff from other films and shows such as the Daleks saying "exterminate, exterminate" What a hoot. The movie is so so, good, not great IMNHO and they did give plenty of safe eye candy for the men in the audience.

I'm a huge Looney Tunes fan, if not a major cartoon fanatic alone, so when I found out this movie was being made, I jumped for the chance to see it. First off, I was thrilled to see that the creators stuck to the "Roger Rabbit" technique, in which the cartoons were all hand-drawn and computers are only used to add color and depth (to give the 3D appearance of the characters). Second, I thought that the cartoons themselves were great. Bugs, Daffy, Porky, Yosemite Sam, Foghorn, Speedy Gonzales, Elmer... they all stuck to the same characteristics that I grew to love watching Bugs Bunny cartoons on Saturday morning. The only real draw-back of this movie was, without a doubt, the live-action actors. Brendan Fraser is good, but he can't live up to his past movies (especially "The Mummy" saga). The same goes to Jenna Elfman, who's talent is severly wasted as she comes across as the most serious character in the whole movie. Timothy Dalton, as usual, is flawless (and if you look closely, you can actually see how closely Fraser and Dalton look alike). Steve Martin, meanwhile, makes one of the worst performances of his career, and acts WAY too over the top, even for an eccentric villain.

The movie is good, but only is you are a truly devoted cartoon-lover (if you are, then you'll get a huge kick out of the opening sequence alone). Overall, come for Bugs, leave for Martin.

Ever since "Who Framed Roger Rabbit" hit theaters in 1988, Hollywood has tried to replicate the formula of placing animated characters in the real world and vice-versa. "Space Jam" was loved when first released but now seems like a feature length commercial for Michael Jordan's career. "The Adventures of Rocky and Bullwinkle" worked on a spot-the-cameo level but little else. "Cool World" has for the most part blissfully faded from memory.

Then along comes "Looney Tunes: Back in Action" and does the impossible - it manages to be funny, entertaining and lively while still slowing things down at times to be insightful. Loaded with numerous celebrities mugging for the camera, satirical jabs at Hollywood and pop cultural references out the ying-yang, the movie has the true frantic nature of a cartoon.

Daffy Duck (voice of Joe Alaskey) has become fed up by constantly playing second banana to Bugs Bunny (also Alaskey) for the past six decades. He makes an ultimatum - either he gets equal billing and pay alongside Bugs, or he's out of there. Warner Bros. Vice President Kate Houghton (Jenna Elfman) promptly gives the duck the boot, and while vindictively wrecking havoc on the studio lot, Daffy hooks up with ne'er do well security guard D.J. Drake (Brendan Fraser) who happens to be the son of famous movie spy Damian Drake (Timothy Dalton).

D.J. is fired as well for not be able to stop Daffy's rampage, and reluctantly goes home with the duck in tow. However, things go crazy when he discovers that his father really is a spy and has been captured by the evil President of the ACME Corporation (Steve Martin). D.J must take up his father's mission of seeking the Blue Monkey Diamond, a mystical jewel that - like all mystical items in such movies - can be deadly in the wrong hands. Daffy's eyes naturally light up with greed at the sound of the word diamond and joins D.J.

Meanwhile, Kate is facing her own dismissal following less then stellar studio reviews of the latest Bugs cartoon without Daffy, and must track down the duck with Bugs' help to convince him to return. The four unlikely heroes team up to stop ACME, save Damian Drake and patch up Bugs and Daffy's fractured partnership.

A lot of love went into this product and it shows. Some of the best jokes are attacks on numerous sensitivity issues that protest groups have mounted against cartoons in the past few decades. Porky Pig and Speedy Gonzalez lament the effect that political correctness is having on their careers while Daffy is told that his constant complaining makes him appealing only to angry bald men who live in basements.

Sight gags rain in as well, the most memorable being a wonderfully conceived scene in the Louvre Museum in Paris where Elmer Fudd chases Bugs and Daffy in and out of numerous famous paintings like "The Scream" and "Persistence of Memory."

The voice acting here is all near perfect. Alaskey does a much better job imitating Mel Blanc's famous Bugs Bunny voice then Billy West did in "Space Jam." Bugs is still the street smart Brooklyn hustler he has always been, and adds a nice bit of levity to the proceedings.

Daffy is still delightfully conceited and selfish, though in a nice change of pace he is actually allowed to be heroic at some points. Also, it should be noted that while Bugs clearly control every scene he's in, this in indeed Daffy's movie and he carries it well.

Fraser has a strong enough presence to play alongside cartoon characters but doesn't have much to do in the humor department. We're reminded that like in "Dudley Do-Right," Fraser just can't make a character funny without decent lines.

Elfman is also lively but remains wallpaper to her animated co-stars, as she should. Dalton on the other hand manages to be serious and goofy at the same time, and seems to be having a great time spoofing his own James Bond character.

But it's Martin who really puts in a performance here, playing the ACME President with a combination of Jim Carrey's loose-limbed gait and Robin Williams' rapid-fire dialogue. He's a truly unique character for Martin to play, a live action cartoon competing for screen time with Bugs and the others. Martin makes him Dr. Evil as played by Jerry Lewis.

Director Joe Dante films this with the same tongue-in-cheek abandon that he used to bring "Gremlins" and "The Howling" to life. The movie's success owes much to his respect for cartoons, and his desire to undo the harm that "Space Jam" did to the characters is a breath of fresh air.

Along with fellow Warner Bros. characters like Wile E. Coyote, Pepe Le Pew and Sylvester the Cat, the movie also makes room for cameos by wrestler Bill Goldberg, Joan Cusack and even legendary B-movie schlockmeister Roger Corman.

"Looney Tunes: Back in Action" lacks the same originality that made "Roger Rabbit" immortal, but still has the energy and wit to remain memorable for decades to come. The movie twists the legends of the Warner stable while still honoring their personalities, and as such the movie works as both an homage to and a wink-at-the-audience spoof of the classic cartoons. It's a movie even Daffy will love.

Eight out of ten stars. Funny toons makes up for some lifeless actors, and the Looney Tunes legacy is returned to its former glory. Nothing despicable here.