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IMDbPro

Atriz Milenar

Título original: Sennen joyû
  • 2001
  • PG
  • 1 h 27 min
AVALIAÇÃO DA IMDb
7,8/10
35 mil
SUA AVALIAÇÃO
Atriz Milenar (2001)
Assistir a Official Trailer
Reproduzir trailer0:31
6 vídeos
97 fotos
Adult AnimationAnimeHand-Drawn AnimationAnimationDramaFantasyRomance

Um entrevistador de televisão e seu operador de câmera conhecem uma ex-atriz e viajam através de suas memórias e carreira.Um entrevistador de televisão e seu operador de câmera conhecem uma ex-atriz e viajam através de suas memórias e carreira.Um entrevistador de televisão e seu operador de câmera conhecem uma ex-atriz e viajam através de suas memórias e carreira.

  • Direção
    • Satoshi Kon
    • Kô Matsuo
  • Roteiristas
    • Satoshi Kon
    • Sadayuki Murai
  • Artistas
    • Miyoko Shôji
    • Shôzô Îzuka
    • Mami Koyama
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,8/10
    35 mil
    SUA AVALIAÇÃO
    • Direção
      • Satoshi Kon
      • Kô Matsuo
    • Roteiristas
      • Satoshi Kon
      • Sadayuki Murai
    • Artistas
      • Miyoko Shôji
      • Shôzô Îzuka
      • Mami Koyama
    • 106Avaliações de usuários
    • 79Avaliações da crítica
    • 70Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 6 vitórias e 8 indicações no total

    Vídeos6

    Official Trailer
    Trailer 0:31
    Official Trailer
    Millennium Actress: Bandits
    Clip 0:59
    Millennium Actress: Bandits
    Millennium Actress: Bandits
    Clip 0:59
    Millennium Actress: Bandits
    Millennium Actress: The Key
    Clip 1:27
    Millennium Actress: The Key
    Millennium Actress: Samurai
    Clip 1:01
    Millennium Actress: Samurai
    Millennium Actress: Escape
    Clip 0:58
    Millennium Actress: Escape
    Millennium Actress: B-Roll
    Featurette 3:28
    Millennium Actress: B-Roll

    Fotos97

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 93
    Ver pôster

    Elenco principal33

    Editar
    Miyoko Shôji
    • Chiyoko Fujiwara (70's)
    • (narração)
    Shôzô Îzuka
    • Genya Tachibana
    • (narração)
    Mami Koyama
    Mami Koyama
    • Chiyoko Fujiwara (20-40's)
    • (narração)
    Fumiko Orikasa
    Fumiko Orikasa
    • Chiyoko Fujiwara (10-20's)
    • (narração)
    Shôko Tsuda
    • Eiko Shimao
    • (narração)
    Hirotaka Suzuoki
    Hirotaka Suzuoki
    • Junichi Ootaki
    • (narração)
    Hisako Kyôda
    Hisako Kyôda
    • Mother
    • (narração)
    Kan Tokumaru
    • Senior Manager of Ginei
    • (narração)
    Tomie Kataoka
    • Mino
    • (narração)
    Takkô Ishimori
    • Head Clerk
    • (narração)
    Masamichi Satô
    • Young Genya
    • (narração)
    Masaya Onosaka
    • Kyoji Ida
    • (narração)
    Masane Tsukayama
    Masane Tsukayama
    • The Man with the Scar
    • (narração)
    Kôichi Yamadera
    Kôichi Yamadera
    • The Man of the Key
    • (narração)
    Stephen Bent
    • Junichi Otaki
    • (English version)
    • (narração)
    Greg Chun
    Greg Chun
    • Man of the Key
    • (English version)
    • (narração)
    Matt Devereaux
    • The Man with the Scar
    • (English version)
    • (narração)
    Ben Diskin
    Ben Diskin
    • Kyoji Ida
    • (English version)
    • (narração)
    • Direção
      • Satoshi Kon
      • Kô Matsuo
    • Roteiristas
      • Satoshi Kon
      • Sadayuki Murai
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários106

    7,834.7K
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    Avaliações em destaque

    9CelluloidRehab

    Good storytelling !!

    If you have seen any other movies by Satoshi Kon (Perfect Blue, Tokyo Godfathers), you get the idea that he knows how to tell a story. The stories are told in a dramatic, yet unconventional way. The story is about a Japanese movie studio that is torn down. The current executive in charge gets an interview with the studio's star actress, whom has been living in seclusion for years and does not give interviews. The movie seamlessly integrates dramatic moments, with light humor and stunning visuals. The visuals are breathtakingly imaginative not in that they are exotic and surreal, but rather stunningly realistic. Where Perfect Blue is more about the dark side of human nature, this movie is about the resilience of the human spirit and hope. What is similar, is that the reality of the story is in question. What is real, and what is perceived, is based on the perspective of the viewer. Definitely a must see movie.

    -Celluloid Rehab
    tedg

    Outland Empire

    A key reward for writing IMDb comments is that readers send you recommendations. This is one that I had a hard time tracking down. I'm glad I did.

    This seems to be viewed only by fans of anime, and that's a shame. I'm not knowledgeable enough in anime to note how it fits. It seems to be in the more "realistic" spectrum, with fewer edges and less posturing.

    Japanese writing has gravity. In traditional mode, the eye falls down as it gathers a phrase. The characters are derived from ink on paper instead of the western fonts shaped by chisel on stone. And where the characters I use in English have no inherent semiotic association, Kanji is inherently pictographic. A Japanese reader will literally harvest phases by falling through images, images in a static situation with dynamic sweeps therein.

    So when I come to anime, I look for this. Being nonJapanese, I can see it and appreciate it more than a native can I believe.

    That's why I'm excited about this, because the visual phrases are imposed on some folds I know.

    First about the folds. The way this is structured is as a double documentary of an aged film star, "Sunset Blvd"-wise. Its double because we have a camera and we are seeing the two documentarians: one the interviewer and the other with a camera. (We never get a view through that camera, I think.)

    The interview blends with the actress's flashbacks. Now this is very clever, how this is done.

    It isn't memory: the documentarians are physically there when a "past" episode occurs. The cameraman constantly asks "what next?" and the interviewer takes on the role of certain characters in the films. These really are films, we see, when sometimes the "camera" rolls back and we see the crew. This is a third camera.

    But more: all of the films over many decades conflate and merge, interweaving back and forth through history, forming a single quest for a love. That love is for a painter, who clearly is the animator of this cartoon, "Duck Amuck"-wise. These films not only merge with each other, and the quest, and the "interview," but with her life proper.

    As with "8 1/2 Women," earthquakes figure in the shifts and overlays of stories. The thing that binds it all is a "key" which we learn early is to a paintbox, the source of all the paintings we see. Its wonderful organic oneiric origama. oneiroticama.

    And that's just the story. Watch how the phrases are constructed though. We fall through them, soft layer after cloudy image.

    Its like relaxing into love with perfect trust. You really should see this.

    Ted's Evaluation -- 3 of 3: Worth watching.
    9christian94

    Mastery of storytelling

    Satoshi Kon is the extremely talented director who brought us the memorable Perfect Blue (1997) and perhaps changed the face of Japanimation forever. Here at his second feature film, ripe after a four years hiatus, he makes the wait well-worthed with a cunning cinematographic experience that literally plunges the viewer into the wonderful world of film.

    Using the animation medium to push storytelling in film to new levels of effectiveness, Kon tells the story of a legendary actress who's life and career sparks the interest of documentary director Genya Tachibana. Along with his trusted cameraman, he undertakes to interview the now very old Chiyoko Fujiwara, spotlight actress in her hay days, and together they delve into her past.

    This session blooms into a captivating narrative, blending elements of her life with roles in some of her films, and exploring her great search for love. The movie thus explores the personal challenges and self-realization that one undergoes through the different stages of life. It does so with the help of probing questions from Genya and is not shy of being epic in scale, passing seamlessly through fictional eras and time periods, superimposing characters, persons and life teachings. The fusion of reality and fiction is truly remarkable, and Satoshi Kon distinguishes himself from conventional dogmas in that aspect. For him, sky is the limit. He is only limited by his boundless imagination. The result is something fresh and spectacular. From the beauty of the vibrant images to the backdrop of lyricism and poetry, the movie explores life with us... and comes up with interesting conclusions. You will have to see and judge for yourself, but I promise that, if nothing else, it will have made you think.

    I was privileged to attend the world premiere at the Montreal FantAsia Festival and was greatly honored to be blessed with the incarnation of the director himself, in flesh and bone. He strikes me as a very intelligent, very mature and wise man. There is an old woman in the film who says to Chiyoko: "I love you and I hate you more than you can imagine." I asked him the significance of that and he simply answered: "I do not really know what it means. I know that I understand many things that I did not 15 years ago. I just tried to project myself in the future, and thought of what I might be able to bestow to a younger inexperienced person like myself, with this increased wisdom that comes with life's trials and tribulations." I admit I am paraphrasing just a little (my japanese is not that good in any case), but that's essentially what he said, and this confirmed my belief, based on the artistic genius and masterful integration of complex thoughts into a simple, flowing, living piece, that this man is gifted. He has an incredible depth and is able to conjure it up to the surface and present it to us. One cannot but delight in his work and wait again for more enlightenment...

    A suivre...
    9nobbytatoes

    a fight for love at its best

    Genya Tachibana is a TV documentary maker and has tracked down his favourite actress; Chiyoko Fujiwara. On interviewing her Genya presents her with an object she had lost long ago; a key. From there we are transported through time and see Chyoko story about lost love and her struggle to find it. The key belonged to a man she meet when she was young. He was a rebel on the run and Chiyoko gave him shelter. He gave her the key as a thank-you. When he disappears she sets out to find this man. Still young, Chiyoko is approached by a film maker to star in his new film; she accepts and sees this as a chance to find mysterious man. She become a huge success, but she is always empty, never finding the man she loves.

    Satoshi Kon has created a wonderful film about the lose of love and the extraordinary lengths one woman will go to find it. What makes this an interesting watch is that when we go into Chiyoko's past, Genya and his camera man also walk around in her past; interacting with people. But its just not a trek through her past, her memories meld with the movies she has made; as the movies parallel her life on her journey of finding her love, but also time in history. The scenes we see are from the movies she has made, but the story is her own life; her reality and her imagination have just crashed into one another.

    The animation here is just visually amazing. Satoshi Kon's character designs are so unique they set themselves apart from another animations. All the backgrounds are so detailed and textured. What i find great is that Satoshi Kon adds that tiny bit of surrealism; adding more dimension and thought, here its how Chiyoko's memories meld into the movies she's starred in. Satoshi's script is so deep and full of angst. Its hard to watch this woman on her quest for love always failing; yet she blindly keeps going no matter what.

    At great movie about the journey of love and how its never ending; in this world and the next.
    InzyWimzy

    Storytelling

    Satoshi Kon shows his skill at drawing you into another world. Millennium Actress has a great story, really great characters, and keeps you fixated from start to finish. Watching this one made me forget this was an anime as I became fascinated by the life moving before me. Chiyoko is amazing at any age or time; her determination, spirit, and energy are infectiously admirable. Note the interviewer and our skeptical camera guy are third party observers in the dark, just like ourselves. Someone watching this mentioned how great the soundtrack is which adds a whole other level and really establishes pace, mood, and atmosphere throughout. A key reminding us of the value of a dream and how far would you go to fulfill it?

    This one asks questions, has fun moments, and really touching ones. It's all done so creatively that you come along for the journey and find out it's all worth it.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Cranes appear frequently throughout the film, typically with Chiyoko in the same frame. In Japanese culture, cranes represent longevity and fidelity, and are said to live for a thousand years.
    • Erros de gravação
      In the Japanese Version, the news indicates that the astronauts of the Apollo 11 mission departed from Cape Canaveral in 1969. During the Apollo missions, the name was Cape Kennedy. The name of Cape Canaveral, was re-registered until 1974.
    • Citações

      [last lines]

      Chiyoko Fujiwara: The part I really loved, was chasing him.

    • Conexões
      Featured in WatchMojo: Top 10 Anime Movies (Redux) (2017)
    • Trilhas sonoras
      Rotation (Lotus-2)
      Written, Composed and Performed by Susumu Hirasawa

    Principais escolhas

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    Perguntas frequentes19

    • How long is Millennium Actress?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 14 de setembro de 2002 (Japão)
    • País de origem
      • Japão
    • Idiomas
      • Japonês
      • Inglês
    • Também conhecido como
      • Millennium Actress
    • Empresas de produção
      • Bandai Visual Company
      • Chiyoko Commitee
      • Genco
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 262.891
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 18.732
      • 14 de set. de 2003
    • Faturamento bruto mundial
      • US$ 264.847
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 27 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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