A Hora da Religião

L'ora di religione is not a beautiful movie in any sense of the word. It is dark, the shadows and lights of Rome are matched by the moody vision of the director. Bellocchio plays with images Fellini style, but doesn't focus so much on the caricature in 8 & 1/2 style, but tries to convey the ambiguity of contemporary religious life. It's the ambiguity of modernity; cell phones versus pictures of the saints, the feared "immaginette" Italian kids grew up with. Nothing can change, but so much has changed. Bellocchio's movie style is ripe with symbols: a fat Jesus crosses the road with a plastic cross. Priests in the Vatican force african kids to climb stairs on their knees: the church is portrayed to exploit the same old mother load: the poor, the weak, the ignorant, the child. At some point Ernesto, the main character masterfully played by Castellitto finds himself involved in an incongruous duel with a symbol of a past so remote it appears comical: he loses the duel instantly as the swords cross. Nothing can change. Yet we can maybe hope to keep our identity, and even if god's pervasive presence deprives us of freedom, as Ernesto's son is taught, falling in love, shouting a blasphemous curse can be an act of individuality. Or maybe not.

Marco Bellocchio is a voice in the Italian cinema that has been present for about four decades now; he is still going strong. Like a good wine, Mr. Bellocchio gets better with the passage of time. His latest film to get a commercial run is "Ora di religione". This is a complex movie worth taking a look at it, as it presents us a different input on how the director, who also wrote the screen play, views religion, and the Catholic Church in general.

Italy is a supposedly Catholic country. Like the rest of Europe, Italy is going through a change in the way the Catholic Church exerts its influences in everything. More and more, people are asking about what they were taught as children and the realities of modern life where science explains mysteries that were not questioned before.

If you haven't seen the film, perhaps you should stop reading here.

Mr. Bellocchio decides to take a look at the issue of sainthood and its ramifications, as it affects a bourgeois family in turmoil. The Picciafuoccos come from a family of five sons. Egido, has killed his mother, who is being considered for canonization because someone claims he has been cured of a horrible fatal disease by praying to the matriarch of the family.

At the center of the story we find Ernesto, the artist son. He becomes concerned when Irene, his estranged wife, tells him about a change in their young son, Leonardo. This boy has become obsessed with the dogma being taught to him in his school. In his young mind, Leonardo can't differentiate between reality and what he has learned. Thus, he feels about talking to God, because he's everywhere.

Ernesto learns about the possibility of his mother being declared a saint by a cardinal who wants to interview the family and clarify an aspect of her death. The machinery has been set in motion. Ernesto realizes with horror how the family is affected by the news. Ernesto gets to realize what each brother, as well as his aunts, stand to benefit when his late mother be declared officially a saint. The wheels of commercialism have been set in motion and they will not stop the personal ambitions from each one in the family.

In Sergio Castellitto, the director has found the perfect actor to play Ernesto. Mr. Castellitto has demonstrated he is one of the best actors of the moment, as well as an excellent director. He gives an amazing performance as Ernesto, the son that questions his family's motives as well as what he sees in that society.

The ensemble cast is wonderful. The film is dark. It kept reminding this viewer of some of the best films of the Italian classic cinema without imitating any style at all. Mr. Bellocchio is an original who has his own voice. He questions a lot of things that most of us have taken for granted, but are unresolved in the prodigious mind of Marco Bellocchio.

"My Mother's Smile (L'Ora di religione: Il sorriso di mia madre)" is a rollicking take on Catholicism that's very like how "I Heart Huckabees" treated existentialism, but with even more Tom Robbins-like absurdist humor.

Almost Kafka-like, with a touch of Woody Allen, the central character is the straight man in the joke, particularly with Sergio Castellitto's hang dog look (he was the Italian lover in "Mostly Martha") as he wakes up one morning to discover that his mother is about to be declared a saint.

We see the impact of this hypocritical quest on his ex-wife, brothers, old friends, aunts, priests and other people he has to come in contact with over two days, as everyone has selfish reasons for promoting sainthood. The potential canonization also becomes a vehicle to examine violence, sin, madness, ambition, love, parent/child relationships, philosophy, and art, as the central figure is an artist and the titular expression is captured in a Mona Lisa-like portrait.

The satire goes a bit overboard, though, when the son is challenged to a duel at dawn, though I think there was some point about the pointlessness of archaic societal rules. Small characters are weighted with too many meanings, like a crazy architect seeking to blow up a national monument that figures in a souvenir photograph, a witness whose name is a pseudonym from Dante, a mysterious, beautiful religion teacher, and more symbolism that went by, particularly as this is one of those typical Italian movies where the subtitles seem abridgments of the conversations.

In a lovely twist on the pieta, the most moving scenes are the paternal ones between father and son.

The soundtrack includes beautiful contemporary classical religious music including Adams and Tavener.

Eventually!!!!! That was a GOOD movie! Clever, subtle, absolutely not offensive (for anybody with a minimum intelligence), somehow delicate even! Sergio Castellito is extremely good in here and carries around this very complex character who tries to be simply COHERENT. Yes, the whole movie is COHERENT. "Coherence" and "smile" could be the main words describing this movie. Grotesque and caricature dance happily around the main character, dragging him down an impredictable spiral of absurd events, started by the almost insignificant spark of a knock on the door. The only negative thing are the two main actresses, Ernesto's wife and lover, who are really lousy. But on the overall the movie is excellent, and very well directed too!

This is an interesting film which purports to show how candidates for sainthood are chosen and how related parties can have an influence. A woman is being considered for sainthood, but her son thinks of her as anything but a saint and is surprised that so many people want to make her a saint. It is because most of them have something to gain from it. Some of her relatives want her to be a saint because being a relative of a saint can have personal benefits.

The only fault I noticed is that the English subtitles could have been clearer - often the subtitles are shown a light background making it hard to read although I was able to read enough to get an idea of what the picture was about.