Uma mulher solteira, Ellie Riggs, tenta abrir caminho através da cena musical de Los Angeles e de sua própria vida pessoal bagunçada. Contado em tempo real, cada episódio é uma fatia linear ... Ler tudoUma mulher solteira, Ellie Riggs, tenta abrir caminho através da cena musical de Los Angeles e de sua própria vida pessoal bagunçada. Contado em tempo real, cada episódio é uma fatia linear de 22 minutos da vida de Ellie.Uma mulher solteira, Ellie Riggs, tenta abrir caminho através da cena musical de Los Angeles e de sua própria vida pessoal bagunçada. Contado em tempo real, cada episódio é uma fatia linear de 22 minutos da vida de Ellie.
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Most of these comments show exactly why interesting and innovative shows, or indeed any show that's not in the same mold as every other show, don't get made. Or if they get made, they don't attract viewers quickly enough for the networks and they get dumped, whereas junk like "Veronica's Closet" just keeps getting renewed. "Action" was brilliant, and i'm glad it had its short perfect run. "Freaks and Geeks" was great. "Undeclared" is great. "Once and Again" had the best-written teens on televison, maybe ever. "The Tick" took a brilliant cartoon and somehow made it even better in live-action. And they all failed, because the American people want jokes in their comedy, jokes that come at regular intervals. They don't want comedy that's closer to drama, or to "real life", or to tragedy. They want a laugh track to tell them when something's funny. "Watching Ellie" is really funny, mostly because Julia Louis-Dreyfus is a brilliant physical comedienne. You watch her expressions, what she does with her eyes and mouth and hands, reacting to the frustrations of life, and she is just brilliant. The 22-minute limit is a gimmick, but it's actually fun to see what new situation the writers come up with to attach the ticking clock to. This show is going to die a quick death, and in five years it's going to come out on DVD and everyone will declaim its brilliance. Too bad it's a network show. Cheers to Julia Louis-Dreyfus (and even to Brad Hall).
Really not a bad idea, but Julia Louis-Dreyfus is no Lucille Ball. I didn't buy it when she accidentally closed the grand piano. She's an okay singer, I guess, but I find it odd that they would name her charactar "Ellie". I know it's supposed to be "Eleanor" but it sounds too close to "Elaine". This show really wasn't that funny, but that's not to discredit Louis-Dreyfus as an actress. With the right script and a better time slot, she could make it work! I would also like to see her in movies again.
Sorry, let me rephrase that: it was the best of shows, THEN it was the worst of shows. After its brilliant initial run proved it too sophisticated for a mass network audience, the lovely and genuinely charming Watching Ellie disappeared. Now it's back, in a grotesque, dumbed-down version with the same actors playing characters who have the same names and I guess are supposed to be the same characters. The only problem with this is that there is no character consistency; and indeed in the new version there are no characters at all, only are sit-com stereotypes. The 'humor', now that it can't be rooted in the characters (as, again, there are none) is reduced to the utterly predictable and insultingly stupid. (The man Ellie gave the finger to could have been her big break - what a shock! Her boyfriend isn't cheating on her, he's trying to further her career - who could have guessed?!) In lieu of the laughter that will no longer be forthcoming from the audience, the producers have kindly supplied the canned variety.
The original Ellie, as fans will fondly recall, allowed amusing events to happen naturally, preferring a handful of genuinely funny moments in a half-hour to five lousy punch-lines per minute. They didn't even require that each episode end with a joke. Audiences, confused and perplexed by the lack of formula (duh, what am I supposed to laugh at? duh, this sure isn't Will and Grace!) stayed away in droves.
Rather than making 'Ellie for Dummies,' why couldn't the show have been transferred to, say, HBO, where intelligent, laugh-track-free comedies seem to flourish? (Dare I point out that even Fox network, which airs Bernie Mac and Malcolm in the Middle, has recognized the value of the laugh-track-free, single camera, half-hour comedy?) Watching the 2003 version of Ellie is like having dinner with a former best friend who has since been lobotomized. And the food and the service are lousy too.
The original Ellie, as fans will fondly recall, allowed amusing events to happen naturally, preferring a handful of genuinely funny moments in a half-hour to five lousy punch-lines per minute. They didn't even require that each episode end with a joke. Audiences, confused and perplexed by the lack of formula (duh, what am I supposed to laugh at? duh, this sure isn't Will and Grace!) stayed away in droves.
Rather than making 'Ellie for Dummies,' why couldn't the show have been transferred to, say, HBO, where intelligent, laugh-track-free comedies seem to flourish? (Dare I point out that even Fox network, which airs Bernie Mac and Malcolm in the Middle, has recognized the value of the laugh-track-free, single camera, half-hour comedy?) Watching the 2003 version of Ellie is like having dinner with a former best friend who has since been lobotomized. And the food and the service are lousy too.
Is it just me or is this show really..bad? It tries Way too hard to be like Seinfeld, but nothing will ever be that good. I think Julia Louis Dreyfuss is very talented, but I think she is much better in a supporting role, especially as Elaine. The first half of the show (of the first episode) wasn't bad, but then it took a terrible turn for the worst. I mean come on, is this the best you can come up with? Its basically stupid slap stick comedy, which is probably because the writing is so bad. It was also very boring. I liked how they had a clock in the corner, it came in very handy when I could tell how long I had left in watching this unfunny series. I'm sorry Julia. You should have done a Seinfeld Spin-off. Learn from Kelsey Grammer. He wanted to do a show after Cheers about a guy in an accident that has people wait around on him and be his helpers. But another guy told him to keep the character of Fraiser. Now look at him. He's making millions PER EPISODE.
JL-D is the sexiest comedienne to come along in a blue moon, and her timing is extraordinary. Her new sitcom does some amazing things with real-time narrative, and features an affable bunch of oddball neighbors and cohorts. I really think this show has the potential to become the righteous heir to SEINFELD which, as we all know, is a hell of an act to follow. Very urbane and witty, with astute character comedy juggling well with absurd physical schtick. And I LOVE those freeze frames which showcase Julia's gorgeous mouth! Ouch! More please!
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- CuriosidadesThe original concept of the series was that each episode took place in real time. A timer on the corner of the screen counted down from 22 minutes, pausing in the middle for one commercial break. The timer was discontinued after a few episodes. For the second season, the conceit was abandoned altogether in favor of a more conventional time structure, perhaps due to a combination of network pressure and the difficulties in planning and filming the action so that it appears to unfold in real time.
- ConexõesFeatured in 101 Biggest Celebrity Oops (2004)
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