Timeline" conta a história de um professor que é acidentalmente lançado para a França do século XV, no meio da Guerra dos Cem Anos.Timeline" conta a história de um professor que é acidentalmente lançado para a França do século XV, no meio da Guerra dos Cem Anos.Timeline" conta a história de um professor que é acidentalmente lançado para a França do século XV, no meio da Guerra dos Cem Anos.
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I truly enjoyed this movie. It really isn't as bad as most of the reviews I've read make it out to be. It was not horrible or a waste of time. I rented it first and liked it so much I bought it. I'd recommend it for anyone who enjoys Sci-Fi movies for their entertainment value. I haven't read the book, so I can't make any comparisons. I think the whole story came together smoothly. Overall the acting was good, however Paul Walker would probably benefit from a few more classes. Gerard Butler was awesome in his role as Marek. I have a feeling we'll be seeing a lot him in the future (no pun intended). I loved the beginning, the end, and everything in between. I give it a strong 8.
Based on some of the other comments I was expecting to hate this movie. I didn't, but I see why the reviews seem so negative. There are so many things to pick at, and no real bright spots to talk up.
It really wasn't that bad. It wasn't great, but it's worth a rental. I'm not sure I would have felt I got my money's worth in the theater.
I'm sure it was a tough chore to convert the original story to a 2-hour movie script. They had to take several liberties and condense quite a bit to do so. Unfortunately, that affected the flow and the movie ends up being a little choppy. How and why they go back in time is pretty well cut out of the movie and without any detail the believability is nil. The story boils down to a pretty standard chase and explosion thriller set in the middle ages.
Definitely treat yourself to a read of the book the movie is based on. Like any book, the depth of characterization is so much more rich and interesting than what comes through in the movie. Once you get past the introductory technical jargon to set up the story it is a real page turner.
It really wasn't that bad. It wasn't great, but it's worth a rental. I'm not sure I would have felt I got my money's worth in the theater.
I'm sure it was a tough chore to convert the original story to a 2-hour movie script. They had to take several liberties and condense quite a bit to do so. Unfortunately, that affected the flow and the movie ends up being a little choppy. How and why they go back in time is pretty well cut out of the movie and without any detail the believability is nil. The story boils down to a pretty standard chase and explosion thriller set in the middle ages.
Definitely treat yourself to a read of the book the movie is based on. Like any book, the depth of characterization is so much more rich and interesting than what comes through in the movie. Once you get past the introductory technical jargon to set up the story it is a real page turner.
I've read the book more than once, and completely understand Michael Crichton's objections to this film adaptation. I also understand why so many who enjoyed the book feel the same way.
But, a film adaptation is a film first and an adaptation second. As an adventure epic with a science fiction foundation, it's not that bad. The pacing is adequate, the character development sufficient to engender interest in the various players' fates and the overall cinematography journeyman proficient.
If you have a few hours on a rainy day, and haven't read the book, have at it, and enjoy!
Sorry, the book had so much potential to be turned into an awesome film. But this low-budget crap with pathetic screenplay, well, kinda dishonored Crichton. All the book-to-film changes (Yes, all!) slowly destroyed the film. Paul walker looks fine like Chris but he cannot act; and Frances O'Connor is a fine actress but the role of Kate isn't for her. Gerard Butler on the other hand might be one good thing in the whole film. The multiverse-travel scene is a total disaster. The character development of the lead people, and also Doniger, is left behind which took away much taste from the story.
Reading the book is more recommended.
Reading the book is more recommended.
There's a reason why time travel has remained a staple of science-fiction for more than a century - human beings will always be curious about the past as well as the future. To be able to fix past mistakes with the advantage of hindsight or to know what to expect in the years to come are basic human desires common to everyone.
The producers of "Timeline" may have benefited from owning a time machine. If they had taken a ride in Marty McFly's DeLorean they might have been able to prevent the mistakes in casting and scripting and made something that lives up to the idea's potential.
An archeological team led by Professor Edward Johnston (Billy Connolly) is excavating the ruins of Castlegard, site of a medieval battle between the French and the British during the Hundred Year War. Johnston's son Chris (Paul Walker) is visiting, a man not interested in the past but in getting closer to his father's assistant Kate Erikson (Frances O'Connor).
Trouble arises when Professor Johnston goes to his benefactor, the International Technology Corporation, to get more funds and information about why they are so interested in Castlegard. When he does not return Chris, accompanied with Kate, historian and medieval weapons expert Andre Marek (Gerard Butler), physics expert Dave Stern (Ethan Embry) and Francois (Rossif Sutherland) head to the company headquarters to figure out where Johnston has gone.
It seems ITC, lead by Robert Doniger (David Thewlis), has stumbled onto a worm hole that leads back to 1357 while trying to perfect teleportation. Professor Johnston went back to see the era first-hand but got stuck there, and now his students must go back to rescue him. However, there's a catch, the group must collect him in six hours, otherwise they'll be stuck in the 14th century forever.
The movie could have been great had the filmmakers taken more time to examine its premise, but as it stands the plot is just mechanical. Once in the past the group just goes from one incident to another in a single-minded goal of rescuing Johnston.
There is no moment of wonder at the medieval world or any insights that looking into the past might reveal to 21st century travelers throughout the film. The visitors' knowledge of the area and upcoming battle do indeed come in handy, but they use this information only to survive and not to learn anything worthwhile.
The movie certainly looks good, with some fine attention to period details. The clothing and buildings look authentic, though the people inhabiting them are a bit cleaner then they would have been. The siege on the castle is also well filmed with trebuchets and catapults launching flaming bombs at Castlegard.
However, for a movie about survival and battle, everything is handled apathetically. The characters seem to be going through the motions when delivering their lines and there isn't much tension in the fight scenes. It adds up to a boring action movie, and boring is one thing an action movie should never be.
It's also funny to see a film so selective about being authentic, such as making it a point that modern people should not carry modern equipment with them to influence history, but having medieval characters speak modern versions of English and French. It's also a strange that the movie takes sides, portraying the English as evil tyrannts and the French as noble defenders of their home. In reality, both sides were ruthless during that era.
As an actor, Walker comes off as a poor man's Keanu Reeves. You read that right - Walker makes Reeves look like a nuanced performer by comparison. He shouts lines with little conviction and acts like a dork through most of the film.
In fact, with the exception or Butler's Marek, it seems like amateur night in the acting department. A scene where O'Connors' Kate breaks down crying will have people laughing. Even Embry, normally an okay actor, gives an unmoving performance. His character stays behind in the present and comes off as the "self-righteous scientist" who squares off against Thewlis' heartless business man, a typical feature of this movie type.
Director Richard Donner once made great movies like "Superman" and "Lethal Weapon" but can't rescue this mess. It's been five years since he's done a movie, and he seems rusty. The camerawork and set design are both excellent though, and belong in a better movie.
Like most stories by Michael Crichton, "Timeline" makes scientists into noble humanitarians and corporate heads into greedy slime to create artificial drama, and it comes off as exploitive pabulum that detracts from where the attention should be, on the action.
Since the action isn't good, what's left is a story where the heroes cry, complain and act selfishly while the movie tries to convince us that they're intriguing characters we should care about. "Timeline" is a wholly forgettable experience, and memories of the movie will be teleported out of the minds of the audience not long after leaving the theater.
Five out of ten stars. Just stick to the "Lethal Weapon" series Mr. Donner, and Mr. Crichton, please exhibit caution before letting another one of your novels be ruined with a horrible on screen versions (but then, you haven't had a good reputation of doing that).
The producers of "Timeline" may have benefited from owning a time machine. If they had taken a ride in Marty McFly's DeLorean they might have been able to prevent the mistakes in casting and scripting and made something that lives up to the idea's potential.
An archeological team led by Professor Edward Johnston (Billy Connolly) is excavating the ruins of Castlegard, site of a medieval battle between the French and the British during the Hundred Year War. Johnston's son Chris (Paul Walker) is visiting, a man not interested in the past but in getting closer to his father's assistant Kate Erikson (Frances O'Connor).
Trouble arises when Professor Johnston goes to his benefactor, the International Technology Corporation, to get more funds and information about why they are so interested in Castlegard. When he does not return Chris, accompanied with Kate, historian and medieval weapons expert Andre Marek (Gerard Butler), physics expert Dave Stern (Ethan Embry) and Francois (Rossif Sutherland) head to the company headquarters to figure out where Johnston has gone.
It seems ITC, lead by Robert Doniger (David Thewlis), has stumbled onto a worm hole that leads back to 1357 while trying to perfect teleportation. Professor Johnston went back to see the era first-hand but got stuck there, and now his students must go back to rescue him. However, there's a catch, the group must collect him in six hours, otherwise they'll be stuck in the 14th century forever.
The movie could have been great had the filmmakers taken more time to examine its premise, but as it stands the plot is just mechanical. Once in the past the group just goes from one incident to another in a single-minded goal of rescuing Johnston.
There is no moment of wonder at the medieval world or any insights that looking into the past might reveal to 21st century travelers throughout the film. The visitors' knowledge of the area and upcoming battle do indeed come in handy, but they use this information only to survive and not to learn anything worthwhile.
The movie certainly looks good, with some fine attention to period details. The clothing and buildings look authentic, though the people inhabiting them are a bit cleaner then they would have been. The siege on the castle is also well filmed with trebuchets and catapults launching flaming bombs at Castlegard.
However, for a movie about survival and battle, everything is handled apathetically. The characters seem to be going through the motions when delivering their lines and there isn't much tension in the fight scenes. It adds up to a boring action movie, and boring is one thing an action movie should never be.
It's also funny to see a film so selective about being authentic, such as making it a point that modern people should not carry modern equipment with them to influence history, but having medieval characters speak modern versions of English and French. It's also a strange that the movie takes sides, portraying the English as evil tyrannts and the French as noble defenders of their home. In reality, both sides were ruthless during that era.
As an actor, Walker comes off as a poor man's Keanu Reeves. You read that right - Walker makes Reeves look like a nuanced performer by comparison. He shouts lines with little conviction and acts like a dork through most of the film.
In fact, with the exception or Butler's Marek, it seems like amateur night in the acting department. A scene where O'Connors' Kate breaks down crying will have people laughing. Even Embry, normally an okay actor, gives an unmoving performance. His character stays behind in the present and comes off as the "self-righteous scientist" who squares off against Thewlis' heartless business man, a typical feature of this movie type.
Director Richard Donner once made great movies like "Superman" and "Lethal Weapon" but can't rescue this mess. It's been five years since he's done a movie, and he seems rusty. The camerawork and set design are both excellent though, and belong in a better movie.
Like most stories by Michael Crichton, "Timeline" makes scientists into noble humanitarians and corporate heads into greedy slime to create artificial drama, and it comes off as exploitive pabulum that detracts from where the attention should be, on the action.
Since the action isn't good, what's left is a story where the heroes cry, complain and act selfishly while the movie tries to convince us that they're intriguing characters we should care about. "Timeline" is a wholly forgettable experience, and memories of the movie will be teleported out of the minds of the audience not long after leaving the theater.
Five out of ten stars. Just stick to the "Lethal Weapon" series Mr. Donner, and Mr. Crichton, please exhibit caution before letting another one of your novels be ruined with a horrible on screen versions (but then, you haven't had a good reputation of doing that).
Você sabia?
- CuriosidadesMichael Crichton, author of the same-titled book on which this movie was based, disliked this movie so much that he refused to licence any more movies based on his novels. Nobody would gain the movie rights to a Michael Crichton book until Steven Spielberg, long-time friend of Crichton, bought the rights to "Pirate Latitudes" after Crichton's death.
- Erros de gravaçãoDecker yells "Fire!" to the archers at the river. But "fire" was an expression that only developed after the invention and widespread use of gunpowder and firearms. Before then, archers were commanded to "shoot" or to "loose" their arrows.
- Citações
Marek: We're speaking the same language, but you don't understand a word I'm saying, do you?
Lady Claire: No.
- ConexõesFeatured in Troldspejlet: Episode #30.7 (2004)
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- How long is Timeline?Fornecido pela Alexa
- What is the fate of the people who travelled into the past?
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Rescate en el tiempo
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 80.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 19.481.943
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.440.629
- 30 de nov. de 2003
- Faturamento bruto mundial
- US$ 43.935.763
- Tempo de duração1 hora 56 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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