Caçadores de Vampiros de Tsui Hark

Master Mao Shan is separated from his four best warriors, Wid, Thunder, Rain, and Lightning, during the midst of a battle with the undead. So they decide to go undercover as servants in order to search for a vampire who they believe is nearby. That's the main plot, but there's many sub-plots and a tad too many characters. But the action scenes are pretty good. And while this is among my least favorite Tsui Hark films, that's more a statement of how much I enjoy his movies than an indictment of this one. Truth be told, I'm kinda hesitantly reviewing this title as the Tristar version is cut by numerous minutes, making the ending more optimistic, so if you ever pick up the un-edited version get in touch with me to tell me how different it is. And if I ever see the original version I,of course, will revise my review accordingly.

My Grade: C-

DVD Extras: Trailers for "Cowboy Bebop", "National Security", and "Time and Tide"

When four hunters of the undead -- -Thunder, Wind, Rain and Lightning- -- are separated from their master during a battle with a King Vampire, they continue their hunt for the bloodsucker, using a magical Taoist compass to lead the way. Eventually they arrive at the home of Master Jiang, who is celebrating the marriage of his son to the beautiful Sasa.

When the groom turns up dead the next day, having been bitten by a snake, the foursome are employed to find the reptile. Master Jiang informs Sasa that she need never be parted from her husband, because the family tradition is to preserve dead relatives with wax and store them in vaults below the house; she can visit him anytime she likes!! Meanwhile, it transpires that Sasa had been married off by her brother just so that she might be able to find the whereabouts of a hoard of gold hidden somewhere in the house and pass the information on to him.

With that plan scuppered, Sasa's brother employs a 'zombie wrangler' to reanimate the waxy corpses under the house. With Master Jiang busy rounding up the zombies, he hopes to search the place for the hidden loot.

Unfortunately, for everyone involved, the King Vampire shows up at the end to cause additional mayhem and chaos and it is up to the four heroes to save the day.

Whilst this is no classic of the genre -- the plot is far too messy -- it does contain many elements which will prove to be of fun to fans of 80s Hong Kong vampire movies: the martial arts are of a reasonable standard, with some impressive swordplay and a bit of nifty wire-work, there is some fairly cheesy gore, and the reanimated bodies do the old hopping routine we all know and love. Best of all is the King Vampire, who has supernatural powers that enable him to suck blood at a distance and fire flames from his mouth.

My main gripe with this film is that everything is just too dark. I found myself straining to see what was going on for most of the running time. I can ignore some dodgy CGI and iffy make-up effects, but I'd like to be able to see what the hell is going on.

Despite the advances in film technology, Tsui Hark's Vampire Hunters remains an average production that does nothing to improve on the films that it emulates. Don't watch this with expectations too high, and you might find yourself enjoying it.

In a number of forums I've seen this film mercilessly trashed, and I'm not quite sure why. Perhaps it's having Tsui Hark's name attached to it, thus giving people the wrong idea about the film as they go into it. While I don't think it's the best film ever made by any stretch of the imagination, Vampire Hunters does serve it's purpose. I was entertained thoroughly, startled a few times, laughed a few times, and spent a great deal of my viewing time in suspense. The one thing you can say about this film is that it's definitely not slow moving!

While it does suffer from the lack of in depth characterization that seems to be the downfall of many martial arts films, in general I found the acting to be up to par -provided you watch the film subtitled as opposed to dubbed. The wooden voice acting of the English translators is highly reminiscent of the hilarious goofy bad dubbing of 70s martial arts flicks, and really detracts from the genuine scariness of the vampire scenes.

And those vampires! Yikes! Spitting acidic gas, sucking your blood through the air, covered in maggots.... Truly makes ol' Bela seem like a puddytat! It's interesting to see the differences between Eastern and Western vampire mythos.

The movie itself is beautifully and imaginatively lensed, the director of photography should be proud. The camera-work zooms and jumps during the right moments and steps back and slows down to take in grandeur. The fight scenes are excitingly filmed, and the effects are no worse than any other film I've seen lately. Not the best, but everything moves quickly enough that you don't really notice.

All in all, I got what I wanted; escapist, exciting, engaging fun that made me forget about the rest of the world for an hour and a half. And after all, isn't that what a movie is supposed to be? They can't all be caviar, sometimes I really just want popcorn.

Good heavens. Why must every Hong Kong film since CROUCHING TIGER, HIDDEN DRAGON be compared to it? That's like comparing Tim Burton's ED WOOD to Orson Welles' CITIZEN KANE because they're both in black-and-white! They're both great movies, but it's ridiculous to stand them next to each other because they're so vastly different. To me, Tsui Hark constructed a BRILLIANT homage to the "hopping corpse," and "demon" movies of the 1980's and early 1990's while adding some great kung-fu sequences. I see hints of SWORDSMAN, I feel bits of MR. VAMPIRE, I hear parts of IRON MONKEY, I smell A CHINESE GHOST STORY, and it's all done quite well. Wu-shu, taoist warriors, hopping corpses, a creepy nod to HOUSE OF WAX, and silly jokes? Great fun to me! Art-house, said one reviewer? Don't know what art films YOU'VE been watching lately. This movie didn't try anything tremendously fancy or new, it took a lot of things we've seen before and turned out a movie that was more than the sum of its parts. Bad humor? Different humor. Hong Kong humor is usually quite different than American humor...I'm sure a lot of people missed when RAIN, CLOUD, THUNDER, and LIGHTNING (ridiculously stereotypical "hero" names) were renamed "Kung," "Hei," "Fat," and "Choi." Put those four words together and it says "Happy New Year" in Cantonese. Amazingly funny to us? Probably not. Good for a lengthy chuckle for chinese native? Definitely. Low-budget? Again, have we been so spoiled by movie producers throwing vast wads of cash at American films -- often to cover the fact that a movie is BAD -- that we can't appreciate a film that doesn't try to overachieve, but does what it can with what it has? How quickly people forget CLERKS, EL MARIACHI, etc. But then again, DESPERADO was so much better than EL MARIACHI, yes? Because it had BIG EXPLOSIONS and SEX! It's time people set CROUCHING TIGER up on its own shelf and stop comparing it to movies it bears no similarities to. Wanna say that Zhang Yimou's HERO was an overblown attempt to recreate CT,HD? Go for it, you'll be right. Wanna miss the fun of VAMPIRE HUNTERS entirely by refusing to watch it as its own film? Your choice, and ultimately, your loss.

I felt that this movie could have been better if i had focus more on the scares, however this is much of a neutral film, which is not that scary, nor frightening.

The people focus are not that much, and the scare effects could have been better, but seeing that the film director is Hark Tsui, his films are usually made more for plot rather than characters.

Somehow, i keep remembering the name of this film back in my mind, because it gives me the creeps sometimes when trying to remember it.

However if you don't understand Asian (chinese) horror creatures, then its not really worth watching it.

-Alright film to watch / can be creepy-