Metrópolis

Fritz Lang's original 'Metropolis' is an enduring classic of cinema. The techniques used at the time that it was made were absolutely astounding and it is still astounding to consider the technical achievement that Metropolis represents even these days. This Japanese re-telling of the classic story doesn't follow the plot of the original film, but they are linked due to the way that they both utilise grand settings for their thrills and although it was a lot more impressive in 1927, this version of the story is still a very decent film. I can't say that I'm a big fan of Japanese 'anime', but every time I see a film in it's style I tend to at least enjoy myself, and that can be said of this film. The plot has too many elements to be fully coherent, but it serves its purpose and is always second to the visuals anyway. The story follows two societies; robots and humans, and comes together when a private investigator's nephew meets a robot girl constructed to rule the city. The script is somewhat taught, this may be because of the fact that it has been translated into English, or it may just be a bad script. It doesn't really matter though as, again, the sharp visuals are always enough to distract the viewer from the other areas of the movie. It's almost a shame that this movie isn't better when you consider that it has an absolutely great source of inspiration, but then again you can hardly expect it to rival Fritz Lang's classic. On the whole, I recommend this movie if you've seen Lang's and want some more, but otherwise I just recommend the original classic.

This is another great masterpiece in anime. Also, it's very different from others, as reviewers have pointed out.

I never expected old-1930-ish-saxopohone jazz music to be playing in an anime movie. It's a great movie, and, like Akira, the Matrix, and Princess Mononoke (or, Mononoke Hime as I prefer), it gets better every time you see it.

and in the climax of the movie, you hear Ray Charles' "I Can't Stop Loving You". Puts in the same touch as how Gene Kelly's "Singin' in the Rain" was put in "A Clockwork Orange". It engraves the scene in your head, never to forget, and it does bring the scene back to your mind once you hear that song. It's happened to me lots of times after i saw Clockwork Orange.

Review: 5/5, Good Movie scale Ratings: US PG-13, UK PG, Canada PG

In the futuristic Metropolis, robots are segregated and used for all the menial work. Many unemployed blame the robots and pushing for revolution. Duke Red is building a vast skyscraper. A robot disrupts the opening and Duke Red's son Rock destroys the robot. Private detective Shunsaku Ban and his nephew Kenichi are hunting for scientist Dr. Laughton who is supposedly trafficking organs. Laughton has actually been hired by Duke Red to recreate his deceased daughter with an advanced robot.

The visual style of this animated movie is beautiful. This is worthwhile watch simply for the visual aspect. The story is functional for more than half of the movie. Kenichi and the robot on the run is pretty good. The rest is a bit disjointed and complicated. Motivation is tricky. The twists and reveals are questionable and the story is overstuffed. It is still a beautiful looking piece of animation.

I am a fan of anime, so after hearing all the great acclaim this movie got, I knew I had to see it.

Visually, the movie it top-notch. The blend of computer graphics and hand-drawn animation is seamless, with incredible detail given to each. Graphically, this movie is indeed a milestone in animation, one that will definitely be referred to over and over in the future. If you are a fan of animation (Japanese or otherwise), you MUST see this movie.

As for the story and character - they were somewhat underwhelming. Occasionally each got to the point where they intrigued you and made you want to learn more - but you got no more. You learn really nothing about the youthful male protagonist or the female humanoid who he saves and takes care of. They hardly even say a word to each other! There were also some big jumps in the storyline, feeling like a lot of important information was cut out.

The movie was based on a long manga, so it's obvious that A LOT of character and story development had to be cut out so that the movie would run at an acceptable running time. I honestly think this story would have worked - it certainly would have been somewhat better - had it been done as a miniseries. Maybe the visuals wouldn't have been so stunning, but a more compelling story and more memorable characters would have made up for it.

In my short life I've developed a taste for a film that challenges me as a viewer and is more than the sum of it's parts. Metropolis is one such movie. While most will only give it credit for being a visual masterpiece, Metropolis is a well - rounded work with strong characters, themes and music. Not only does the character design have a fresh and captivating style, each character has his or hers own unique features. The setting is so rich and vibrant at times and dark and mysterious at others, it could only have been created through animation. The use of old western jazz and borderline ragtime music gives the huge city an earthy feeling, which is reflected in the architecture of the lower levels of the city. The themes are classic science fiction themes. I shy away from calling them derivative or repetitive because they still remain some of the most relevant ideas portrayed in any genre. Katsuhiro Otomo's screenplay is understated, contrasting the near "in your face" visuals. He is one of the most highly regarded writers in the genre, and he shows why here. The chilling ending is a destructive one, but it isn't the apocalyptic disaster some people make it out to be. The use of "Can't stop loving you" by Ray Charles frames the scene so well, and I found it far more moving and touching than the ending of Dr. Strangelove, which it is rightfully compared to. So, to all movie lovers, not just anime lovers, I ask you to go see this work of art and let it absorb you and change you. You will be better for it.