Uma jovem soprano se torna a obsessão de um gênio musical desfigurado e assassino que vive na Casa da Ópera de Paris.Uma jovem soprano se torna a obsessão de um gênio musical desfigurado e assassino que vive na Casa da Ópera de Paris.Uma jovem soprano se torna a obsessão de um gênio musical desfigurado e assassino que vive na Casa da Ópera de Paris.
- Direção
- Roteiristas
- Artistas
- Indicado a 3 Oscars
- 7 vitórias e 42 indicações no total
Kevin McNally
- Buquet
- (as Kevin R. McNally)
Avaliações em destaque
I originally only went to see this movie, because I had seen "Phantom" on stage, and wanted to see how much they had ruined the whole thing. The experience proved me wrong, I am pleased to say. Sure there are a number of changes to the story, with the Chandelier spectacular being moved from the end of Act 1. to virtually the end of the film, but they do not, in any way, impair the total enjoyment of a very, very good film adaptation. All of the main characters are extremely well portrayed, particularly Christine and Raoul, while the music which has always been stunning is backed by great orchestral talents. Along with the music, the photography is quite awe-inspiring, and the moods are captured brilliantly. It is very clear to the movie-goer that Andrew Llloyd Webber was vitally involved in this excellent and enjoyable film - he has kept his dream alive.
I was able to view this at a special screening and was very impressed. It is a visually stunning movie - the costuming and sets are as extravagant and lavish as the music. Gerard Butler gives a particularly anguishing and sympathetic performance as The Phantom. Emmy Rossum is beautiful portraying Christine and her transformation from a young innocent to a woman who is aware of herself, her sexuality, and the world of love. Patrick Wilson is a particularly dashing, heroic and protective Raoul and Minnie Driver provides hilarious comic relief as Carlotta. I particularly enjoyed the film's ability to delve deeper into the lives of characters. It provided depth and context and layers to all of the characters that the stage production cannot do. The entire cast was magnificent and I will be hearing the "music of the night" in my head for the next several days. I would definitely recommend it and can't wait to see it again.
I'll add to the bazillion comments posted here: if you don't make a side-by-side comparison to the stage classic, this movie holds its own. (If you don't like the screenplay, you can blame its co-writer: one Andrew Lloyd Webber.) The famous mask here doesn't hide the fact that Butler is a lot better looking than your average Phantom, and his voice lacks the wide range required by the score---but I found it more realistic, and all told, he does reflect the emotions of a tortured soul who's lived a lifetime literally in the shadows. The movie is helped by sumptuous sets, the ALWebber score, Emmy Rossum's singing, and its tale of hopeless love. Purists may sniff, but when the movie opened people in our area went back to see it again. I did. And the dvd is a welcome addition to my collection.
Andrew Lloyd Webber's stage hit is given justice in this sumptuous film version, that benefits from stunning sets and extravagant costumes, making the attention to detail evident here. Joel Schummacher's direction is very good in this film, it is hard to believe that this is the same director who directed the disastrous Batman and Robin. The music is just wonderful, with dark and poignant melodies and motifs that fit the very dark story, not to mention sad. People have complained that the film has too much music, almost all of it is sung, but it is a musical, set in an opera house bear in mind. The performances are excellent, Gerard Butler quite terrifying as Phantom, and Emmy Rosum as beautiful as ever as Christine. I liked the performances of Patrick Wilson, Miranda Richardson and Minnie Driver(as Carlotta). The film does have some truly sad moments, like Christine at the grave yard and of course the heart-rending ending, though I didn't understand it when I first saw it. My only complaints are that the film is a little too long, and also in Angel of Music particularly, there were times when the lips of the actors weren't in time with the singing. Apart from these flaws, a truly beautiful film, one that is dark and sad, and one that is once seen never-forgotten. 8/10 Bethany Cox.
I absolutely love this movie and I have it on DVD and gave DVDs of this movie as presents to friends :) it was my first real introduction to 'The Phantom of The Opera story and I first saw it on December 25 in 2004 and I still love 'Phantom of The Opera' story and discovered many other versions of it...I think that the acting in the movie was good, the singing was good (although Michael Crawford's version of 'Music of The Night' is my most favourite one, Gerard Butler did a good job too: his acting and singing was also good, especially 'Point of No Return'..oh and tomorrow is 13 November, which is his birthday, so happy birthday to him)...the scenery and the special effects are also excellent, in my opinion. Thanx to ALW and JS for creating this beautiful movie :) also, this movie actually made me want to see the stage show, so I hope to do so someday
Você sabia?
- CuriosidadesThe chandelier weighed 2.2 tons, cost $1.3 million, and was provided by Swarovski. It had a stunt double for riskier scenes. There was also a third chandelier made that was equipped with electricity and lighting for the opening scene.
- Erros de gravaçãoWhen Raoul is on his way down the stairs to the Phantom's lair, he falls through a hole, down into a pit of water. Iron bars then lower from above, but since Raoul fell straight down into the water, it would be impossible for the bars to be there.
- Citações
[as he leads Christine down the tunnels of the opera]
The Phantom: [sings] Sing once again with me our strange duet. / My power over you grows stronger yet. / And though you turn from me to glance behind, / The Phantom of the Opera is there, inside your mind.
- ConexõesFeatured in HBO First Look: The Phantom of the Opera (2004)
- Trilhas sonorasAuction at the Opera Populaire, 1919 (Prologue)
Written by Andrew Lloyd Webber, Charles Hart, and Richard Stilgoe
Performed by Patrick Wilson
Produced by Andrew Lloyd Webber, Nigel Wright, Joel Schumacher, Simon Lee, and Guy de Villiers
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- El fantasma de la ópera
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 70.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 51.293.931
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.001.890
- 26 de dez. de 2004
- Faturamento bruto mundial
- US$ 154.674.241
- Tempo de duração
- 2 h 23 min(143 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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