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Título original: Imagining Argentina
  • 2003
  • R
  • 1 h 47 min
AVALIAÇÃO DA IMDb
6,1/10
3,6 mil
SUA AVALIAÇÃO
Antonio Banderas and Emma Thompson in Visões (2003)
DramaRomanceSuspense

Um homem tem o poder de ver o destino das pessoas desaparecidas, com exceção da sua amada esposa.Um homem tem o poder de ver o destino das pessoas desaparecidas, com exceção da sua amada esposa.Um homem tem o poder de ver o destino das pessoas desaparecidas, com exceção da sua amada esposa.

  • Direção
    • Christopher Hampton
  • Roteiristas
    • Lawrence Thornton
    • Christopher Hampton
  • Artistas
    • Antonio Banderas
    • Emma Thompson
    • Rubén Blades
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,1/10
    3,6 mil
    SUA AVALIAÇÃO
    • Direção
      • Christopher Hampton
    • Roteiristas
      • Lawrence Thornton
      • Christopher Hampton
    • Artistas
      • Antonio Banderas
      • Emma Thompson
      • Rubén Blades
    • 44Avaliações de usuários
    • 21Avaliações da crítica
    • 27Metascore
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Fotos26

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    + 18
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    Elenco principal78

    Editar
    Antonio Banderas
    Antonio Banderas
    • Carlos Rueda
    Emma Thompson
    Emma Thompson
    • Cecilia Rueda
    Rubén Blades
    Rubén Blades
    • Silvio Ayala
    Irene Escolar
    Irene Escolar
    • Eurydice
    Fernando Tielve
    Fernando Tielve
    • Orfeo…
    Héctor Bordoni
    • Pedro Augustín
    Maria Canals-Barrera
    Maria Canals-Barrera
    • Esme Palomares
    • (as Marí'a Canals)
    Leticia Dolera
    Leticia Dolera
    • Teresa Rueda
    Anthony Diaz-Perez
    • Policeman 1
    • (as Anthony Díaz Pérez)
    Luis Antonio Ramos
    Luis Antonio Ramos
    • Policeman 2
    Carlos Kaniowsky
    Carlos Kaniowsky
    • Rubén Mendoza
    • (as Carlos Kaniowski)
    Stella Maris
    • Concepta Madrid
    Concha Hidalgo
    Concha Hidalgo
    • Octavio Marquez's Grandmother
    Ana Gracia
    Ana Gracia
    • Hannah Masson
    Horacio Obón
    • Victor Madrid
    Amparo Valle
    • Julia Obregon's Mother
    Cielo Verano
    • Julia Obregon
    María Nydia Ursi Ducó
    • Plaza Mother 1
    • (as Maria Nydia Ursi)
    • Direção
      • Christopher Hampton
    • Roteiristas
      • Lawrence Thornton
      • Christopher Hampton
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários44

    6,13.6K
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    Avaliações em destaque

    10iggimarco

    cruel reality

    Please excuse my English, now that it is my third language. I was born and raised in Argentina; I currently work in Buenos Aires at a café, until I get my bachelor degree in naval architecture. As crazy as it might sound, my grandfather disappeared in the 1970s, and never came back. Perhaps to you… this was just a movie, you can rate it as you want or give the names you like to. But I found myself dumb founded with this film, I felt the worst anguish while seeing it, and forced myself to keep on watching and to keep on remembering. I can not find words in English nor Spanish to describe how deeply this movie has gotten to me. It's been a long time since it happened, but I see most of this film as my mind portraying old stories that my grandmother used to tell me when I asked about the dad of my dad. A film where reality is described at its best and where a part of me knows that justice in this country is just a word with no meaning, it was before, and it is now. I win nothing by saying this, nor I feel better, I just thought that perhaps I should comment on the impact the movie has had on someone like me, a normal guy who studies and works in country where future has little by little lost its meaning.
    6secondtake

    Some of the worst Latin American crueltly, imperfectly presented

    Imagining Argentina (2003)

    The story, and the facts behind the story, of innocent people being kidnapped, tortured, and killed in Argentina is so disturbing and emotionally draining it's hard to see this movie objectively. I wish it was a better movie, both in its construction (the filming and editing) and in the storytelling decisions (too much emphasis on empty searching, and too much torture, even after we get the point).

    Cruelty needs no sympathy, and this movie gives it none. But it gives it attention, offering only a solution in perseverance and romantic love. There are lots of evocative scenes of dancing and music, of wide open countryside, and of warmly lit interiors. It paints a picture of a beautiful country with a beautiful culture, just to show how a small tilt in a great place can turn to horrors.

    The final statistics of all the people "disappeared" under the Argentine dictatorship is an indictment of cruel dictators. The movie serves to remind us, and to paint the horrors, and it goes half way. I wish it had been a poetic, or raw, or inventive success as well.
    7rainking_es

    Psychic powers and Videla's dictatorship...

    Antonio Banderas plays a theatre director whose wife (Emma Thompson) has been kidnapped by the Secret Service of Argentinian's Videla's dictatorship (1976-1983). Soon he discovers he has sort of a psychic power that allows him to predict the future, and to find out what has happened to her wife and to some of the other missing people (there were +/- 30000 missing people during Videla's dictatorship). Now I wonder: Is it necessary to introduce that paranormal stuff in a movie about Argentinian dictatorship? I mean, you got one of the most cruel and repressive dictatorships ever, and that's enough to make a shocking movie. The psychic powers, the vissions of Banderas' character detract the attention from the main line: the denunciation of that regimen led by General Videla and supported by USA Government, and the atrocities that were committed, the sistematic violation of human rights, and so... Especially when you have two well known stars in the cast, and the movie may have some international impact (which didn't have any of the argentinian movies that talked about the same issue).

    Anyway, some parts of the movie perfectly portraits the lack of freedom in Argentina along those 7 years, and there are some sequences really shocking (in particular the ones at the prison where Emma Thompson's character gets imprisoned -and tortured, and raped-). Antonio Banderas and Emma Thompson play their roles with so much intensity, especially Mrs. Thompson, one of the best dramatic actresses from the last 20 years (in my opinion).

    That's all. I just want to add that this kind of movies are so necessary, people need them not to forget some of the darkest passages of human history. Especially they need them there in the United States Of America, where no one knows a thing about latin-american dictatorships (most of them supported by the White House).

    My rate: 7/10
    8oli-79

    Finally, A Film With Purpose

    This was truly enjoyable movie in many ways.

    The acting was great all around. Powerful emotions were realistically portrayed by seasoned actors, relative newcomers and unknown extras alike. Direction, filmography and locations really come together to set a scene more realistic than most films even aspire to.

    This film succeeds in projecting, through the characters, the full range of emotions that any individual must feel when their freedoms are seriously undermined by a corrupt ruling power, the same power that they would normally look to to resolve such issues.

    This is not a feel-good movie, and anyone expecting comic relief at any time may be disappointed. This movie sets out to instill feelings in the audience that may help them to relate to the people in the story. It does not abuse concepts such as violence in order to get a kick out of the audience.

    Unfortunately, many of those who have posted comments on this movie have failed to grasp part of the point. This is not merely a movie designed to remind the viewer of the past. It intends to remind the viewer that such actions continue to occur worldwide, and that it is only the people themselves who can keep their governments from resorting to such inhumane measures, by reminding their rulers repeatedly that they will not stand for it, in their country or any other.

    Frankly, it disturbs me that films this deep go virtually unnoticed by the masses, while flashy but hollow explosion-fests receive awards.
    8aStRaLoN

    Excellent movie, Bandera's finest performance

    Dear iggimarco, Coming from a country that has a similar past with Argentina i can say that the movie touch me deeply like you. Greece experienced its 7 years of cruel dictatorship 1967-1974. Seven long years that left too many scars.

    Every now and then i will hear someone of my family talking about the suffer of those years although they rarely talk about what they've been through.

    Indeed those who don't know, who are lucky (or not) enough to come from countries that never experienced that kind of horror will judge the movie based on script, lighting, acting etc. Those who know will feel the movie evoking all those feelings of deep sorrow and pain.

    Movies like this should always be made. It is another way to maintain memory of the fallen alive and to make sure that...never again (as the movie tells us in the end)

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      When it became clear that two additional scenes would help the script, a) the quarrel about whether Cecilia should publish her article and b) the flashback scene why Cecilia and Carlos got married, there was a little competition going on between Writer and Director Christopher Hampton and Dame Emma Thompson, who wrote their versions of those scenes. Thompson's version of the flashback scene was finally agreed on.
    • Erros de gravação
      When Cecilia is seen by Carlos in the roof of "Casa Rosada", there is a modern surveillance camera near the characters. Those cameras were not available in 1976.

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    Perguntas frequentes

    • How long is Imagining Argentina?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 16 de abril de 2004 (Espanha)
    • Países de origem
      • Espanha
      • Reino Unido
      • Estados Unidos da América
      • Argentina
    • Centrais de atendimento oficiais
      • Manga Films (Spain)
      • UIP (United Kingdom)
    • Idiomas
      • Inglês
      • Espanhol
    • Também conhecido como
      • Imagining Argentina
    • Locações de filme
      • Buenos Aires, Distrito Federal, Argentina
    • Empresas de produção
      • Multivideo
      • Arenas Entertainment
      • Myriad Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 8.899
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 3.752
      • 13 de jun. de 2004
    • Faturamento bruto mundial
      • US$ 383.106
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 47 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital EX
    • Proporção
      • 1.85 : 1

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