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This 2003 Masterpiece Theatre version of "Pollyanna" is the ultimate feel-good movie and because it is a bit less sappy than the 1960 Disney version you can enjoy repeated viewings anytime you need some cheering up. The new version is also more faithful to Eleanor Porter's original 1913 story and more focused on characterization than on elaborate set design and visual dynamics (there is no town fair and the comic relief has a more mature quality). And the setting is moved to Edwardian England with liberal use of wide angle lenses to capture the lush countryside.

The real improvement, however, is in the casting of the title character. Georgina Terry, with her red hair and freckles, projects such effortless charm that even the most cynical should be won over. Hayley Mills' performance was more forced and she was really too old for the role. Terry's Pollyanna is much more convincing, both in her continuing attachment to her father and in her struggles to play his glad game in the face of so much adversity. "I suppose it's as easy to be happy about things as to not be". This struggle was at the core of Porter's story and the 2003 version makes a real effort to construct a multi-dimensional Pollyanna who would have met with Porter's and her readers' approval.

Otherwise, the physical casting of the two movies are amazingly similar. Amanda Burton and Pam Ferris in particular conjure up vivid memories of their predecessors Jane Wyman and Agnes Moorehead. Burton portrays Aunt Polly more sympathetically, much more in line with Porter's original characterization. Instead of a ruthless and conniving queen bee, she is more hurt than mean. The tip off comes early as she amusingly allows herself to be persuaded by Tim (Tom Ellis) to purchase a motor car. Tim provides most of the film's comic relief as his prowess with automobiles is contrasted with his shy and awkward romantic overtures toward Nancy (both motor car and romance are creations of the adaptation and not part of the Porter's original story). And Aunt Polly's obsession with flies is nicely played for laughs.

There is a trade-off between the versions relative to the characters. Moorehead's Mrs. Snow was more memorable and entertaining; Ferris is not given enough material. Conversely, Kenneth Cranham (Mr. Pendleton) has more to work with than did Adolphe Menjou (Mr. Pendergast) and is not handicapped by having to share scenes with Kevin Corcoran. As in the book, the less irritating Jimmy Bean (Ben Thornton) of the 2003 version has a smaller role and there is more emphasis on Pollyanna's individual relationship with Mr. Pendleton (who was once in love with Pollyanna's mother).

The only real weakness of the Masterpiece Theatre version was the need to adapt the story to a compressed 90-minute running time. This was to some extent a mixed blessing because while there are transitional gaps, the time constraints forced them to get creative ant this led to some nice sequences. A montage of a bewildered Aunt Polly receiving a parade of townspeople extolling Pollyanna's virtues is especially good, and it nicely sets her up for a mild scolding by Nancy about not allowing Pollyanna to speak openly about her father. They also responded positively to the running time issue by jumping right into the story at the beginning (just running the titles over the scene) and by wrapping things up with an understated ending that let the audience just interpret what they were seeing.

The "Pollyanna" story has a timeless appeal for children who get off on her ability to influence adults but this film version is also a wonderful family film. This convincing story of how an 11-year-old girl's indomitable spirit positively impacts everyone around her offers enough nuances to keep adults entertained and may even elicit a few tears from otherwise cynical observers.

Then again, what do I know? I'm only a child.

I have long loved Mrs. Porter's two novels, & I very much enjoy Hayley Mills' 1959 Pollyanna. This version is very good. Subtler and with less treacle than the Disney production (but what else would one expect from Disney?). The cast are very good, reserved and dignified and somber, starkly contrasting Pollyanna's irrepressible optimism. The locations and sets are peaceful and serene, quiet and gentle examples of pre- industrial/technological explosion society.

This just showed on television tonight and I can't contain my joy and happiness for it. Last year mum bought the Hayley Mills version on DVD which I had used to like as a young girl but kind of stopped watching because my older sisters said it was 'so stupid and babyish.' So last year I renewed my love for Pollyanna and then I found the book in our library and read it and loved it again and again. I actually was reading it today on the bus (a different library's copy).

And yesterday mum was telling me that she saw an ad for Pollyanna that's a different version and I was so excited. I had a little pet peeve with the Hayley Mill's Pollyanna because it completely strayed from the book, though the essence of gladness is still there. I started watching it tonight and pulled out the book from my bag and read along during those enormously long commercial breaks, and well I've only seen this and the other version of Pollyanna, I'm so glad to find it so in tune with the book completely!

Amanda Burton is such a good actress and she would've been a good silent film actress with such a stunning ability to convey emotion with looks. I do think Jane Wyman did a very good job as Aunt Polly too!

Pollyanna (Georgiana Terry) was so much how I imagined from the book, except for some occurrences of storming out of the room which I thought was a bit out of character for the happy girl, and was so adorable how could Aunt Polly and everybody help but love her.

Dr. Chilton (not Chiltern) was much how I pictured him as well and had a very nice look about him.

It was all so faithful to the book, I am very very glad about that, and now I don't know how I could ever watch the other version again, though I probably will until I own this one on DVD. Yes. I shed tears at the end. It was wonderful! I'd like to think that Elanor H. Porter would be very pleased because as a Pollyanna lover I am!

What a sweet, "feel good" movie. If you like "The Little Princess" & "The Secret Garden", you'll love "Pollyanna". Nice scenery composing of lush English countrysides & quaint towns. Georgina Terry is an accomplished little actress in the lead role. Appealing to children & women of any age.

This TV version of the popular novel by Eleanor H Porter comes to the screen with all the usual story lines intact. Directed by Sarah Harding and adapted by Simon Nye, it is more than a match for the classic film versions with Hayley Mills and Mary Pickford.

Pollyanna is sent to live with her aunt, played by Amanda Burton, in the country, where she finds most of the village have dark secrets which cause them unhappiness. The little girl is something of a close cousin to Jane Austen's Emma in her determination to bring happy endings and match-make couples. It takes a personal tragedy for everything to come together and for all the riddles to be solved.

A film with great charm, filmed well and enhanced by performances by the likes of Kenneth Cranham (the embittered Mr Pendleton), and Aden Gillett, the doctor. Pollyanna herself is played by newcomer Georgina Terry, and I hope we see more of her.

... until I watched this movie tonight. 10+ stars just for that very personal effect on me. For more objective info on the how and why of this film's gentle magic, see the other 10-star reviews.

Of course I saw the original and was curious about this one. I was disappointed in the movie and maybe it was closer to the book than the Disney version, but I found that this Pollyanna couldn't compare to the one played by Hayley Mills. The people looked more glamorous and that's not surprising since there's such a difference in decades. I guess I enjoyed the feeling of the Disney movie more than this one. The original invoked so much more emotion. Don't get me wrong, I enjoyed this one too, but not nearly as much.

Disney movies get a bad rap for putting out feel good movies, but I think they give the children and audience a chance to gain a curiosity for the subjects in their movies. So whether they changed things or not it made this movie more watchable to see the differences. Doesn't matter if it was done in the States or Great Britain. Should never really matter as long as the effect of the story is put across. In this aspect the movie done now still has that, like the Disney version. Obviously seeing one before the other will taint your idea of what the best movie is, both have something different to offer. Just watch the movie and see for yourself. Your opinion is the only one that matters when it comes to what you like and don't.

I am with those who does consider this 2003 version better than the 1960 Hayley Mills film, which I still liked though it did have moments where it was sickly sweet and jarred in tone towards the end. This version is charming without being cloying and much more even in terms of overall tone. The writing has sweetness and wit, and the story as well as being faithful in spirit to Porter's story has plenty of charm and heart while never over-doing it. This version looks beautiful too, all very colourful and evocative as well as lovingly photographed. The music has Christopher Gunning's usual trademark of soothing, simple melodic writing, and is suitably unobtrusive. The cast are just wonderful. Georgina Terry is never less than effortlessly charming, and she is brilliantly supported by a sympathetic yet firm Amanda Burton. Kenneth Cranham is helped by the fact that Mr Pendleton(whose individual relationship with Pollyanna is expanded upon and very movingly) is far more interesting here, and Aden Gillet's Dr Chilton is a warm handsome presence. Pam Ferris also does a fine job as Mrs Snow, even if I did find Agnes Moorhead a little more memorable. The ending is very understated and did move me a great deal. My only criticism with this otherwise wonderful version is the length, I just wish it were longer. That aside, it is the superior version and highly recommended. 9/10 Bethany Cox

I thought this was a sweet feel good movie,with surprising humor. Made me chuckle a few times. Amanda Burton is the highlight, who plays the uptight aunt of Pollyanna. Seeing her reactions to what the little girl would say and do, was funny. Georgina Terry and Amanda Burton played off eachother well. I thought the ending wrapped up a little too quickly. It was almost like they realized the movie was approaching 2 hours, and tried to hurry up.

I saw this film on PBS to-day and was deeply touch by it,I saw the two Hollywood versions of this many years ago,being young I was not too impressed with either,this film was done with typical British feeling,the scenes were wonderful and the acting very believable so that it was only after that I took particular note of their names that I realised how well they had played their parts and managed to conceal their own personalities,I was very impressed with Georgina Terry,her portrayal of Pollyanna was more believable than the two actresses who play that part in the Hollywood version.she touch my heart more because she reminded me of my 11 year old Grand-daughter,who is almost as bubbly and chatty.I hope to see more of her.

This was aired on freeview recently and I had not come across Georgina Terry in anything else. Not clear how accurate this is to the original book, but this young girl waltzes onto the screen and smiles at everything and everyone. She can find "glad" in everything - a game she plays much to the annoyance of most of the folks around her. To me, whilst it tells a story in a nice manner, it does come across in quite a sickly fashion that this would not be something I would view a 2nd time.

Amanda Burton plays, as usual, a great role in this drama which is particularly moving in parts. The plot is very interesting and the costumes and settings are second to none. Georgina Terry was a wonderful actress in this for someone who was so young and Pam Ferris always adds her touch of comedy to dramas!

Great drama! 10/10!

This is an excellent tear jerker. I can't remember the last time a movie has drawn tears out of me. Excellent acting by all, especially Georgina Terry! Scenery is beautiful, although there are a few editing errors. Highly recommended. I would definitely buy the DVD if I ever come across it.

Cried from the beginning until the end! This movie reminds me of my late mom and Pollyanna is a loving and caring person just like her! This is a great movie to watch with your family. I would give 20 stars if I could!

I didn't mean to watch this movie on TV, but it just happened to be on, and I just couldn't turn it off. It's a typical piece of mawkish victorian children's literature that gets lined up for the Disney treatment. A couple of hours later, and with a tear in my eye, I had to admit they'd done a good job, and now I want to read the book. I'd always assumed this was an American book, so I looked it up, and seems it's was originally set in Vermont, so I guess this is a bit of a perverse, reverse export.

OK. It's not the greatest movies you'll ever see, but I gave it 10 out of 10 because I think it did what it had set out to do, was a really good watch, and managed to draw me right in, and I can't imagine anybody not loving this TV movie.

Even tho it's not my usual cup of tea.

Honestly, I watched this movie because I have just recently "discovered" the talented Amanda Burton. I'm going through IMDB watching everything I can that is listed for her. This movie is so different from her normal strong, bad-ass female characters she portrays but a strong woman, nonetheless. Is there anyone besides me who could listen to her read the dictionary or yellow pages? Her voice is so beautiful and comforting.

The young actress who portrays Pollyanna is incredible in the role. The maid and driver round out a terrific cast of main characters. This film is now 21 years old but still delivers a message worth receiving today. I thoroughly enjoyed it!