As Loucuras do Entrevistador

Love Gallo, that's gotta be stated up front, that's why I wanted to see this film in the first place. He's great in it, of course, as 'empty' talk show host Bobby Bishop, searching the streets of New York City for his lost true love, Lily (Courtney Cox). There's a lot of other stuff going on as well (a LOT of stuff) - crazy people trying to steal Matthew Broderick's dog (to get closer to Sarah Jessica Parker), Lily's mother (the great Anne Meara), who is - get this - practicing to be a homeless person (just in case), gay boyfriends, insane friends, lying hookers, Bobby's beyond-brown-nosing manager (the fabulous Jeffrey Tambor, who played basically the same role on Gary Shandling's show). I think this is the main reason the movie is just not very satisfying -- there's simply too #$@kin' much going on, for $@#(*&ts sake.

If some of these characters had been left out (like most of them), and we had gotten to focus more on Bobby and his self-destructive-but-trying-oh-so-hard-to-make-it-work character, Get Well Soon would have been a far better movie. Gallo, with all his good/bad-and-everything-inbetween contradictions gloriously blazing in full form, could have easily carried the day.

I was going to criticize the movie for expecting me to believe that the nasal, twangy Vincent Gallo could ever be a real world talk show star, but then I remembered Conan O'Brien. So I'll criticize this movie for all of it's other unfortunate glaring shortcomings. Firstly, it's way too in love with itself, constantly pausing for us to admire it's daring brilliance and hip, snarky outrageousness. Some people might find it edgy but it's actually a rather staid, unremarkable, conventional study of celebrity life and all the attendant madness. It's more than common knowledge that many, if not most, talented performers are also afflicted with various forms of mental illness. Depression, bi-polar disorder,and even schizophrenia are frequently driving creative stars to exceptional extremes. So this analysis of the successful talk show host Bobby Bishop is redundant. Just witnessing a talk show star's actual performance is in fact a clinical analysis of their pathology. Dave Letterman, for instance, nightly exposes his damaged, twisted psyche to the nation. We are entertained by his otherwise socially aberrant behavior. If, however, we daily had to encounter such a bitter, cantankerous conflicted personality we would most likely move to another state. There's so many stories, many told by Dave himself, of just how antisocial he actually is. But he's managed to direct his neurosis into an entertaining and lucrative direction. And what about Johnny Carson or Jack Parr who we now know were sufferers of bouts of extreme depression? And Regis Philbin? He has admitted the same.

So exposing mental illness in the entertainment industry is old news, no longer a headline. Nor was it in 2001 when this film was released, but we're expected to be shocked and confused and fascinated by our hero's condition. It's a mildly interesting personal fact, nothing more, if you're judging by society's enthusiastic consumption of the latest varieties of mood elevating medications; we ARE the Prozac nation.

Anyway, Gallo has been in a few very interesting, off beat, challenging, controversial films, normally portraying quirky, troubled somewhat threatening but charismatic types. He's trying it again here, but that personality profile just doesn't work for this role. He comes off so self conscious and distracted that it's impossible to believe he was ever anything but repulsively narcissistic. A true talk show star is able to at least present a credible appearance of interest for others. Even the preposterous Larry King had an uncanny ability to stare his guests straight in the eye while his mind drifted to thoughts of what he'll order at Katz's deli later that evening. Actually, later that afternoon, you know, while they're still offering the early bird special.

So the love story is interesting, many of the conversations are entertainingly witty and clever, and a few of the situations are comical and original. But the timing is too often way off - stilted, rushed, erratic or rambling - probably because much of it seems improvised. And badly edited. Or rather, overly obviously edited, calling attention to its precious, wacky insouciance. I have never before used that word, insouciance, in writing, but this film demanded it of me. That should tell you just how frustrated I am with this well intentioned, but ultimately fatally flawed bit of stylized indulgence.

An enjoyable, but weird film. Liked seeing Ann Meara - a long-time favorite from way back and always like seeing Courtney Cox. BUT, Courtney, you can do better than Vince Gallo! I really couldn't see him as a "popular" talk show host. The guy looks like a rat, with his scuffy beard, every-which-way hair and sloppy clothes. Couldn't casting have shopped around for somebody more believable?

Otherwise the rest of the bunch a crazies was really enjoyable to watch.

this is a very poor romantic comedy. it was not very romantic and also not very funny.and Vincent Gallo really annoyed me with gestures, appearance and his voice.Courteney Cox looks very nice as always but she can't do much to save this movie because it just lacks a good screenplay.the story isn't really interesting, the love story isn't much believable as the characters constantly find a new problem why they can't be together when you thought there was none. they love each other, we know it, and they know it but they try to make the film to last a little longer than an hour. and Gallo whining all the time is really horrible. I don't know maybe it's me but I found him very, very annoying in this flick.happy end is of course just a matter of time but the characters try to make the way leading to it as long and as pseudo-philosophical as they can. It is a watchable movie, it has Courteney Cox but that's really everything. if you have a sleepless night and you find it airing on cable it can be a good time killer.

The person everyone is hoping will Get Well Soon is TV talk show host Bobby Bishop as played by Vincent Gallo. The guy who most wants him to get well is Gallo's agent Jeffrey Tambor. His career rides on Gallo's career.

But they both look like they're circling the bowl as Gallo makes some rather crude remarks to a female guest. Immediately he's checked into a mental hospital with the explanation he's suffering a nervous breakdown.

Get Well Soon is a combination of One Flew Over The Cuckoo's Nest and Network and a few other films thrown in for good measure. It doesn't really succeed at being a good imitation of either of those classics. It gets really dull in spots, it has no real life to it.

It's just a bad imitation of some good classics.