Perfect Pie

Perfect Pie is a beautiful film about friendship. It weaves the past with the present and the stellar performances of the actresses make the trip through time seamless and enjoyable. Wendy Crewson's portrayal of Patsy is gentle and lovely while never allowing the audience to lose sight of the character's inner strength and determination. A "must see" movie for anyone who has ever had a best friend.

I borrowed this DVD from a friend and I really thought this was a great movie! I thought the acting, writing......everything was really good and found it easy to follow despite the flashbacks throughout the movie. I really could relate to the character Marie/Franchesca in temperament more than anything as I also tend to be a little high strung, sensitive and have that artistic nature within me. Also, it took guts for her character to come back to a place that was hell on earth for her. I could not blame her for leaving in the first place! Also, abuse survivors tend to change their identities at some point so could also understand why Marie changed her name. Patsy was more practical and realistic but that is what makes a best friend who she is: someone who is totally opposite from ourselves and one we can learn from. It sorta reminded me of my long time friend since the 5th grade. Nothing alike or in common except a lifetime of friendship. Great movie and kudos to all involved!

This is a film for women. It is a story about the reunion of two once childhood friends who have drifted apart after a terrible incident. Wendy Crewson is wonderful as the friend (Patsy)who didn't leave the small, hometown and became a housewife. Barbara Williams plays the friend (Francesca/Marie) who left and became a world famous opera singer only to return for a benefit concert on behalf of her estranged friend. Neither character was sympathetic and I could not connect with Marie. One of the problems was that the story was told in three different timelines: the present, the past around the time the incident occurred, and the past when the two friends first met. The editing was problematic. As soon as I was getting into the present storyline, the scene would jump into the past. This broke upset the pace and rhythm for me and when they did go to scenes in the past they never stayed long enough to flesh out the story. At least for me. I also found the ending to be anticlimatic and could have ended with the friends reconciling.

Perfect Pie is a cliche-loaded movie about a small-town girl, who made it big, returning home. It's a whole slew of played out ideas that have been done before, and I simply have no patience for any of it. They try to hook you early by suggesting there was some dramatic falling out between these two girls who are reuniting, but they get to a point where I would not believe the animosity they seem to harbor unless it was shown that Rachel McAdams shoved Alison Pill in front of a train. The reveal at the end is uncomfortable, seems improbable, and doesn't really explain the divide we've seen between the two women for the entire film. The movie up until that point felt like it was supposed to be kind of heartwarming and nostalgic, but that 180-degree turn makes it creepy and weird.

It's strange, because I feel like Perfect Pie has an unlikely mix of being both under-written and over-written. The script is lazy and unfocused, so they could have used some tightening up in order to give the entire film a better flow. But at the same time when people are talking the dialogue doesn't feel natural. There's a wordiness to the way they speak that ruins my suspension of disbelief and I can see the script-writer's hand putting words in people's mouths. I'm probably not the target audience for the film, though. This feels more like a Lifetime movie, and would be entertaining for people who enjoy coming-of-age dramas and you-can't-go-home-again tales. Perfect Pie was a bland exercise for me, and one I definitely have no desire to watch again.

Some wonderful vignettes but all in all cohesion was missing. A pivotal scene - the very heart of the plot, so to speak, was handled almost dismissively, a real shame. Three time frames are in the movie and sometimes you just don't get quite enough before another time shift. A very mixed bag. Crewson and Williams play off each other beautifully as do their 15 year old selves played by Pill and MacAdams ( one scene of Patsy picking nits out of Marie's hair is particularly poignant). But most of all it played flatly, not enough meat in any scene to grab one and connect one with the characters. Some tightening of the editing and a longer key scene would have increased the horror and given the viewer more of a connection. And one major flaw was that Marie, a hopelessly neglected and filthy child of a down-and-out, alcoholic mother (she apparently does not bathe and smells) is remarkably clean and looks well cared for throughout. At the end the character of Francesca was still at a remove from her audience. 6 out of 10.