The Nature of Nicholas

Be Prepared, you may be confused..but to be honest The Nature Of Nicholas is one of the most creative and innovative films I have watched in a long time. It is an avante-garde surreal masterpiece of reality and hallucination that is like The Wonder Years on acid. It's ideas and themes may be familiar..but the way Erbach deals with them is fantastic. This film may not be for everyone, but for all of you who love to see something new in film making watch it if you can.

Jeff Erbach is a great new Canadian director who is reminiscent in the likes of David Cronenberg, Guy Maddin & David Lynch.

When we grow up we throw away our old personality we've become too big for like a snake crawls out of its old skin leaving behind a dry slough. So The Nature of Nicholas is a parable about coming of age when the boy should cast away his old, already dead nature to continue on the way into his adult life. Visual design of this drama in demonstrating this idea is absolutely unusual and innovative to the degree of becoming surreal. Don't you know the song "Lose This Skin" by The Clash: "Come with me, I thought he said, but that's not him anymore, he's dead. What's it like to be so free? So free it looks like lost to me. I've got to lose this skin I'm imprisoned in." The Nature of Nicholas is like an elaborate music video to this song.

and yet very watchable.

I don't pretend to know what this film is about, I just know that it was very satisfying to watch. Some movies, a very few, leave you with that feeling, the one that says, yeah, that's what a movie should be; that's how you feel when you have watched cinema art.

I know I should discuss the freudian symbolism and explain how it all fits into Freud's stages of sexual maturation, but I just can't bring myself to reduce this film to such cant.

It is a mythic story, best experienced in a childlike (vs.childish)state.

What promised to be an interesting film of a young boy's awakening sexuality ended up a plodding, messy story that meandered all over the place. When the movie ended, I was left wondering what exactly was the message? In a Q&A session after the movie, the director was asked what was the point of the film, but he didn't seem to have an answer. The Canadian "pauses" did not add anything to the movie, other than stretch 20 minutes worth of story into a 90 minute film. On the positive side, the acting (especially Jeff Sutton as Nicholas) was very good and many shots looked beautiful. Unfortunately, this film is confusing and a major disappointment.

When i stop and i think about it, this is the first movie i've ever watched that was explicitly and straightforwardly queer. i found it in youtube when i was about 15, and i will never forget the profound emotion and connection i've felt with it. not only it was about something i was feeling, but it also was such a mesmerizing experience. today, 6 years later, its power is still very strong.

the whole thing feels like a dream, a nightmare, to be precise. there is density and tension in the atmosphere, highlighted by a disturbingly slow (and purposefully unnatural) pace.

the cinematography is foggy and blurred, and the camera movements and editing are fluid and slow, giving the visuals an uneven, unrealistic and nostalgic feel. the sound design has an amateurish and experimental quality that suits the film very well too, with loud, opressive ambiences (constant clocks, crickets and insects) and a haunting noise-like music to go with it.

combine all of that, with beautiful and infinite praire landscapes, great performances from all the cast, influences of body horror, doppelganger horror and surrealism, and a strong nod to magical realism: what you get it's not only a mere lgbtq+ film, but a QUEER film that defies the logic of reality and fantasy, and very acurately portrays the queer childhood and the nightmare it can become. one of my favorites, all the way.