Treed Murray

I caught this on cable last night and have to say that this was as riveting and shocking in places as Larry Clark's "Kids". To have a movie shot in one location solely relying on its script-writing is unusual, but a script working as effectively as this certainly provides a breath of fresh air. A hugely inventive and original film - see this or miss out.

This is really one of those hidden gems of a movie. The plot is so simple: An executive type gets trapped in a tree by a group of young hoods. It's all psychological stuff, virtually zero dollars spent on set design and such, because it's just a park. The acting by all of the main characters is quite solid, especially that of the group leader. A bit of excess drama at one point with scary people doing scary things, but it wasn't too overdone. They got the point across anyway.

This is really worth renting. It's not action-packed, but it's going to keep you watching until it's over.

8/10

After watching this movie, I came here expecting it to get a rating somewhere under 3. I was astonished seeing the 8, and more astonished reading the reviews. This movie was just plain awful, the characters weren't very believable if you ask me. I thought the funniest part was at the end when that guy(I didn't bother remembering the names) went to get his grandfathers gun from the garage, real tough gang there. Then the part where they were cheering Murray and the cop just went away, ugh. FJOEWIJGROIJG is the only way I can describe it, I'm just in awe at the high rating from IMDB voters.

I was flicking through channels on my TV dial at 1:30am couple of nights ago when I stumbled upon this thing already deep into opening credits. Though the little that I saw of the introductory sequence had me convinced it was at best a corny Canadian TV 'project' or an episode of some US syndicated TV series shot in Toronto I still decided to keep watching. And I'm glad I did. Well, kind of.

The first part of the movie (chase scene, Murray getting on the tree, first physical confrontations before the impasse, etc.) is truly riveting. It exploits every big city dweller's palpable fear - that of being victimized in a random, senseless act of violence. Basically, this is the same shtick Steven Spielberg built his movie empire on: introduce a rudimentary phobia every normal person harbours to some degree, extend it to extreme levels, and then exploit it cinematically to no end - his movie "Duel", and even "Jaws" to a lesser extent, often came to mind during the initial stages of "Treed Murray". So, kudos to William Philips for, at least, keeping me on the edge of my seat. At this point I still cared about all characters and was really interested in seeing where the plot takes them.

Unfortunately, the movie starts derailing sometime into the public park tree standoff. Despite coming off as this great menacing force in the beginning, watching these 5 hoodlums gets to be a major drag as time goes on. The screenplay tries its hardest to put a human face on them through minor, halfassed subplots, in hopes of providing the story with fresh legs, but all the details they (in)voluntarily surrender about personal hardships pale in comparison with the fact they're chomping at the bit to kill this random guy for absolutely no reason. We also learn Murray is no choir boy himself, but again, the fact that he cheats on his pregnant wife, occasionally uses hard drugs, and generally seems to be a manipulative, self involved jerk is completely irrelevant when viewed against the insanely murderous path these kids are on.

The fact that screenplay calls on the kid-gangsters to take turns at being evil, insightful, conniving, benevolent, barbaric, caring, bloodthirsty, poignant, etc. doesn't help either. That it comes off hokey is no great surprise as such series of transformations would be next to impossible even for seasoned pros to pull off, let alone a bunch of teen actors.

One also can't help but notice the unrealistic touches throughout the film. Murray, lame ad-exec who probably never lifted anything heavier than a pencil in his life, exhibits remarkable balance and stamina in fighting off a couple of charging gangbangers from a narrow tree branch. While incapacitating one of them, the other manages to get on the tree and Murray amazingly further succeeds in cuffing and tying him using a personal belt - quite a feat considering for example that it usually takes two trained cops to cuff an overzealous protester on terra firma.

Still, I'd be more than willing to overlook all the artificial moments had the movie been more brave and direct. It started off with a lot of potential but quickly started losing its punch.

While this movie seems to revolve around characters and situations that are cliche and perhaps more based on American media archetypes than reality, Treed Murray nevertheless turns out to be a thought-provoking examination of issues relevant to today's times.

Growing up watching the TV series Degrassi Junior High, we always used to joke that for a show noted for its "reality" they sure did a remarkable job of overlaying every possible teen calamity on a very small group of characters. This movie can be accused of a similar projection. However, perhaps in 90 minutes of film this sort of license may be not only allowable, but necessary.

Overall, this is a very worthwhile, entertaining and interesting film, that manages to stand quite apart from those movies from which its characters have been lifted.