Mar de Fogo

Reading one of the commentaries about this movie urged me to write one of my own. It does seem to me, today, that a movie needs to be ridiculously full of stunts and action sequences (and blood, violence etc) to be considered worth while by the rank and file who are watching. How sad is that? I guess I am in the minority, but I want more to a movie than special effects.

I had wanted to see this movie from the start, but was never able to get to the theater, so I got it the minute it came out on DVD. I know it was supposed to be a "True Story" but as is I would doubt it - too Hollywood. But hey, the long and short of it is . . . Viggo. Horses. I am so there. Who cares if it did not really happen this way?

Anyway, now that I have seen it, I can't say I was disappointed at all. I was raised in a scouting family that was very involved in "Indian Lore" and the chants brought back memories. I think Native American history is complex and interesting, and we can still learn from the mistakes made on both sides. And Native Lore is ingrained in the message this movie had to tell.

EVERY movie lately seems to be overcoming obstacles and winning even when you had no chance . . . you can't sit through a day of the Disney Channel without getting that drummed into you! But this was different.

Frank T Hopkins was what was then called a "half breed", but he passed as white, and not wanting to deal with his race, he hid it (except for speaking the language, which I assumed many white men who were close to the land could do). Although he tried to deny it, his bloodlines brought him back to it time and again. Although being in the race had nothing to do with being a "half breed" on the surface, it was all about it in the end. Hidalgo was an "Indian pony" - a breed that was facing extinction. The horse was constantly being put down by both the whites and the Arabs. While defending the horse constantly, Hopkins yet shunned his own heritage and culture, and only when he accepted it did he win the race. And yet he should have known it all along, since the horse, the symbol of that heritage, was his most prized friend.

I got my back up a little when I read that someone thought the movie was was "moralistic" until they finally got to the action. Gee, aren't movies supposed to be moralistic? Should we not learn from our entertainment, or is it just mindless slaughter and CGI? It was like, yeah yeah, forget the plot, let's see some action.

Action is fine, but I liked all the little coincidences, symbolisms and tie-ins to other characters. The tie-in to Jazia (the sheik's daughter) wearing a veil over her head was perfect. They were both less in the eyes of white men, but in reality they were fine for what they were. They just had to accept it. The symbol of the natives, a necklace given to him by a chief friend, became his symbol as well, when his servant mistakenly used it for their flag. In the end it was no mistake at all.

Yes, it was the typical Disney underdog wins, but there was something extra to it. At least to me, and I am not sorry to say I still watch movies for the message, not the phony thrills.

I've seen Hidalgo twice and will go again (and again) and I will buy the DVD. I hope that people will not listen to the critics and will give this movie a chance for success. It doesn't matter if Frank Hopkins did these things or not. If he didn't, he gave us a rousing story. Viggo is perfect in this role as the "cowboy" and rides Hidalgo like the wind. The Arabian desert is frightening and beautiful. The horses are beautiful. Some don't like what seems like stereotypes, however, it takes place in 1890 and Native Americans were killed, then played for sport in "shows". Africans were enslaved and women wore (wear) veils. The movie is right with the times. The music is enjoyable. I'll look for the soundtrack on CD. See it and decide for yourself.

Directed by Joe Johnston, the man behind the excellent & severely underrated "The Rocketeer" ('91) which was also a period piece, "Hidalgo" is a biographical adventure film loosely based on the life of Frank T. Hopkins and his mustang, Hidalgo that competed on a long distance Middle Eastern race called itself "Ocean of Fire", against the best pure- blooded Arabian horses.

The real life Hopkins and his alleged exploits were most likely fictional / tall stories told by a 'fabulator' man that once was a professional horseman performing with the Ringling Brothers Circus. Even if it wasn't all true, the Hopkins & Hidalgo's daring adventure across the scorching desert of Arabia was the perfect scenario for an adventure / drama film shot on location, with a sense of the classic swashbuckling style, long gone from the Entertainment Industry of nowadays.

It looks & feels something like a lighthearted / toned-down version of such classics as "Lawrence of Arabia" meets "Dances with Wolves" with an Indiana Jones urge to it, some of the funny gags & action sequences are even based (or more like a tribute) to the world's most famous archaeologist.

Smartly, the director Johnston keeps the CGI effects to a minimum, only when was strictly necessary (like the sandstorm who reminds a lot the less-inspired Stephen Sommers' blockbuster, "The Mummy") which enhanced the old school filmmaking factor.

"Hidalgo" is an entertaining, upbeat & reckless ride that moves at nicely pace, competent photographed by Shelly Johnson with great sets & costume design and great performances all around from Viggo, still in the heroic & manly, but sensitive role of an Aragorn type of character to the legendary & sorely missed, Omar Sharif in a gracious & witty role as the Sheikh Riyadh. Malcolm McDowell, C. Thomas Howell & J.K. Simmons also provided interesting cameos, but above them all, T.J. as the beautiful mustang Hidalgo, deserves the highest praise.

I have seen this film before, but I felt compelled to watch again yesterday in memory of Floyd Red Crow Westerman (Chief Eagle Horn), who died last week.

This is a thrilling movie about persistence and will. It has all the excitement you could wish for in a western-type movie, and it has subplots that are truly interesting.

Viggo Mortensen is perfect in his role of a half Sioux/half American rider that is struggling with finding out who he really is inside. Zuleikha Robinson was intriguing as the daughter of the Sheikh who knew who she was and wanted others to recognize it. Seeing Omar Sharif as the Sheikh was a thrill as it has been too long since I have last seen him.

A thrilling film blending the cultures of two peoples of the horse.

I've read some pretty disparaging comments about this movie that make me wonder what on earth was so bad? Let's see, there were objections over the predictability of the plot, the stereotyping, the music and on and on. People need to relax and enjoy this movie as entertainment only. I personally thought it was one of the nicest new releases I'd seen.

I know this was another movie about the underdog winning against all odds but I like this kind of movie. I thought the screenplay was admirable in it's restraint not having the main character even kiss the two women involved. The music was very moving and beautiful.

Perhaps some people have become so jaded that a movie simply isn't complete unless there's a helicopter chase, an exploding car or two (or in this case, a wagon), a trip to the nearby strip club with the flashing lights(where all characters in search of answers seem to end up at), gratuitous sex scenes, oh yeah, don't forget to use the 'F' word and while we're at it: let take God's name in vain a few times for the sake of 'realism'.

Hollywood needs to make more movies like this.