Adicionar um enredo no seu idiomaStripped of possessions and rights, German and Eastern European Jews flee to an unlikely destination to avoid persecution from the Nazis.Stripped of possessions and rights, German and Eastern European Jews flee to an unlikely destination to avoid persecution from the Nazis.Stripped of possessions and rights, German and Eastern European Jews flee to an unlikely destination to avoid persecution from the Nazis.
- Prêmios
- 2 vitórias no total
Irene Eber
- Self
- (as Prof. Irene Eber)
Betty Grebenschikoff
- Self
- (as I. Betty Grebenschikoff)
David Kranzler
- Self
- (as Prof. David Kranzler)
Avaliações em destaque
I found this documentary by chance in my local public library and I was very impressed. The stories of the Jewish refugees are moving and offer insight into a little-known or discussed part of history. It is well worth seeking out and watching this film.
The only criticism I can make: I wish that the filmmakers had used an interpreter in order to speak with more Chinese people (not just the single English-speaking historian). It would have been fascinating to hear from some of the Chinese people who lived alongside the Jewish refugees during WWII and I think that would have really added to the film's reconstruction of history.
The only criticism I can make: I wish that the filmmakers had used an interpreter in order to speak with more Chinese people (not just the single English-speaking historian). It would have been fascinating to hear from some of the Chinese people who lived alongside the Jewish refugees during WWII and I think that would have really added to the film's reconstruction of history.
10hans_22_
My grandfather was a Jew in Shanghai during the holocaust. I have done a lot of research about the Jews in Shanghai and it is nice to see that this documentary was put together to inform people about this part of history that is not widely known. It is both touching and heartfelt, sad and liberating. I have always wondered exactly why China opened its doors to the Jews. I am thankful for all they did for my grandfather and thousands of other Jews. China's compassion has touched many generations and I feel indebted to the Chinese because of their kindness and understanding. This part of my heritage has sparked an interest for me about China and I will be teaching English there in a few months. I have traveled to China twice and have made many wonderful friends. The first time I went, I had a chance to go to Shanghai and I saw the memorial dedicated to the Jews of Shanghai. That trip is something I will always remember.
This was an incredible documentary. I was not aware of this part of Jewish History. This was such an interesting story, and so well done. It is emotional at parts and extremley strong. The only thing wrong with this movie is its not long enough. I left wanting to see and know more.
Being a Chinese this documentary moved me in many different ways. The Jewish refugees who were interviewed in this movie viewed the hardship they experienced in the Shanghai Ghetto as positive in general. Even though they were often sick from various diseases because living conditions were poor, and they were often hungry. They appreciated the Chinese spirit, their work ethics, and their ability to survive under the harsh Japanese occupation during the war. Most of all they were grateful to have been able to live in China and were spared the death camps many of their family members were not able to escape. This movie is a testament of the triumph of human spirit over the horrendous adverse conditions and oppression they endured during that turbulent period. All high schools/colleges should show this very well made movie to their students because they can learn so much from watching it. I am so glad I did.
Documentaries about the Holocaust tend to fall into two classes. The first is the wide view of central events and personalities, subjects that very many people recognize. Intriguingly, a second class of film emerges from time to time: documentaries that educate by illuminating a thread of history relatively or even almost totally unknown to most. Such a film is Dana Janklowicz-Mann and Amir Mann's subtly powerful "Shanghai Ghetto," the story of frightened German and Austrian Jews who after "Kristallnacht" and before the borders were sealed found refuge in Japanese-occupied Shanghai, the great Chinese port.
With documentary footage and well-edited interviews of men and women who trekked to Shanghai and now appear to live in comfort, as well as with commentary by several academics and narration by Martin Landau, the directors tell a fascinating story.
As Western European countries, Great Britain and the U.S. fell over themselves expressing sympathy for the plight of Germany's Jews while insuring that few would find refuge within their respective nations' borders, Shanghai was a destination where, miraculously, anyone could debark from a ship without passport or visa. Shanghai before 7 December 1941 was an odd city, a metropolis where the Japanese freely and without compunction murdered and brutalized Chinese residents while respecting the international enclaves that enjoyed extra-territorial status from the days of the Opium Wars.
Why the Japanese, in league with their Nazi partners, seemed to care little about the sudden influx of European Jews isn't clear. The film suggests that the Japanese had some sort of bizarre but fixed belief that the myths about Jewish hegemony over banks and industry would somehow benefit their Empire. I doubt that explanation has any validity. I suspect that at first the Japanese simply didn't much care about these refugees and then discovered they had to deal with them. After Pearl Harbor when both British and American nationals were interned the Jews dwelled in a twilight world with some restrictions but overall a remarkable degree of freedom.
The interviewees describe harsh living conditions but it's clear almost from the first comments how relative that concept is. That many if not all the escapees lost an affluent or at least middle class lifestyle is certain. There was disease and insanitary conditions abounded but these were largely endemic to pre-Maoist China, not the result of ghettoization as in Eastern Europe. An Israeli professor and several of the elderly interviewees can't even concur as to whether the Japanese actually established a ghetto. The professor says they didn't and the former residents use the term "ghetto" repeatedly.
There is a curious juxtaposition between the interviewees describing their travails and period footage and still photos showing a fairly vibrant Jewish community with music, art, literature and sports clubs. The Shanghai Jews were free to form their cultural groups and pursue their interests as they wished. This was not Theriesenstadt with its horrific Nazi-created Potemkin Village orchestra and drama company.
Of course the uprooted refugees suffered hardship and a few of them on this film suddenly draw a sharp breath before a sob and tears interrupt the flow of their narrative. In one of my favorite Manhattan theaters, (the small Quad on 13th Street between 5th and 6th) the house was packed people running in age from about thirteen to their eighties. The impact of learning this chapter of Hitlerian monstrosity was palpable.
Near the end of the film familiar stock footage of Nazi death camps and crematoria, replete with victims, is shown alternating with the interviewees' honest, to a degree anguished, reflection that, as several say, they were living in "paradise" compared to the many relatives they lost in the cauldron of evil. Or the survivors in Europe. Not until the war ended did the Shanghai refugees learn the fate of European Jewry.
Whatever the relative scales of suffering by widely separated survivors, the producers/directors have added a unique chapter of Holocaust history to the archives. "Shanghai Jews" is a thoroughly engrossing work, complemented by the music of Sujin Nam and largely performed on the Chinese erhu.
This film won't be shown in many venues but it ought to be widely televised and certainly made available for rental or purchase.
9/10.
With documentary footage and well-edited interviews of men and women who trekked to Shanghai and now appear to live in comfort, as well as with commentary by several academics and narration by Martin Landau, the directors tell a fascinating story.
As Western European countries, Great Britain and the U.S. fell over themselves expressing sympathy for the plight of Germany's Jews while insuring that few would find refuge within their respective nations' borders, Shanghai was a destination where, miraculously, anyone could debark from a ship without passport or visa. Shanghai before 7 December 1941 was an odd city, a metropolis where the Japanese freely and without compunction murdered and brutalized Chinese residents while respecting the international enclaves that enjoyed extra-territorial status from the days of the Opium Wars.
Why the Japanese, in league with their Nazi partners, seemed to care little about the sudden influx of European Jews isn't clear. The film suggests that the Japanese had some sort of bizarre but fixed belief that the myths about Jewish hegemony over banks and industry would somehow benefit their Empire. I doubt that explanation has any validity. I suspect that at first the Japanese simply didn't much care about these refugees and then discovered they had to deal with them. After Pearl Harbor when both British and American nationals were interned the Jews dwelled in a twilight world with some restrictions but overall a remarkable degree of freedom.
The interviewees describe harsh living conditions but it's clear almost from the first comments how relative that concept is. That many if not all the escapees lost an affluent or at least middle class lifestyle is certain. There was disease and insanitary conditions abounded but these were largely endemic to pre-Maoist China, not the result of ghettoization as in Eastern Europe. An Israeli professor and several of the elderly interviewees can't even concur as to whether the Japanese actually established a ghetto. The professor says they didn't and the former residents use the term "ghetto" repeatedly.
There is a curious juxtaposition between the interviewees describing their travails and period footage and still photos showing a fairly vibrant Jewish community with music, art, literature and sports clubs. The Shanghai Jews were free to form their cultural groups and pursue their interests as they wished. This was not Theriesenstadt with its horrific Nazi-created Potemkin Village orchestra and drama company.
Of course the uprooted refugees suffered hardship and a few of them on this film suddenly draw a sharp breath before a sob and tears interrupt the flow of their narrative. In one of my favorite Manhattan theaters, (the small Quad on 13th Street between 5th and 6th) the house was packed people running in age from about thirteen to their eighties. The impact of learning this chapter of Hitlerian monstrosity was palpable.
Near the end of the film familiar stock footage of Nazi death camps and crematoria, replete with victims, is shown alternating with the interviewees' honest, to a degree anguished, reflection that, as several say, they were living in "paradise" compared to the many relatives they lost in the cauldron of evil. Or the survivors in Europe. Not until the war ended did the Shanghai refugees learn the fate of European Jewry.
Whatever the relative scales of suffering by widely separated survivors, the producers/directors have added a unique chapter of Holocaust history to the archives. "Shanghai Jews" is a thoroughly engrossing work, complemented by the music of Sujin Nam and largely performed on the Chinese erhu.
This film won't be shown in many venues but it ought to be widely televised and certainly made available for rental or purchase.
9/10.
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- Citações
David Kranzler: Shanghai became a real option for those Jews who had no place to go and they scrambled to buy all the luxury ship tickets to go to Shanghai because that was the only way you could go at that point.
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Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 712.446
- Fim de semana de estreia nos EUA e Canadá
- US$ 10.356
- 29 de set. de 2002
- Faturamento bruto mundial
- US$ 712.446
- Tempo de duração1 hora 35 minutos
- Cor
- Mixagem de som
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