Mar de Fogo

Directed by Joe Johnston, the man behind the excellent & severely underrated "The Rocketeer" ('91) which was also a period piece, "Hidalgo" is a biographical adventure film loosely based on the life of Frank T. Hopkins and his mustang, Hidalgo that competed on a long distance Middle Eastern race called itself "Ocean of Fire", against the best pure- blooded Arabian horses.

The real life Hopkins and his alleged exploits were most likely fictional / tall stories told by a 'fabulator' man that once was a professional horseman performing with the Ringling Brothers Circus. Even if it wasn't all true, the Hopkins & Hidalgo's daring adventure across the scorching desert of Arabia was the perfect scenario for an adventure / drama film shot on location, with a sense of the classic swashbuckling style, long gone from the Entertainment Industry of nowadays.

It looks & feels something like a lighthearted / toned-down version of such classics as "Lawrence of Arabia" meets "Dances with Wolves" with an Indiana Jones urge to it, some of the funny gags & action sequences are even based (or more like a tribute) to the world's most famous archaeologist.

Smartly, the director Johnston keeps the CGI effects to a minimum, only when was strictly necessary (like the sandstorm who reminds a lot the less-inspired Stephen Sommers' blockbuster, "The Mummy") which enhanced the old school filmmaking factor.

"Hidalgo" is an entertaining, upbeat & reckless ride that moves at nicely pace, competent photographed by Shelly Johnson with great sets & costume design and great performances all around from Viggo, still in the heroic & manly, but sensitive role of an Aragorn type of character to the legendary & sorely missed, Omar Sharif in a gracious & witty role as the Sheikh Riyadh. Malcolm McDowell, C. Thomas Howell & J.K. Simmons also provided interesting cameos, but above them all, T.J. as the beautiful mustang Hidalgo, deserves the highest praise.

Hidalgo. A horse with spirit, pride, and eyes that communicate scriptlines as coherent as any spoken. Viggo Mortensen is a charismatic and very persuasive actor and talented man. Omar Sharif, "Let in the light"... the scene at Wounded Knee is thought provoking. Hidalgo is one I would recommend highly. I do not see how a mustang from America could have any chance though in such a race. It would be unaccustomed to the new climate, and could possibly get sick and die just from the change of environment. It would be racing against horses who have been on these sands all their lives... it would be at a great disadvantage. Remember the movie Lucas? Where at the end he finally gets to play football and nearly gets killed? Reminds me of those kind of odds.

This movie has many subtleties that go unspoken that are the signature of a great film. I'd like to point one out.

1. The amount of the purse is unspoken until halfway thru, which leaves the mind open to experience beyond the material aspect.

I love the goat herder whose punishment for stealing milk is to work for the American. We see objectively thru the eyes of Frank the positives and negatives that arise from different cultures, including our own.. and this honest experience, gives the film great character.

Overall a very enjoyable film. I give this film a 8/10

The picture talks upon Frank Hopkins (Viggo Mortensen) a real cowboy who participated with his horse called ¨Hidalgo¨ in an extraordinary racehorse : ¨ Oceans of fire¨, a 3.000 mile survival race across the risky Arabian desert . He'll take on ominous Arab riders and many dangers . The confrontation will be terrible and he'll face off imposing winds , locust plague , quicksands... though he'll love an Arab princess (Zuleikha Robinson) , Sheik's daughter (Omar Shariff) too . The film is based on historic deeds and famous people , thus : the ¨Wounded Knee slaughter¨ (1890) ; besides , there appears : Buffalo Bill Cody (J.K.Simmons) , Annie Oakley (Elizabeth Berridge) and Indian chiefs: Eagle Horn (Floyd Red Crow Westerman) , Sitting Bull , Crazy Horse and Big Foot . The final duel amongst the horsemen is breathtaking and overwhelming .

This moving motion picture blends adventures , action , a love story , emotions and results to be pretty amusing . From the beginning to end the adventure-action is unstoppable , it's fast moving and for that reason packs a lot of entertainment . The final horse scene was filmed in Browning, Montana , 550 different horses were used in that scene , the horses all came from different owners, so to tell them apart, their hooves were branded . Sets and production design are spellbinding and the Oriental landscapes are mesmerizing . Special effects (FX) by Industrial Light and Magic ILM (George Lucas's ownership) are top-notch , as especially the impressive digital storm . The movie was well directed by Joe Johnston , including Shelly Johnson's riveting cinematography and James Newton Howard's fascinating musical score . The film obtained success at box office around the world and United States was number one . The flick will appeal to Oriental adventure enthusiasts and Viggo Mortensen fans . Rating : Very good , well worth watching .

I have seen this film before, but I felt compelled to watch again yesterday in memory of Floyd Red Crow Westerman (Chief Eagle Horn), who died last week.

This is a thrilling movie about persistence and will. It has all the excitement you could wish for in a western-type movie, and it has subplots that are truly interesting.

Viggo Mortensen is perfect in his role of a half Sioux/half American rider that is struggling with finding out who he really is inside. Zuleikha Robinson was intriguing as the daughter of the Sheikh who knew who she was and wanted others to recognize it. Seeing Omar Sharif as the Sheikh was a thrill as it has been too long since I have last seen him.

A thrilling film blending the cultures of two peoples of the horse.

Reading one of the commentaries about this movie urged me to write one of my own. It does seem to me, today, that a movie needs to be ridiculously full of stunts and action sequences (and blood, violence etc) to be considered worth while by the rank and file who are watching. How sad is that? I guess I am in the minority, but I want more to a movie than special effects.

I had wanted to see this movie from the start, but was never able to get to the theater, so I got it the minute it came out on DVD. I know it was supposed to be a "True Story" but as is I would doubt it - too Hollywood. But hey, the long and short of it is . . . Viggo. Horses. I am so there. Who cares if it did not really happen this way?

Anyway, now that I have seen it, I can't say I was disappointed at all. I was raised in a scouting family that was very involved in "Indian Lore" and the chants brought back memories. I think Native American history is complex and interesting, and we can still learn from the mistakes made on both sides. And Native Lore is ingrained in the message this movie had to tell.

EVERY movie lately seems to be overcoming obstacles and winning even when you had no chance . . . you can't sit through a day of the Disney Channel without getting that drummed into you! But this was different.

Frank T Hopkins was what was then called a "half breed", but he passed as white, and not wanting to deal with his race, he hid it (except for speaking the language, which I assumed many white men who were close to the land could do). Although he tried to deny it, his bloodlines brought him back to it time and again. Although being in the race had nothing to do with being a "half breed" on the surface, it was all about it in the end. Hidalgo was an "Indian pony" - a breed that was facing extinction. The horse was constantly being put down by both the whites and the Arabs. While defending the horse constantly, Hopkins yet shunned his own heritage and culture, and only when he accepted it did he win the race. And yet he should have known it all along, since the horse, the symbol of that heritage, was his most prized friend.

I got my back up a little when I read that someone thought the movie was was "moralistic" until they finally got to the action. Gee, aren't movies supposed to be moralistic? Should we not learn from our entertainment, or is it just mindless slaughter and CGI? It was like, yeah yeah, forget the plot, let's see some action.

Action is fine, but I liked all the little coincidences, symbolisms and tie-ins to other characters. The tie-in to Jazia (the sheik's daughter) wearing a veil over her head was perfect. They were both less in the eyes of white men, but in reality they were fine for what they were. They just had to accept it. The symbol of the natives, a necklace given to him by a chief friend, became his symbol as well, when his servant mistakenly used it for their flag. In the end it was no mistake at all.

Yes, it was the typical Disney underdog wins, but there was something extra to it. At least to me, and I am not sorry to say I still watch movies for the message, not the phony thrills.