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5,0/10
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SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaWith help from his cousin, an emigrant of India adjusts to life in Houston while attending college.With help from his cousin, an emigrant of India adjusts to life in Houston while attending college.With help from his cousin, an emigrant of India adjusts to life in Houston while attending college.
- Direção
- Roteiristas
- Artistas
Indi Wijay
- Raju Mathews
- (as Indy Wijay)
Avaliações em destaque
This is a movie about an Asian Indian family living in the United States. Mo Bakshi (Kal Penn) was raised in the U.S., is familiar with the way of life and is considered one of the cool kids. Harishkumar Patel (Sunil Malhotra), or Hari for short, is what the americanized Indians referred to as "FOBs" or Fresh Off the Boat.
Hari comes to the U.S. in order to go to college. Before he goes, he is foretold by his family in India that his true love will fall on him like lightning from the sky, that her name began with the letter "P" and would fall in love with him on the night of a full moon. On his first day in class he meets Priya (Tina Cherian). Actually, she trips onto him and he interprets this as falling from the sky and chases her for the remainder of the movie.
Throughout the movie, the FOBs are trying to get into the cool parties while guys like Mo and his buddies do their best to keep them out. I suppose this movie is trying to point out the differences between them and even goes as far as to say they are racist against their own heritage. It is a little hard to explain but I understood the movie completely.
This was titled "Dude, Where's The Party?" at the video store and billed as a comedy. After just coming off of watching Harold & Kumar Go To White Castle, I figured this was a "can't miss" movie. While it was not too terrible, it was nowhere near as funny as Harold & Kumar (with the exception of maybe one scene). I kind of got the picture they were trying to capitalize on Kal's Harold & Kumar fame by releasing this movie afterward, even though it was made before and the box cover could be misconstrued as well.
Also, some of the actors are in need of acting classes or something. Most of the smaller parts I guess. I did not think the women were all that beautiful either, with the exception of Mousami Dave, who plays Poonam Mehta. Mousami was by far the hottest girl in the movie. With all things considered, I rate this in the middle and would honestly recommend to pass on this film. 5/10
Hari comes to the U.S. in order to go to college. Before he goes, he is foretold by his family in India that his true love will fall on him like lightning from the sky, that her name began with the letter "P" and would fall in love with him on the night of a full moon. On his first day in class he meets Priya (Tina Cherian). Actually, she trips onto him and he interprets this as falling from the sky and chases her for the remainder of the movie.
Throughout the movie, the FOBs are trying to get into the cool parties while guys like Mo and his buddies do their best to keep them out. I suppose this movie is trying to point out the differences between them and even goes as far as to say they are racist against their own heritage. It is a little hard to explain but I understood the movie completely.
This was titled "Dude, Where's The Party?" at the video store and billed as a comedy. After just coming off of watching Harold & Kumar Go To White Castle, I figured this was a "can't miss" movie. While it was not too terrible, it was nowhere near as funny as Harold & Kumar (with the exception of maybe one scene). I kind of got the picture they were trying to capitalize on Kal's Harold & Kumar fame by releasing this movie afterward, even though it was made before and the box cover could be misconstrued as well.
Also, some of the actors are in need of acting classes or something. Most of the smaller parts I guess. I did not think the women were all that beautiful either, with the exception of Mousami Dave, who plays Poonam Mehta. Mousami was by far the hottest girl in the movie. With all things considered, I rate this in the middle and would honestly recommend to pass on this film. 5/10
While I agree that much of this film rehashes a lot of old stereotypes and clichés, I didn't feel that the film did so mean-spiritedly or even without good intentions. Wasn't the moral of the story that all the stereotypes and harsh feelings toward recent immigrants were wrong? While there were points where some of the jokes or plot lines were a little hokey or clichéd and completely overdone (for the love of god, no more doctor/engineer jokes!), I thought the film had some moments of very subtle, very astute analysis on identity, race relations and negotiations of who is "cool" and who isn't. Granted, I'm watching this film for my master's thesis, so I'm looking for all of those subtle cues, but if you look closely, you can see there is a lot more going on in this film than FOB jokes.
That being said, the film isn't perfect. It gets really slow at points, and like I said, a lot of the jokes are completely run into the ground. However, I thought that Hari was such a sweet, likable character (he actually reminded me a lot of the main character in the movie "LOSER," which follows a pretty similar story line about a dorky mid-Westerner moving to New York for college), that he made the movie worth watching. Despite all this film's shortcomings, I'd rather watch it than American Desi (or a large number of the American Desi type films) any day. This is one of the few films of its type that didn't take a completely uncritical approach to "Indian" culture. This movie actually took some time to poke fun at itself.
In my opinion, this film got much closer to satire than pretty much everything else I've seen in its genre, and if you are looking for a film to watch within this genre, this is probably the best option at this point.
That being said, the film isn't perfect. It gets really slow at points, and like I said, a lot of the jokes are completely run into the ground. However, I thought that Hari was such a sweet, likable character (he actually reminded me a lot of the main character in the movie "LOSER," which follows a pretty similar story line about a dorky mid-Westerner moving to New York for college), that he made the movie worth watching. Despite all this film's shortcomings, I'd rather watch it than American Desi (or a large number of the American Desi type films) any day. This is one of the few films of its type that didn't take a completely uncritical approach to "Indian" culture. This movie actually took some time to poke fun at itself.
In my opinion, this film got much closer to satire than pretty much everything else I've seen in its genre, and if you are looking for a film to watch within this genre, this is probably the best option at this point.
A very funny movie. All politics aside, fob, abcd, Indian Ameican, these are obviously hot bed issues that stike a chord in each viewer making it impossible for them to watch the movie in its on immensely well crafted, fun, colorful, and musical environment. Practically ten minutes of this film is a man splashing around in a tub, not being Indian, or American but simply being a grown hairy man getting as much fun out of a tub full of water and not taking sides in the epic battle between the new and old groups of Indians ( it would seem from reading some of the pathetic reviews in this collection of reviews the the battle is epic) It seems that this was a topic the filmmakers probably did not think would be so emotional.
But once again so much of this movie doesn't really even play into that debate and really just attempts to create some fun and silly moments, like Kal's dance for Janvi. When its does take a stand and get on its soapbox it does it in such a clever way that the Shalllow Indians, who feel the film pokes fun at them, watch the movie don't even notice the scene where PRYIA in JANVI's documentary, reveal the filmmakers true feelings about the whole "Can Indians get along debate." In this scene it seems like PRYIA really does have a mind and she realizes that the struggle Indians have now is nothing compared to the Civil Rights Struggle in the US only 40 some years ago --she admits, and the filmmakers through her, that the battle for who is the coolest is not important when one thinks of the struggles of minorities in this country in the past and all the people who have cleared the way for "PRYIA" to worry about how she may be seen as a freak for the color of her eye-shadow and not the color of her skin. It also shows that some of the worst hatred in minority groups exist within the group itself as those who adapt and adopt the culture of the new environment immediately pick on members of their own group who do not fit in. But these are heavy issues and to attempt them in a comedy is bold and i think the filmmakers succeed in showing how this happens and DO NOT TAKE THE SIDE of the person who picks on members of his/her own group, --that is why the club owner is, in the end, exposed as THE BAD GUY. In fact --he is really the only bad guy in the movie. the guy who owns the club and throws the parties but does not want any "real" Indians to show up is the one everyone can agree is the "loser." But when it is not smartly dealing with these heavy topics , the film is a very silly and funny movie that cracked me up.
But once again so much of this movie doesn't really even play into that debate and really just attempts to create some fun and silly moments, like Kal's dance for Janvi. When its does take a stand and get on its soapbox it does it in such a clever way that the Shalllow Indians, who feel the film pokes fun at them, watch the movie don't even notice the scene where PRYIA in JANVI's documentary, reveal the filmmakers true feelings about the whole "Can Indians get along debate." In this scene it seems like PRYIA really does have a mind and she realizes that the struggle Indians have now is nothing compared to the Civil Rights Struggle in the US only 40 some years ago --she admits, and the filmmakers through her, that the battle for who is the coolest is not important when one thinks of the struggles of minorities in this country in the past and all the people who have cleared the way for "PRYIA" to worry about how she may be seen as a freak for the color of her eye-shadow and not the color of her skin. It also shows that some of the worst hatred in minority groups exist within the group itself as those who adapt and adopt the culture of the new environment immediately pick on members of their own group who do not fit in. But these are heavy issues and to attempt them in a comedy is bold and i think the filmmakers succeed in showing how this happens and DO NOT TAKE THE SIDE of the person who picks on members of his/her own group, --that is why the club owner is, in the end, exposed as THE BAD GUY. In fact --he is really the only bad guy in the movie. the guy who owns the club and throws the parties but does not want any "real" Indians to show up is the one everyone can agree is the "loser." But when it is not smartly dealing with these heavy topics , the film is a very silly and funny movie that cracked me up.
"Dude where's the Party?" (Where's the Party Yaar?) is yet another movie that deals with young Indian Americans, and it really doesn't offer a whole lot new or interesting. The territory covered here about Indians (Desi) is old hat, the humor very stale and as painfully unfunny as an SNL skit gone awry. There is absolutely nothing wrong with revisiting familiar plot lines, but they could at least be done in more interesting ways.
Kal Penn (Harold & Kumar) is the only one that gives out a performance with any kind of decency here, probably because he is for all intents and purposes the only real actor in this film. Everyone else in this movie is a rank amateur, better suited for a church Christmas play written by a 45+ year old Uncle (Indian parent or "adult"), then a mass marketed film. The film is about Hari Patel, a well intentioned kid from India who travels to America to study engineering and meet his true love as proclaimed by one of his village elders (in an over the top campy performance) back in India. Hari excited as ever, goes to Houston, TX where moves in with his super cool cousin Mohan "Mo" Bakshi and his family. Kal Penn's Mo character instantly is disgusted by his FOB (fresh off the boat) cousin and is embarrassed that he has to introduce Hari to all his equally super cool and very shallow friends at U of H. And Mo has every good reason to be repulsed by Hari. Hari dresses like an idiot, smells like curry, makes a mess of the family bathroom, and speaks in a loud and obnoxious voice. Essentially Hari Patel is a FOB character exaggerated to the nth degree, a total caricature of the real deal. His accent is exaggerated to the point of sounding fake, and his clothes and hair are just terrible. I've encountered several newly arrived Indian immigrants in my lifetime, and even the worst of them with their slacks and white tennis shoes do not act as unbelievably stupid as Hari Patel does here. There is a hollow ringing moral lesson at the end of the film, where the shallow cool Indians learn how to better treat the FOBs.
Basically the essential reason Indian Americans have been confused about their identities and so many flicks like this have exploded onto the scene is because Indians can't stop being Indian. It's not because the Indian culture is so vastly different from American culture or Western culture as a whole. No, there are many Eastern European countries and Middle Eastern countries whose cultures can be eerily similar to "Indian culture" and it's strict parental rules. But if they are White or fair skinned White looking, they can easily blend into American culture far more easily. When was the last time you heard of confused Russian American kids? Yeah they don't exist. But as an Indian you carry India with you everywhere you go and this more then anything else is the root of the struggle for ABCDs (American Born Confused Desi). You'll always be Indian in America or any other country, and you will always be way too American/Western if you go back to India. That's likely the reason that there are more of these type of movies depicting Indian American trials then there are East Asian American struggles. Asian Americans have been around in the United States for so long and overall just tend to blend in better then Indians do. Indian skin complexion tends to stand out, we look like "foreigners" even if you are super cool like the club hopping Indian kids in this movie. Add to that we have only been around in significantly large numbers since the 1970s and there you have the answer.
Certainly there has been a Desi explosion in American/Western pop culture in recent years, in no way did I even imagine all this mainstream Indian exposure as a kid growing up back in the 80s and 90s. It clearly took a generation of Indians to grow up in America to bring Desi culture to the pop forefront, because our parents generation certainly wasn't going to do it. I've been hard on this film but it did have it's moments too, I especially liked the boy band serenade with the Hindi remix. I liked how the movie showcased Desi culture in Houston, as opposed to New York, Chicago, or Philly. I also loved how it showed a variety of Indian subcultures, not just North Indians which is what is usually done in the other flicks. I was happy that there was no big melodramatic Indian wedding,---though a fist fight between two Uncles would have been hilarious. I myself have never really been immersed in the young Indian American culture, but growing up ABCD you'll still know it very well in many ways. The characters parents live in giant homes that are essentially mini mansions, a favorite of many Indians (especially Malayalees) who aspire to live in the posh Houston suburb of Sugarland---but usually at hard cost cutting standards for those that don't have the natural income to live in such large homes. It was also surreal for me to hear Malayalam actually spoken on screen. "Where's the Party Yarr?" should probably be given it's dues just for being yet another Desi movie that did try and one that might make us less strange to the general American public. With a few exceptions, no one could figure out quite how to do these kind of films back in the 1990s, and it was pure fantasy in the '80s. I don't want to even begin to imagine what it was like for the very early Indian American youth back in the '70s. Keep making Indian American/Western flicks, but get bolder...and funnier. I'm still waiting for that great Desi film or novel that will echo what Amy Tan did for Asians with "The Joy Luck Club".
Kal Penn (Harold & Kumar) is the only one that gives out a performance with any kind of decency here, probably because he is for all intents and purposes the only real actor in this film. Everyone else in this movie is a rank amateur, better suited for a church Christmas play written by a 45+ year old Uncle (Indian parent or "adult"), then a mass marketed film. The film is about Hari Patel, a well intentioned kid from India who travels to America to study engineering and meet his true love as proclaimed by one of his village elders (in an over the top campy performance) back in India. Hari excited as ever, goes to Houston, TX where moves in with his super cool cousin Mohan "Mo" Bakshi and his family. Kal Penn's Mo character instantly is disgusted by his FOB (fresh off the boat) cousin and is embarrassed that he has to introduce Hari to all his equally super cool and very shallow friends at U of H. And Mo has every good reason to be repulsed by Hari. Hari dresses like an idiot, smells like curry, makes a mess of the family bathroom, and speaks in a loud and obnoxious voice. Essentially Hari Patel is a FOB character exaggerated to the nth degree, a total caricature of the real deal. His accent is exaggerated to the point of sounding fake, and his clothes and hair are just terrible. I've encountered several newly arrived Indian immigrants in my lifetime, and even the worst of them with their slacks and white tennis shoes do not act as unbelievably stupid as Hari Patel does here. There is a hollow ringing moral lesson at the end of the film, where the shallow cool Indians learn how to better treat the FOBs.
Basically the essential reason Indian Americans have been confused about their identities and so many flicks like this have exploded onto the scene is because Indians can't stop being Indian. It's not because the Indian culture is so vastly different from American culture or Western culture as a whole. No, there are many Eastern European countries and Middle Eastern countries whose cultures can be eerily similar to "Indian culture" and it's strict parental rules. But if they are White or fair skinned White looking, they can easily blend into American culture far more easily. When was the last time you heard of confused Russian American kids? Yeah they don't exist. But as an Indian you carry India with you everywhere you go and this more then anything else is the root of the struggle for ABCDs (American Born Confused Desi). You'll always be Indian in America or any other country, and you will always be way too American/Western if you go back to India. That's likely the reason that there are more of these type of movies depicting Indian American trials then there are East Asian American struggles. Asian Americans have been around in the United States for so long and overall just tend to blend in better then Indians do. Indian skin complexion tends to stand out, we look like "foreigners" even if you are super cool like the club hopping Indian kids in this movie. Add to that we have only been around in significantly large numbers since the 1970s and there you have the answer.
Certainly there has been a Desi explosion in American/Western pop culture in recent years, in no way did I even imagine all this mainstream Indian exposure as a kid growing up back in the 80s and 90s. It clearly took a generation of Indians to grow up in America to bring Desi culture to the pop forefront, because our parents generation certainly wasn't going to do it. I've been hard on this film but it did have it's moments too, I especially liked the boy band serenade with the Hindi remix. I liked how the movie showcased Desi culture in Houston, as opposed to New York, Chicago, or Philly. I also loved how it showed a variety of Indian subcultures, not just North Indians which is what is usually done in the other flicks. I was happy that there was no big melodramatic Indian wedding,---though a fist fight between two Uncles would have been hilarious. I myself have never really been immersed in the young Indian American culture, but growing up ABCD you'll still know it very well in many ways. The characters parents live in giant homes that are essentially mini mansions, a favorite of many Indians (especially Malayalees) who aspire to live in the posh Houston suburb of Sugarland---but usually at hard cost cutting standards for those that don't have the natural income to live in such large homes. It was also surreal for me to hear Malayalam actually spoken on screen. "Where's the Party Yarr?" should probably be given it's dues just for being yet another Desi movie that did try and one that might make us less strange to the general American public. With a few exceptions, no one could figure out quite how to do these kind of films back in the 1990s, and it was pure fantasy in the '80s. I don't want to even begin to imagine what it was like for the very early Indian American youth back in the '70s. Keep making Indian American/Western flicks, but get bolder...and funnier. I'm still waiting for that great Desi film or novel that will echo what Amy Tan did for Asians with "The Joy Luck Club".
The movie (seems more like a documentary, though long) is good, a good once a worth watch time pass but clearly does not depict Indians. There might be some special cases but not all bag are douche bag. Never mind, a good to see comic case of a special middle class Indian moving to Western world and watch it out for fun.
All the comments by other users above this one are true and genuine. the funny situation lies with the acting - the cousin sings outside his gf's house 'hum dil de chuke sanam' and the one when the friends act like a gujrati and punjabi. And the punjabi daddy is awesome.
The two girls were just OK but the guys rocked with acting skills.
All the comments by other users above this one are true and genuine. the funny situation lies with the acting - the cousin sings outside his gf's house 'hum dil de chuke sanam' and the one when the friends act like a gujrati and punjabi. And the punjabi daddy is awesome.
The two girls were just OK but the guys rocked with acting skills.
Você sabia?
- CuriosidadesThe film is based on Sunil Thakkar's own experiences running and throwing parties for the Music Masala radio station, and having to discriminate between "Fresh off the Boat" Indians and the more fashionable, hip, Americanized Indians. Ironically enough, Thakkar's character in the film is exactly the type of person he barred from parties in those days.
- Citações
Shyam Sunder Balabhadrapatramukhi: Did you know I'm good at math? Let's add you and me, subtract your clothes, divide your legs and multiply...
- ConexõesReferences Bombay Fantasy (1983)
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Dude, Where's the Party?
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 85.739
- Fim de semana de estreia nos EUA e Canadá
- US$ 48.832
- 7 de set. de 2003
- Faturamento bruto mundial
- US$ 85.739
- Tempo de duração1 hora 50 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Where's the Party Yaar? (2003) officially released in Canada in English?
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