AVALIAÇÃO DA IMDb
6,2/10
73 mil
SUA AVALIAÇÃO
Um viúvo precisa cuidar de sua filha precoce e reconstruir sua vida e carreira depois de se colocar em segundo plano por causa de uma tragédia inesperada e uma explosão pessoal.Um viúvo precisa cuidar de sua filha precoce e reconstruir sua vida e carreira depois de se colocar em segundo plano por causa de uma tragédia inesperada e uma explosão pessoal.Um viúvo precisa cuidar de sua filha precoce e reconstruir sua vida e carreira depois de se colocar em segundo plano por causa de uma tragédia inesperada e uma explosão pessoal.
- Direção
- Roteirista
- Artistas
- Prêmios
- 2 vitórias e 8 indicações no total
Paulie Litt
- Bryan
- (as Paulie Litowsky)
Jennifer Schwalbach Smith
- Susan
- (as Jennifer Schwalbach)
Avaliações em destaque
I find ironic that people who enjoyed Kevin Smith's other movies hated this one. That right there pretty much explains most of the haters (i.e. those recommending Mallrats and JSB over this). I thoroughly enjoyed this movie and I was laughing my ass during most of it. I am obviously not an actor, but I didn't find any problems with the acting or the dialogue. It sounded real and believable. Sure, there may moments that are corny or make you want to wince, but every movie has moments like that. Raquel Castro and Liv Tyler really stole the show, George Carlin had just the right pizzaz as a crusty old Pop, and some of us can relate to Ben Affleck's character.
12 April 2004. Ben and Jennifer - it was a storyline in the first part of the movie that was hard to ignore real life headlines and what if...what if they had married, what must have they gone through making this movie? Ben Affleck does a great job of acting with a solid script. This comedy-drama continues the evolution of comedy and drama into a blended fusion of genres reflecting real life. There is death, there is humor, there is serious emotional rantings and just play fun comedy. The movie suffers a little bit in consistency of tone as the movie drifts more towards seriousness, hardening its edge in the last third, losing the nice balance of comedy and drama that it had going. But this movie is a treat for entertainment with a good dose of growing up pains, taking responsibility, of making choices. At times there is stark sadness and other times there is tenderness and understanding. Seven out of Ten Stars.
Jersey Girl I think is an average movie. Definitely not one of my favorites, but at the same time not the worst movie I've ever seen. The plot of the movie is well thought out and is a good idea for a movie. Ben Affleck who plays Ollie Trinke is a Manhattan music publicist. He later meets the girl of his dreams and she becomes pregnant. However, his life completely changes when she dies while giving birth. He moves back in with his father in New Jersey to raise his daughter, Gertie, by himself. This movie has emotion and drama, but also comedy at the same time. This film is heartwarming because of the way Ollie Trinke steps up to be the best dad he can be. He really ends up caring for his daughter after getting thrown a curve ball of becoming a single dad. This would be a great family movie.
So after reading many a disconsolate review from Kevin Smith fans I decided to purchase the DVD anyway. Yet all the negative comments had left their toll on me and the DVD stayed on the shelf in its shrink wrapper for FAR TOO LONG. You motor heads! Yes this movie is sweet and yes it's sometimes even sickly but it's endearing and moving. Ben Athleck switches in and out of competence a few too many times to make his performance IMO a completely solid one but frankly he does a good job of holding all the disparate threads of the movie together.
If you want to live in 1994 dick & fart jokes then simply put Clerks in the DVD player and play it again! However each of Kevin's films go someway in their own right into the exploration of inter-personal relationships and the impact of consequence in our daily lives. Jersey Girl is no different in this respect than Clerks.
If you want to live in 1994 dick & fart jokes then simply put Clerks in the DVD player and play it again! However each of Kevin's films go someway in their own right into the exploration of inter-personal relationships and the impact of consequence in our daily lives. Jersey Girl is no different in this respect than Clerks.
I'm certain that if I had been Kevin Smith, approached by Miramax with this idea and screenplay, I would definitely have turned it down.
Maybe that's exactly why he had chosen to do it. And what a wise decision it was indeed... The movie didn't promise much judging it by the trailers, but in the end, I was quite satisfied with it when I finally saw it. I'm sure, that an average, or below-the-average Hollywood director would have made it into a blunt, silly, sentimental, and instantly forgettable, "soap-bubble-like" movie. But not Smith... There were many, many crucial points along the storyline that just called and yelled for directors to commit fatal errors... Smith had succeeded to avoid these errors, creating a really enjoyable, lovable, deeply emotional and yet funny piece of work. But still... this isn't the Kevin Smith that I admire so much. I believe that with "Dogma" he created a milestone in American film-making, by daring to speak fiercely openly and frankly about very delicate issues. I missed this part of him from "Jersey Girl" - but there was no room for it because of the plot.
With "Jersey Girl" he had showed more real emotions than he ever did in all of his works. He had proved himself an expert of human emotions. He showed the audience that he really understands about deep feelings, love, loss, family ties, ambition...
The only thing this film is lacking is really great acting. None of the actors gave bad performances, not by long shot, but still... there could have been some more... especially from Affleck. Tyler gave a surprisingly fresh, and believable performance, showing some real theatrical talents in the scene when she performs in Gertie's 'musical'.
The unavoidable Star Wars jokes, and celebrity "nose-pricks" are present of course, maintaining the overall "Smith-feel" to the movie. To be adequate, I quote Darth Vader: "Impressive... Most impressive."
Maybe that's exactly why he had chosen to do it. And what a wise decision it was indeed... The movie didn't promise much judging it by the trailers, but in the end, I was quite satisfied with it when I finally saw it. I'm sure, that an average, or below-the-average Hollywood director would have made it into a blunt, silly, sentimental, and instantly forgettable, "soap-bubble-like" movie. But not Smith... There were many, many crucial points along the storyline that just called and yelled for directors to commit fatal errors... Smith had succeeded to avoid these errors, creating a really enjoyable, lovable, deeply emotional and yet funny piece of work. But still... this isn't the Kevin Smith that I admire so much. I believe that with "Dogma" he created a milestone in American film-making, by daring to speak fiercely openly and frankly about very delicate issues. I missed this part of him from "Jersey Girl" - but there was no room for it because of the plot.
With "Jersey Girl" he had showed more real emotions than he ever did in all of his works. He had proved himself an expert of human emotions. He showed the audience that he really understands about deep feelings, love, loss, family ties, ambition...
The only thing this film is lacking is really great acting. None of the actors gave bad performances, not by long shot, but still... there could have been some more... especially from Affleck. Tyler gave a surprisingly fresh, and believable performance, showing some real theatrical talents in the scene when she performs in Gertie's 'musical'.
The unavoidable Star Wars jokes, and celebrity "nose-pricks" are present of course, maintaining the overall "Smith-feel" to the movie. To be adequate, I quote Darth Vader: "Impressive... Most impressive."
Você sabia?
- CuriosidadesFollowing the failure of Contato de Risco (2003), Miramax removed all images of Jennifer Lopez from all promotional spots, out of fear that people would think it was another Ben Affleck-Jennifer Lopez vehicle. The release date for Menina dos Olhos (2004) was pushed back from autumn 2003 to early 2004 and the studio also attempted to play down the presence of Lopez's character, Gertrude, in the movie, which included a public revelation about her character's fate.
- Erros de gravaçãoOllie rips the buttons off his blue shirt as he gets into the costume for the Sweeney Todd skit. After the skit, the buttons are sewn back on and he isn't wearing the white T-shirt underneath.
- Cenas durante ou pós-créditosTHE DIRECTOR WOULD LIKE TO THANK: God - Who still seems to be a fan of mine. And vice versa. Jenny - The proof that God's still a fan. I love you so, so much, my muse. Scott - Love you too. You're the James Brown of film, dude. Mom - Thanks for raising me right. Harley - The original Jersey Girl. Gail and Byron - The Glue. Philbert - aka Mosier Junior. Laura - She who makes it all happen. Lehrman - An A.D. so good, he was practically the D. Vilmos - The master of light. Ben - You were flat out brilliant. George - Funny, smart, and a great actor. It's just not fair. Liv - My new favorite actress. You elevated Maya. Raquel - Kid, you're a star. Jen - Who inspired Ben to greatness and while being great herself. Root and Starr - The mid-life Jay and Silent Bob. Biggs - You've now lived down the Pie. Betty - The best teacher the kids could have. Will - I love you all the way to the moon and back down to the dirt. The Crew - The true filmmakers. Carol - For riding shotgun. Sue - For grace under pressure. Charlie - For our third act show-stopper. Jon G. - Officially Miramax, unofficially View Askew. You're the fourth Beatle, dude. Harvey - For an excellent suggestion. Phil - My deal-maker and friend. Sloss - The legal eagle. Pierson - Who keeps me honest. Mas - For support from day one. Sondheim - For "Sweeney" in both our movie and real life. The Boss - For lending us his art. Twice. Stevie, Aimee, Ben, and Pete - For flick-defining tunes. Joey, Zack, and Donald - For lots of Crystal Light, Baja Fresh chicken, and smoke runs. Carol - Who keeps me rolling in dough. Ming - The Architect. Chappy - My merch partner in crime. The City of Philadelphia - For being great hosts. The Town of Paulsboro - For the locations and the street. The Town of Highlands - For giving a fat kid a nice place to grow up. And the Tabloids - For nothing. When in Red Bank, New Jersey, visit Jay and Silent Bob's Secret Stash. When in Jay and Silent Bob's Secret Stash, Red Bank, New Jersey, purchase a ton of quality merchandise manufactured by Graphitti Designs.
- Versões alternativasKevin Smith has a 2 hour and 20 minute "director's cut" version that has screened in Los Angeles and in New Jersey at his 2005 Vulgarthon all-day film events. Smith says he will release the longer version on DVD for the film's tenth anniversary in 2014. As of 2014, that never materialized. This current year, 2024, is the films' 20th anniversary, and there is still no word of the original version of Jersey Girl being released on DVD/Blue-Ray.
- ConexõesFeatured in Este Filme Ainda Não Foi Classificado (2006)
- Trilhas sonorasEveryone's A Kid At Christmas
Written by Aurora Miller and Ronald Miller
Performed by Stevie Wonder
Courtesy of Motown under license from Universal Music Enterprises
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- How long is Jersey Girl?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Padre soltero
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 35.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 25.268.157
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.300.000
- 28 de mar. de 2004
- Faturamento bruto mundial
- US$ 35.492.921
- Tempo de duração1 hora 42 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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By what name was Menina dos Olhos (2004) officially released in India in Hindi?
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