AVALIAÇÃO DA IMDb
6,1/10
6,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA worn-out businessman and a beautician on the run collide in a Paris airport. Love arrives, all its hurdles be damned.A worn-out businessman and a beautician on the run collide in a Paris airport. Love arrives, all its hurdles be damned.A worn-out businessman and a beautician on the run collide in a Paris airport. Love arrives, all its hurdles be damned.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Thiam Aïssatou
- Hostess
- (as Thiam)
Édouard Daladier
- Self
- (cenas de arquivo)
- (não creditado)
Larry King
- Self
- (cenas de arquivo)
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
French films are characterized by dialog and this film is no exception. The setting is clever - not really a modern adaptation of The VIP's, but on that order (and more down to earth). The situation is funny and, in the cell phone era, one to which we might all relate. (Of course, I assume not many people lose their cell phones à la Juliette Binoche.)
A fan of both Binoche and Reno, I find both charming and the chemistry between them very real. Binoche's beautician is also far more interesting, and less stereotypified, than American film portrayals (Fran Drescher, Dolly Parton, Jennifer Coolidge...)
Not one of the great French films by any means, but I still give this one 8/10.
A fan of both Binoche and Reno, I find both charming and the chemistry between them very real. Binoche's beautician is also far more interesting, and less stereotypified, than American film portrayals (Fran Drescher, Dolly Parton, Jennifer Coolidge...)
Not one of the great French films by any means, but I still give this one 8/10.
9mdom
This delicious, light, romantic comedy is full of surprises and subtleties.
Witfully written and superbly acted, it shows why Juliette Binoche is such a great asset to modern cinema. Outstanding chemistry with Reno makes this theatrical play made into a movie a rewarding experience to be treasured. Juliette Binoche shows her talent in a totally different role to most of the ones she has played before, she is a common girl with many problems and yet her nobility and class shine through. If you like Binoche you will love Jet lag. Don't miss it.
Witfully written and superbly acted, it shows why Juliette Binoche is such a great asset to modern cinema. Outstanding chemistry with Reno makes this theatrical play made into a movie a rewarding experience to be treasured. Juliette Binoche shows her talent in a totally different role to most of the ones she has played before, she is a common girl with many problems and yet her nobility and class shine through. If you like Binoche you will love Jet lag. Don't miss it.
No one seems to have noticed that this is a French romantic comedy meditating on Hollywood. It's pretty explicit, it seems to me, when we start with a reference to Pretty Woman and end with the theme from Midnight Cowboy. I think that Jean Reno is doing a pretty witty Dustin Hoffman, while Juliette Binoche is Julia Roberts as Midnight Cowgirl.
What makes this movie stay with me is that the Jean Reno character is not only an inspired chef, he is all sensuality when he eats. And Juliette Binoche is not just a makeup artist, she is the determined maker of the scenes she finds herself appearing in.
We all want to fall in love. We are all frightened that the moment it happens is just another emotional trap. This movie says yes to both, and grab it while you can.
What makes this movie stay with me is that the Jean Reno character is not only an inspired chef, he is all sensuality when he eats. And Juliette Binoche is not just a makeup artist, she is the determined maker of the scenes she finds herself appearing in.
We all want to fall in love. We are all frightened that the moment it happens is just another emotional trap. This movie says yes to both, and grab it while you can.
I caught this movie quite by accident one night while watching someone else's satellite TV. Had never heard of it, so I was able to view it with no preconceptions. I was completely charmed.
Jean Reno and Juliette Binoche have an effortless chemistry that's completely believable. Their two characters find themselves uneasily sharing a hotel room for one night, waiting for transportation snafus to be cleared up. Her Rose is a little ditsy but not offensively stupid, and his Felix is self-absorbed but not enough to make him unlikable.
The peeling away of defenses is a predictable plot device; but the dialog, along with the grace and skill of the leads, nonetheless kept me interested. It helps that they're so easy to watch: she's gorgeous with or without makeup, and he is far sexier than his less-than- classic-looks would have led me to believe. A bonus is the always-excellent Sergi Lopez in a small, typically sinister role.
Most of the French films I've seen have struck me as self-important and/or one-dimensional; I have no such objections to this one. I characterize Jet Lag as cotton-candy entertainment: utterly unsubstantial, yet fluffy and tasty enough to leave me wanting more.
Jean Reno and Juliette Binoche have an effortless chemistry that's completely believable. Their two characters find themselves uneasily sharing a hotel room for one night, waiting for transportation snafus to be cleared up. Her Rose is a little ditsy but not offensively stupid, and his Felix is self-absorbed but not enough to make him unlikable.
The peeling away of defenses is a predictable plot device; but the dialog, along with the grace and skill of the leads, nonetheless kept me interested. It helps that they're so easy to watch: she's gorgeous with or without makeup, and he is far sexier than his less-than- classic-looks would have led me to believe. A bonus is the always-excellent Sergi Lopez in a small, typically sinister role.
Most of the French films I've seen have struck me as self-important and/or one-dimensional; I have no such objections to this one. I characterize Jet Lag as cotton-candy entertainment: utterly unsubstantial, yet fluffy and tasty enough to leave me wanting more.
Forget Meg Ryan, forget Julia Roberts...This is romantic comedy at its best! Juliette Binoche and Jean Reno are outstanding. The plot is more than original and, better, convincing. I fell in love with the story but even more with the characters and their lives. Nothing in them seems "plastic". Although one knows that the end will be a happy one, the plot is so convincing that the end does not come as if was predicted. Each scene is so natural and revealing that it keeps you asking for more. I seriously do not understand the poor reviews it has gotten here. Could it be a little bit of jealousy because it is a foreign film from a country with no tradition in this genre but that nonetheless achieves what most American romantic comedies don't? I cannot explain it otherwise.
Você sabia?
- CuriosidadesJuliette Binoche replaced Isabelle Adjani in the leading role.
- Erros de gravaçãoAmerican Airlines does not fly to Munich from Paris.
- Cenas durante ou pós-créditosThe end credits include the receipe for the "Mignonettes de veau" that Felix cooks for Rose in the film: Mignonettes de veau Vous êtes nombreux à nous demander la recette des "Mignonettes de veau" qui est décrite au générique de fin du film ! Préparation : 10mn - Cuisson : 8mn environ Ingrédients pour 2 personnes : 400g de veau 250g de carottes 4 petites courgettes rondes (ou 2 allongées) 6 tomates grappe 2 blancs de poireaux 1 cuillère de vinaigre balsamique 1 cuillère à soupe d'huile d'olive 1 pincée de graines de sésame Armagnac Persil plat, poivre et gros sel Découper les légumes en julienne. Les réduire à feu doux dans une sauteuse avec un filet d'huile d'olive pendant 5 minutes. Y ajouter une pincée de gros sel, du persil et poivrer. Remuer le tout avec une spatule en bois en racontant votre vie. Couper le veau en tranches d'environ 2 cm. Oter les légumes du feu et placer les mignonettes de veau dans une poêle déjà chaude. Arroser largement la viande d'Armagnac puis faire flamber. Laisser la flamme environ 1 minute. Reposer sur le feu et y ajouter une pincée de graines de sésame ainsi que le vinaigre balsamique (ou la sauce soja selon disponibilité). Servir chaud nappé des légumes croquants. Suggestion d'accompagnement : Calon-Ségur 96 This is translated on the English print.
- ConexõesFeatured in Late Night with Conan O'Brien: Sylvester Stallone/Bill Bellamy/Train (2003)
- Trilhas sonorasGet misunderstood
Troublemakers
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- How long is Jet Lag?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Jet Lag
- Locações de filme
- Hotel Costes - 239 Rue Saint Honoré, Paris 1, Paris, França(swimming pool scene)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- FRF 85.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 794.964
- Fim de semana de estreia nos EUA e Canadá
- US$ 42.109
- 23 de fev. de 2003
- Faturamento bruto mundial
- US$ 8.233.189
- Tempo de duração
- 1 h 31 min(91 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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