AVALIAÇÃO DA IMDb
6,1/10
6,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA worn-out businessman and a beautician on the run collide in a Paris airport. Love arrives, all its hurdles be damned.A worn-out businessman and a beautician on the run collide in a Paris airport. Love arrives, all its hurdles be damned.A worn-out businessman and a beautician on the run collide in a Paris airport. Love arrives, all its hurdles be damned.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
Thiam Aïssatou
- Hostess
- (as Thiam)
Édouard Daladier
- Self
- (cenas de arquivo)
- (não creditado)
Larry King
- Self
- (cenas de arquivo)
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
9mdom
This delicious, light, romantic comedy is full of surprises and subtleties.
Witfully written and superbly acted, it shows why Juliette Binoche is such a great asset to modern cinema. Outstanding chemistry with Reno makes this theatrical play made into a movie a rewarding experience to be treasured. Juliette Binoche shows her talent in a totally different role to most of the ones she has played before, she is a common girl with many problems and yet her nobility and class shine through. If you like Binoche you will love Jet lag. Don't miss it.
Witfully written and superbly acted, it shows why Juliette Binoche is such a great asset to modern cinema. Outstanding chemistry with Reno makes this theatrical play made into a movie a rewarding experience to be treasured. Juliette Binoche shows her talent in a totally different role to most of the ones she has played before, she is a common girl with many problems and yet her nobility and class shine through. If you like Binoche you will love Jet lag. Don't miss it.
Jet Lag is a romantic comedy. It follows all the usual routes, but offers great acting and good humour all the way.
Juliette Binoche is Rose, a thirtysomething who is finally taking control of her life and leaving her abusive boyfriend Sergio (Sergi Lopez).
Jean Reno is Felix. A frazzled businessman on his way to re-kindle his romance with an old flame.
However when a strike and fog halt all flights in Charles de Gaulle the two meet cute and end up spending the evening together. Of course we know they are made for each other, but thats not the point. Its not where they end up its how they get there.
Jet Lag opens with huge energy and a real sense of airport chaos. It then focuses in on the duo in on a hotel room as they spend time together trading insults and exchanging banter. The dialogue is sparkling and the performances spot on.
Then ineveitably their planes take off and they go their seperate ways... or do they?
Thompsons film is a breath of fresh air with Juliette Binoche a revelation in a totally "un-binoche" role. She is cheap and common with a heart of gold. Reno is very much her comic foil, and glerefully allows her the lime light.
Jet Lag is a refreshing take on an old format. It will not suffer on the small screen either so catch it on DVD!
Juliette Binoche is Rose, a thirtysomething who is finally taking control of her life and leaving her abusive boyfriend Sergio (Sergi Lopez).
Jean Reno is Felix. A frazzled businessman on his way to re-kindle his romance with an old flame.
However when a strike and fog halt all flights in Charles de Gaulle the two meet cute and end up spending the evening together. Of course we know they are made for each other, but thats not the point. Its not where they end up its how they get there.
Jet Lag opens with huge energy and a real sense of airport chaos. It then focuses in on the duo in on a hotel room as they spend time together trading insults and exchanging banter. The dialogue is sparkling and the performances spot on.
Then ineveitably their planes take off and they go their seperate ways... or do they?
Thompsons film is a breath of fresh air with Juliette Binoche a revelation in a totally "un-binoche" role. She is cheap and common with a heart of gold. Reno is very much her comic foil, and glerefully allows her the lime light.
Jet Lag is a refreshing take on an old format. It will not suffer on the small screen either so catch it on DVD!
I caught this movie quite by accident one night while watching someone else's satellite TV. Had never heard of it, so I was able to view it with no preconceptions. I was completely charmed.
Jean Reno and Juliette Binoche have an effortless chemistry that's completely believable. Their two characters find themselves uneasily sharing a hotel room for one night, waiting for transportation snafus to be cleared up. Her Rose is a little ditsy but not offensively stupid, and his Felix is self-absorbed but not enough to make him unlikable.
The peeling away of defenses is a predictable plot device; but the dialog, along with the grace and skill of the leads, nonetheless kept me interested. It helps that they're so easy to watch: she's gorgeous with or without makeup, and he is far sexier than his less-than- classic-looks would have led me to believe. A bonus is the always-excellent Sergi Lopez in a small, typically sinister role.
Most of the French films I've seen have struck me as self-important and/or one-dimensional; I have no such objections to this one. I characterize Jet Lag as cotton-candy entertainment: utterly unsubstantial, yet fluffy and tasty enough to leave me wanting more.
Jean Reno and Juliette Binoche have an effortless chemistry that's completely believable. Their two characters find themselves uneasily sharing a hotel room for one night, waiting for transportation snafus to be cleared up. Her Rose is a little ditsy but not offensively stupid, and his Felix is self-absorbed but not enough to make him unlikable.
The peeling away of defenses is a predictable plot device; but the dialog, along with the grace and skill of the leads, nonetheless kept me interested. It helps that they're so easy to watch: she's gorgeous with or without makeup, and he is far sexier than his less-than- classic-looks would have led me to believe. A bonus is the always-excellent Sergi Lopez in a small, typically sinister role.
Most of the French films I've seen have struck me as self-important and/or one-dimensional; I have no such objections to this one. I characterize Jet Lag as cotton-candy entertainment: utterly unsubstantial, yet fluffy and tasty enough to leave me wanting more.
`Jet Lag' is a French romantic comedy that takes place almost entirely in an airport terminal and an airport hotel. Juliette Binoche and Jean Reno are two strangers who meet at the Paris airport and end up sharing a room when all flights are cancelled due to an air traffic controllers strike (think of how this affair would have been thwarted had Reagan been France's president at the time!). Rose and Felix are both riddled with insecurities and anxieties, having been largely unlucky in the ways of love. Yet, after some predictable initial tension between them, they somehow manage to find a mutual strength and attraction - in their combined weaknesses.
`Jet Lag' is so simple and unassuming in its early stages that we are amazed to discover, about a third of the way through, just how completely it has managed to sneak up on us and win us over. Unlike most American romantic comedies, `Jet Lag' allows its characters to actually talk and get to know one another. It sure doesn't hurt, of course, that Binoche and Reno are such talented, attractive performers who establish an astonishing rapport in their scenes together. Sure, the plotting isn't exactly believable, but when is that ever the case in a film of this type anyway? The thing that matters is that we like the people we have become involved with and that we can accept, if only for just a moment, the possibility that they might be able to find happiness together. That is certainly the case in this film. (If there is a criticism to be leveled against the film, it is that it is simply too short, clocking in at barely over 80 minutes. How many films can one say THAT about?).
`Jet Lag' could have been a completely insubstantial little film; instead, it resonates with a joyfulness and charm that truly captivate the viewer. This is a winner well worth checking out.
`Jet Lag' is so simple and unassuming in its early stages that we are amazed to discover, about a third of the way through, just how completely it has managed to sneak up on us and win us over. Unlike most American romantic comedies, `Jet Lag' allows its characters to actually talk and get to know one another. It sure doesn't hurt, of course, that Binoche and Reno are such talented, attractive performers who establish an astonishing rapport in their scenes together. Sure, the plotting isn't exactly believable, but when is that ever the case in a film of this type anyway? The thing that matters is that we like the people we have become involved with and that we can accept, if only for just a moment, the possibility that they might be able to find happiness together. That is certainly the case in this film. (If there is a criticism to be leveled against the film, it is that it is simply too short, clocking in at barely over 80 minutes. How many films can one say THAT about?).
`Jet Lag' could have been a completely insubstantial little film; instead, it resonates with a joyfulness and charm that truly captivate the viewer. This is a winner well worth checking out.
I can see how this movie would be an easy target for criticism. It might appear fluffy and without depth, sort of easy and implausible.
But I think it's better than that. First of course, are the performances. Both actors are terrific and both have long been favorites of mine. A special call-out, though, has to go to Binoche, who just couldn't be any more delightful. An absolutely fantastic actress. She's so wonderful, the only problem in the movie is why doesn't he fall in love with her any faster?
Second is the basic intelligence of the dialog. The conversations are very engaging, occasionally wry, sometimes sweet, with some sharpness along the way.
Finally, there is a meditation in here on film in general, and romantic comedies in particular. The movie is able to move back a bit, consider itself, and resist the temptation to be cynical.
But I think it's better than that. First of course, are the performances. Both actors are terrific and both have long been favorites of mine. A special call-out, though, has to go to Binoche, who just couldn't be any more delightful. An absolutely fantastic actress. She's so wonderful, the only problem in the movie is why doesn't he fall in love with her any faster?
Second is the basic intelligence of the dialog. The conversations are very engaging, occasionally wry, sometimes sweet, with some sharpness along the way.
Finally, there is a meditation in here on film in general, and romantic comedies in particular. The movie is able to move back a bit, consider itself, and resist the temptation to be cynical.
Você sabia?
- CuriosidadesJuliette Binoche replaced Isabelle Adjani in the leading role.
- Erros de gravaçãoAmerican Airlines does not fly to Munich from Paris.
- Cenas durante ou pós-créditosThe end credits include the receipe for the "Mignonettes de veau" that Felix cooks for Rose in the film: Mignonettes de veau Vous êtes nombreux à nous demander la recette des "Mignonettes de veau" qui est décrite au générique de fin du film ! Préparation : 10mn - Cuisson : 8mn environ Ingrédients pour 2 personnes : 400g de veau 250g de carottes 4 petites courgettes rondes (ou 2 allongées) 6 tomates grappe 2 blancs de poireaux 1 cuillère de vinaigre balsamique 1 cuillère à soupe d'huile d'olive 1 pincée de graines de sésame Armagnac Persil plat, poivre et gros sel Découper les légumes en julienne. Les réduire à feu doux dans une sauteuse avec un filet d'huile d'olive pendant 5 minutes. Y ajouter une pincée de gros sel, du persil et poivrer. Remuer le tout avec une spatule en bois en racontant votre vie. Couper le veau en tranches d'environ 2 cm. Oter les légumes du feu et placer les mignonettes de veau dans une poêle déjà chaude. Arroser largement la viande d'Armagnac puis faire flamber. Laisser la flamme environ 1 minute. Reposer sur le feu et y ajouter une pincée de graines de sésame ainsi que le vinaigre balsamique (ou la sauce soja selon disponibilité). Servir chaud nappé des légumes croquants. Suggestion d'accompagnement : Calon-Ségur 96 This is translated on the English print.
- ConexõesFeatured in Late Night with Conan O'Brien: Sylvester Stallone/Bill Bellamy/Train (2003)
- Trilhas sonorasGet misunderstood
Troublemakers
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- How long is Jet Lag?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Jet Lag
- Locações de filme
- Hotel Costes - 239 Rue Saint Honoré, Paris 1, Paris, França(swimming pool scene)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- FRF 85.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 794.964
- Fim de semana de estreia nos EUA e Canadá
- US$ 42.109
- 23 de fev. de 2003
- Faturamento bruto mundial
- US$ 8.233.189
- Tempo de duração
- 1 h 31 min(91 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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