Abril Despedaçado

"Behind the Sun" tells a simple story about two families locked in a blood feud over sugar cane land in the late 19th century somewhere in a desolate, parched Brazil. The film is no less than a masterwork of simplicity; a richly textured, finely nuanced, artfully crafted drama which tells its story as much through evinced emotion as through dialogue. Not for everyone, "Behind the Sun" will likely be too austere for the public at large while providing a feast for cinema purists. Thanks to Cohn, Salles, and crew for their hard work in making a film for the few, not the many.

Note - I've viewed almost 900 films in the past three years and only rated two of them a 10. The first was "Band of Brothers". "Behind the Sun" is the second.

I bought this film by chance to give myself a shot of culture, and wasn't really expecting it to live up to much. I had never heard of it before, but I liked the cover and the story sounded OK. However, I was in for a real treat. Beautifully shot against Brazilian landscapes and told through a cast of tremendously talented actors, especially, and most surprisingly, Rodrigo Santoro, of Love Actually fame. However, it is the little boy who really steals the show. He is fantastic and will have you reaching for the Kleenex. The beautifully told relationships between the families and the drama of the feuds just makes this film one of the best foreign films ever, and, if you can be bothered to read subtitled films, this is one you won't regret getting. It is really that good, and the cinematography is astounding. Sorry to keep talking in hyperbole, but it really is phenomenal.

"And a little child shall lead them" - Isaiah 11:6

"An eye for an eye - until everyone is blind" - Pacu

A ten-year old (Ravi Ramos Lacerda) with a magnetic smile referred to only as "the Kid" (until given the name Pacu much later) narrates. "This is the story of me, my brother, and a shirt in the wind", he says at the outset. "When the blood on the shirt turns yellow, someone will die". Based on the Albanian novel, Broken April by Ismail Kadaré, Behind the Sun by Walter Salles (Central Station) is a story of revenge and brotherly love set in tiny Stream-of-Souls in northeast Brazil around 1910. A blood feud between two families over a piece of land has continued for generations. After a member of one family is murdered, a mourning period of one month is allowed, then the killing of a member of the other family takes place. This is the way they've always lived. "It's like two snakes I saw fighting," says one observer. "Each one was biting the tail of the other; they ate each other until nothing was left".

Since his brother Inacio was gunned down, another brother Tonio (Rodrigo Santaro) must protect the family's honor and avenge the murder. The family is poor and the father forces his sons to work in the burning sun growing sugarcane. "We are like oxen," Pacu says. "We go round and round and never go anywhere." When Tonio asks for peace, his father labels this as a dishonor to the family. Only when Pacu and Tonio meet the beautiful Clara (Flavia Marco Antonio), an itinerant circus performer, can the possibility of a different life be glimpsed. Realizing his longing to see new things, Tonio takes Pacu to the circus in a nearby town meeting Clara who also longs to escape from the circus. Though aware of his destiny, she visits him at home and they fall in love. In one of the loveliest moments in the film, Tonio holds a rope as Clara twirls above him faster and faster in a moment of exhilarating freedom. Seeing the joy on Tonio's face, Pacu knows that he alone must assume responsibility for ending the violence.

Behind the Sun occasionally lapses into self-consciousness, yet it is redeemed by the surreal beauty of the Brazilian landscape, the loving relationship of the two brothers, and the elemental power and relevance of the story. In this film, both families would rather be right than do what is nurturing. They accept the ritual of killing only because of some misguided notions about honor. Salustiano tells Clara, `They would rather kill than solve their problems; those are the real fanatics.' Any resemblance to people living or dead is not purely coincidental.

This movie is one that will leave your mind wondering for days thinking how can a director mix imagery, sensitivity, and poetry in a simple story. This movie will inspire all of those that want to see different ways of making movies. The reason why, in my opinion, this movie is so great is because the movie does not give you all the information for you to understand it. It actually functions more like a book. In several different instances there are long sequences with no dialog, only body expression. This instigates the minds of the viewers to try to "fill-in the gap" by guessing what the character is probably thinking. If you are looking for a new way to experience movies, please try this one. I highly recommend it!!!

It is a MUST see! If you have the opportunity, please rent it! You'll not regret!

a Kadare's adaptation. who preserves the colors of lines, the light of phrases, the bitter splendor of small things. a film about family, duty and sacrifice. simple. touching. seductive because it presents just pillars of life without the desire to be more than a sketch. and becoming convincing portrait of a rural Brasil, a poor family, a shirt and its colors, a love story and a wise boy who change his world. the performances. the landscapes. the cinematography. each as a gem. for present a story who is only portrait of life. nothing new. only an old story from an Albanian writer. becoming a Brazilian movie as a kind of bridge of basic essential things.