Um líder de banda recruta um baterista de rua do Harlem para tocar em uma faculdade do sul.Um líder de banda recruta um baterista de rua do Harlem para tocar em uma faculdade do sul.Um líder de banda recruta um baterista de rua do Harlem para tocar em uma faculdade do sul.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 13 indicações no total
- Laila
- (as Zoë Saldana)
- Charles
- (as Earl C. Poitier)
- Dorothy Miles
- (as Angela E. Gibbs)
- James
- (as O'Mar J. Dorsey)
Avaliações em destaque
This movie is all about exposing people to the world of Black College marching bands. You couldn't have a movie that was 2 hours of nothing but band performances so you HAD to wrap a formulaic story around it. "Boy meets girl/boy loses girl/boy gets girl back and learns the value of teamwork in time for the big showdown" is a formula that has worked for years -- and it works here!
Another poster remarked that the band camp scenes were unrealistic because they were too "militaristic" ... he didn't believe that (among other things) that the students would be made to run around holding their drums and so forth. Well, believe it!
I marched in one of these bands (Southern University in Louisiana) 20 years ago and back then, band camp was FAR MORE INTENSE than anything you see on the screen in this movie. YES, it is that competitive. YES, it is that grueling. YES, it is that disciplined. Black College marching band is serious business and this film gives you only a small sample of what it takes to "make the band."
The actual band performances are AWESOME and will definitely be an eye-opener to anyone who has never seen this type of thing before. More importantly, there is no sex, violence, drug use, and very little bad language (just the requisite "d*mns" and "h@lls" - nothing any more intense than prime-time television.) Equally important, the movie features strong male figures who resolve differences without resorting to pathological violence.
One last point -- the movie grossed 13+ million dollars in its opening weekend. And this was against Star Trek (18.7 M) and the Jennifer Lopez (19 M) movie. Although it finished in third place, it was shown in about 1,000 fewer theaters than those two. It had (by far) the highest "revenue per theater" for the weekend!
Do yourself a favor -- open your mind and see this movie -- you and your family will enjoy it!
Because of this movie, I now have some respect for Nick Cannon as an actor. I'm glad he finally starred in a great movie for all ages, and is no longer confined to piece of crap kids sketch comedy shows on Nickelodeon, [which, by the way, SUCKS as of late (i.e. My life as a teenage robot, slimetime, ginger)]
Overall, great movie, great job by Nick Cannon.
Drumline also suffers from an identity crisis of its own. You're never really sure what sort of story it wants to tell. Is is a "coming of age" story, a drama, a comedy, a romance? It tries to be all of these at once and never seals the deal on any of them.
Drumline could have told a good story about a New York kid learning that there's more than one way to be black in this world. There are a couple of hints of that in Devon's relationship with Laila. Her comment to Devon: "Southern sisters don't date...we have boyfriends," could have been an opening to a good subplot about differences in black culture between different parts of the US, but, as with so many other possible plots, the story touches it lightly, and then flits off to something else. An arrogant young freshman such as Devon would have had many lessons to learn while finding his way in this environment, but the film misses nearly every opportunity to show us the relationships between the characters in any depth, so the performances come off as predictable and mechanical.
All the same, I've seen Drumline several times and enjoyed it for what it does very well. The presentation of the music and and the work that goes into running a big university marching band are very good. I could have done with more of both. The all-too-brief glimpses of life at a black southern university are well done. Again, I could have done with more of that as well. Drumline also had moments of humor, and some visually engaging camera work, especially in the music scenes.
I like this movie. I just wish it had been better done.
What do you guys want, a documentary on marching band? If I was to make a Hollywood movie about the drumline I would have done the same exact things with the drum sequences - put in a gang of stick tricks and showmanship that would translate well to the screen. Nobody wants to watch flam taps for 90 minutes.
That being said, the last drum battle is one of my favorite things to watch. I love when the bass drum cadence comes in, the basses march in a circle, the quads toss each other their sticks between bars, and the snares have an orgy of backsticking and other stick tricks on a level you rarely see performed in real life. And the movie is only cliche as far as its kid w/ bad attitude needs to put his pride away plot goes. I don't watch Nickelodeon so I haven't seen one of those types of movies since I was... hmmm since I was 5. Far as what isn't cliche about it, there's a lot to like. One of the best things is that it immerses itself in Afro-American culture w/out any cliches at all - just life as it is down south at an all-black university. No guns, drugs, none of that stuff that you'd expect from a character who walks and talks like Nick Cannon's character does. I also liked the way they handled the white character in the band. The dialogue where they ask him why he went to the all-black college. His first reply is a wink at the audience, which would expect Hollywood to trivialize race relations like that. Then he goes, nah for real though, and gives a sincere answer that makes sense.
Você sabia?
- CuriosidadesNick Cannon did his own drumming on screen while his double, Jason Price, did majority of the close-ups with complex techniques.
- Erros de gravaçãoThe sheet music printed off is not percussion music.
- Citações
Dr. Lee: What was that? Why do we rehearse? Why... do we rehearse? You're out there showboating for five minutes. If I wasn't able to signal a drum major to back you up, you'd still be out there beating your damn drum!
Sean: Dr. Lee, sir, maybe there's an explanation. Devon...
Dr. Lee: Do I look like I need you to explain anything right now?
Sean: No, sir.
Dr. Lee: I don't know what the beef is, but you better grill it up and eat it. Because it is my a** that is on the line.
President Wagner: Now that is a new beginning. That's exactly what I'm talking about.
[shakes Devon's hand]
President Wagner: Great job, son. You are something. You are something special.
Devon: Thank you, sir.
President Wagner: Great job, all of you. Now let's see Morris Brown top that!
[band cheers]
President Wagner: Some alumni wanna speak with you. There they are. Don't keep them waiting. New beginning! NEW BEGINNING!
Dr. Lee: Sean, I want you to polish the drums tonight. And I'd better be able to see myself in the surface.
Sean: Yes sir.
Devon: I left the polisher on the bottom shelf.
- Cenas durante ou pós-créditosAs the MBU band plays one more time over the credits, the names for each principal actor appear on the screen (and exit) in patterns resembling marching formations, such as spinning into frame and then out again like a drumline.
- ConexõesFeatured in Joe Feat. Jadakiss: I Want A Girl Like You (2002)
- Trilhas sonorasPomp and Circumstance March No. 1
Written by Edward Elgar
Principais escolhas
- How long is Drumline?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Ritmo total
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 20.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 56.399.184
- Fim de semana de estreia nos EUA e Canadá
- US$ 12.604.705
- 15 de dez. de 2002
- Faturamento bruto mundial
- US$ 57.588.485
- Tempo de duração1 hora 58 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
- 2.35 : 1