Adicionar um enredo no seu idiomaIn order to win $25 million, Daredevil pilots enter the worlds fastest jet race.In order to win $25 million, Daredevil pilots enter the worlds fastest jet race.In order to win $25 million, Daredevil pilots enter the worlds fastest jet race.
- Direção
- Roteiristas
- Artistas
Amanda Kiely
- Trina Raymond
- (as Amanda Reyne)
Alvin Poteat
- Bodyguard 1
- (as Alvin Bernard Poteat)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
It didn't even take 10 wasted minutes of my life to discover this hideous excuse for a film is less entertaining than watching paint dry. Perhaps to a totally stoned 4th grader it would be marginally interesting but then so would a trail of ants on the floor. No part of this debacle is even close to real or realistic. But I sure would like to get some of those binoculars that let people watch every part of an intercontinental air race. It never ceases to amaze me that movie makers who want to have airplanes in their film only rarely manage to dig up an actual pilot, or engineer or SOMEONE who isn't a total doofus, for technical advise. Another hard to believe fact is that they have the nerve to charge admission to crap like this. Boo, hiss.
While an interesting movie, it really seemed unfinished. The sound quality and the editing are of the worst I've ever seen in a professional movie. Sometimes during scene changes the original sound is retained during the cuts so it changes volume as the scene changes. There's one really bad noticeable example of this when Chris (Adam Baldwin) is making an announcement and the first part of the scene shows him from the left side, then it cuts to a close up of his face. The audio is extremely different between the two cuts, yet the scene is supposed to be continuous.
Another strange thing about the editing is when they'd "follow" Chris around during the TV broadcasts, but as he would be moving forward, the cuts would be seemly random, from his front, left side, right side, and back. It's hard to explain, but when you watch a person moving forward, the cuts need to progress as if he's moving forward. This movie had him jumping all over the place, it actually gave me a headache.
Other times, really noticeable overdubbing takes place where the voice doesn't even match the movements of the actors mouth. The air-show audience reminded me of an infomercial audience; their energy didn't match what is going on at that time, and their audio cuts in and out abruptly with them, when sometimes the audience audio should have continued into the next scene, fading out over time.
Also, when the two major disasters took place in the air, the audio didn't mirror the "urgency" of the visual. While a disastrous effect is taking place visual, the sound did not raise volume or create urgency -- it took a few moments to realize something bad was happening, because the sound did not give much audio clue to it. I think this alone caused some of the great emotion that could have been attained in this movie to fall completely flat.
And what was with that trailer-trash couple sitting on their couch in the living room that gets cut to during the movie????? My humble opinion is that if you're going to cut to random at-home TV people, at least use a lot of different people so we don't start to think this single at-home TV family is part of the plot.
Honestly, I don't think I've ever seen a movie with such choppy, sloppy, editing, or such bad sound in my entire life. I was shocked as I watched it that a movie could actually be released when it seems it's not even ready.
I liked the story and I liked the actors. It's strange these days to see a movie where the tech is screwed up because normally that's the flawless parts of the movie and it's usually the writing or acting that's bad.
This movie could have been 10 times better if it had better sound or editing! Why didn't the producer fire the editors? That's what I want to know!
Another strange thing about the editing is when they'd "follow" Chris around during the TV broadcasts, but as he would be moving forward, the cuts would be seemly random, from his front, left side, right side, and back. It's hard to explain, but when you watch a person moving forward, the cuts need to progress as if he's moving forward. This movie had him jumping all over the place, it actually gave me a headache.
Other times, really noticeable overdubbing takes place where the voice doesn't even match the movements of the actors mouth. The air-show audience reminded me of an infomercial audience; their energy didn't match what is going on at that time, and their audio cuts in and out abruptly with them, when sometimes the audience audio should have continued into the next scene, fading out over time.
Also, when the two major disasters took place in the air, the audio didn't mirror the "urgency" of the visual. While a disastrous effect is taking place visual, the sound did not raise volume or create urgency -- it took a few moments to realize something bad was happening, because the sound did not give much audio clue to it. I think this alone caused some of the great emotion that could have been attained in this movie to fall completely flat.
And what was with that trailer-trash couple sitting on their couch in the living room that gets cut to during the movie????? My humble opinion is that if you're going to cut to random at-home TV people, at least use a lot of different people so we don't start to think this single at-home TV family is part of the plot.
Honestly, I don't think I've ever seen a movie with such choppy, sloppy, editing, or such bad sound in my entire life. I was shocked as I watched it that a movie could actually be released when it seems it's not even ready.
I liked the story and I liked the actors. It's strange these days to see a movie where the tech is screwed up because normally that's the flawless parts of the movie and it's usually the writing or acting that's bad.
This movie could have been 10 times better if it had better sound or editing! Why didn't the producer fire the editors? That's what I want to know!
This movie is terrible, but it's so terrible that in some ways it's funny. The movie is very low budget and no one did their homework so if you have ever vaguely met anyone in the air force or if you are a pilot there will be some funny stuff to laugh at. I can't decide though if it's funny or embarrassing when they try to talk shop aviation, it's painful and they try to do it through the whole movie. I also love how there are these Air Force characters that show up a few times and they are all wearing the same Halloween Senior Airman uniform. I rolled over laughing when one of them says "Hello Major!" Anyway this movie makes no sense. Wardrobe makes no sense, dialog makes no sense, the technical stuff makes no sense. Oh and for some reason the CG guy had a thing for the Eurofighter Typhoon because it plays all of the planes. The end which I'm not going to elaborate on makes no sense, you should watch it just to experience the feeling of a writer stepping on the logic center of your brain for a few minutes.
So in short if you want to waste some time there are better bad aviation movies, go watch one of the ones with dinosaurs.
So in short if you want to waste some time there are better bad aviation movies, go watch one of the ones with dinosaurs.
The plot, special effects, and any similarity to current day USAF capabilities & operations was so far off-base that I didn't even notice the poor editing job that they previous reviewer mentioned.
I only suffered through the first half-hour of the movie before I had to put myself out of my misery & turn off the TV.
Clearly this was a low-budget movie, and not only did the USAF/DOD run away from any agreement to provide a liaison for basic technical accuracy, but the producer apparently didn't bother to have ANY adviser for military 'culture' or aviation matters.
They couldn't even track down some surplus fighter pilot helmets & oxygen mask assemblies -- what they depicted as O2 masks were actually some modified SCUBA diver breathing regulators!
I only suffered through the first half-hour of the movie before I had to put myself out of my misery & turn off the TV.
Clearly this was a low-budget movie, and not only did the USAF/DOD run away from any agreement to provide a liaison for basic technical accuracy, but the producer apparently didn't bother to have ANY adviser for military 'culture' or aviation matters.
They couldn't even track down some surplus fighter pilot helmets & oxygen mask assemblies -- what they depicted as O2 masks were actually some modified SCUBA diver breathing regulators!
A perfectly preposterous plot taking place in the "near future" I suppose. It's based on the idea of an "Around the World" hypersonic(what's the difference between Hypersonic and supersonic?) plane race... But that's not all... The race is, of course, being broadcast AND the "network" want's good ratings! Death Race 2020? I love watching the "late movie" on terrestrial broadcasts... It reminds me of when I was a kid. I would love to know who picks these movies. None the less, this is the only way I would see real, contemporary "Cormanesque" B-Movies. This movie is exactly what I crave when tuning in to late Sunday night broadcast television... Totally goofy but, just like a country music song, I have to see what happens in the end.
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