Carandiru

I saw Carandiru after seeing Takeshi Kitanos "Zatoichi" at the Toronto Film

Festival. Let me tell you, my day was full of carnage but it's OK because both movies were very good. The director was there as well as an actor or two if I remember correctly, they spoke about the film with true passion which added to the essence of the final product. It opend my eyes to an event that I never knew of. Highness was a great charater, Graca was my favorite, he should learn

english and get into the indie scene in North America. Good film 7\10.

Despite what some reviews and reviewers state, Carandiru is, for the large part, gloriously human and humane, without ever resorting to mawkish sentimentality. The story is based on a real event and when I saw it on TV some years ago and I so much wanted to see it again, I bought the DVD, now cheap.

Yes, these characters are a handful of long-term convicts in one of largest prisons in the world - 7000 of them, in one (in San Pualo, Brazil), that's designed for 'only' 4,000 and we are introduced to them and their frank, matter-of-fact lives as they describe their drug and sex life 'inside' to the wonderfully open and compassionate doctor ( Luiz Carlos Vasconcelos). It's from his perspective as, part of his training, he's thrown into the deep end as he tries to treat and educate prisoners about AIDS.

Amongst the knowing humour, there are tales of anguish, violence and heartache with the main character's stories being run as flashbacks. Most of the crime is petty but circumstance and poverty has dumped most of these damaged people into one huge melting pot, of squalor, STD's and drugs. One finds it surprisingly easy to be open and impartial about situations that could make your toes curl.

Despite the vivid colours used and the Latin music that gets played in and amongst this tapestry of a human jigsaw, where few of the pieces fit, mounting signs reveal an underbelly of unrest, a pressure-cooker that's about to boil over and when it does and armed police march in, the film turns dark, angry and really hits the viewer. I won't say why, though the closing epilogues do (very) partially redress some of what went on.

This is essential Brazilian drama. Gritty, hard-hitting, yes but if you've got the stomach for the excellent City of God, you'll have no trouble here. Buy it, watch it, you'll feel like a proper human being, I promise you.

As a Brazilian, I saw on TV many of the things that happened inside Carandiru, the biggest jail in Brazil and maybe the biggest in Latin America. I can clearly remember the news where we saw the police invasion and the slaughter they made there instead of stopping the prisoners rebellion

I knew this fact would be shown in Hector Babenco's film, but I could never imagine it would be so strongly illustrated. It's pure violence and the audience gets really astonished. Although it's really sad and we can't avoid being sorry for those deaths and suffering, it's impossible not to like the movie. It's excellent.

It's important to say that the invasion is not the only fact that is shown. Actually the book is based in Drauzio Varela's book. Mr. Varela is a doctor who worked in the jail helping the prisoners. The book, that is called "Estação Carandiru" (Carandiru station - because of the underground station that is nearby) is a success in Brazil.

27-year-old Rodrigo Santoro is one of the best actors we have in Brazil nowadays. His talent on Brazilian TV Series have guaranteed him good roles in films made in the country and recently he has started an international career, once he'll be in "Charlie's Angels 2". Some other good actors like Milton Gonçalves and Caio Blat add more positive points to the production. Some others, unknown up to now, showed they'll probably have much success in the future due to their talent, like Lázaro Ramos.

Argentinean Hector Babenco directed 'Carandiru' with a great sense of art, talent and made his film probably the best one of Brazilian cinema this year.

My rate 10/10

Carandiru is a true hymn of humanity in all of us. What let the Brazilian riot squad shoot down over a hundred inmates was that following both prejudice and the professional drilling they had been subjected to, they regarded the rioters of 1992 as nothing but worthless scum. Bebenco does not defend his characters. Based on the eyewitness account of the prison physician, he presents us with assassins, murderers, robbers and drug-dealers who do not even claim they do not deserve their sentences (although many were kept in prison without convictions). What made them human was their continuous contact with the world outside. The visitation day scene is a memorable tribute to life in a truly Christian sense - everyone deserves to live and to hope not because of his own qualities or deeds, but because of the love others share for him. The character of the serial killer Dagger was essential to this purpose. His solitude in the midst of the modest pleasures of everybody else visited by his close ones was the first sign of the overcoming guilt which eventually took him to the preacher. Let this review not be understood as if the movie pursues to proselytize the viewers; I hope not to be too cynical to say that its prime purpose is to rejoice - to rejoice with the great diversity of human characters to whom Dr Varella and H. Bebenco paid their tribute.

One could easily get the wrong impression of the storyline here. Yes, it is based on the true-life massacre at the Brazilian prison in 1992 BUT that story is only shown in the last 30 minutes of this 145-miniute film.

The movie is really about the people who inhabited that prison back in that time. There are short profiles of numerous criminals, told through the eyes mainly of a doctor who is sent there. AIDs was a major problem in the jail. The doctor treats a lot of people who then tell him stories how they got to be inmates at Carandiru. In addition, there are bunch of scenes in which the inmates interact among themselves, shown as everything from antagonists to lovers.

Make no mistake: some of the stories are sordid, but its not as unpleasant to watch as one might think because the characters and the film-making are very interesting. The storyline moves fast, which is important considering the length of this film.

A viewer could even stop the movie at several points, pick up later without losing much since the story unfolds in segments. The ending (the massacre) really comes on suddenly. Unlike most movies,the story doesn't build up to the climax, here it just appears out of nowhere.

The same director who did the more-famous "City of God" filmed this and many critics here say it's not in the same league, but I thought it was at least in the same ballpark Both are entertaining, and most of us watch films to be entertained. So, if you liked ""City Of God," give this one a look as well.