La spagnola

This is such a bleak and plotless film that unless you are looking for a reason to slit your wrists its probably best avoided. Through a series of brief vignettes in a surreal Australian landscape we are acquainted with Lola and her unfortunate daughter Alice both of whom are destined to be forever betrayed not only by the people they encounter but also by each other. The unrelenting grimness is even reflected in their sexual encounters with a succession of squalid and unsatisfying relationships.

I tried very hard to fall asleep during this movie so that the time would pass more quickly but failed miserably and had to endure it to the end.

What was up the previous reviewers butt, I dont know? Pure hate if you ask me. I mean, how could anyone destroy such a delightful and interestingly shot film so thoroughly as to make this reader doubt it was the same film at all?

This film was refreshing, happy, sad, completely entertaining if you want to see things done freshly with a camera and acting that takes you away into the movie itself. Reaching deep emotions quickly and coming up for air just as fast for the next scene, many times throughout, this cast held me in awe.

I reccomend this film to anyone who simply enjoys film. Period.

And if youre from some difficult childhood issues, you might even relate to the subject matter.

Oh, and take any uncomfortable objects out of your bum before viewing, please, or you'll end up sounding like that other reviewer, no matter the film.

The life story of a bitter woman that's despised by his husband and her continuous fight with her only daughter... Though the plot may look like a drama "La Spagnola" is actually a comedy with traces of tragedy. It's rather rude and hysterical and with a coarse sense of humor (just like Almodovar in his early works, but without the transgression of the Spanish director). It has also plenty of topics about Latin women (they're loud, passionate, etc., etc.).

As for the actress that plays the main role, Lola Marceli, it is funny 'cause in Spain he had never taken part on a movie. She had just played some minor roles in soap-operas and stuff, and suddenly they offer her a part in this Australian production. Well, I think he did a nice job, too bad it made no difference for his career, she's still making TV series... How come?? Well, I don't know. There you got actresses like Elena Anaya or Paz Vega that are just dreadful and still they participate in lots of movies. OK, they're younger than Marceli, but definitely they're not more beautiful than her and, above all, they're not as good actresses as she is. Spain is different.

*My rate: 6/10

Lucía is a 14-year-old girl living in Australia with her beautiful Spanish mother, Lola (the title refers to her and means "Spanish woman"), while her Italian father (named Ricardo) has run off with an Australian woman. Lola is a woman of fiery emotions, which she demonstrates very quickly by throwing herself on top of and then in front of the car as Ricardo attempts to drive off. She wants him back, or at least for him to pay her bills, and failing that she wants revenge. Lucía would just like a normal family and to spend time with the family chickens and the goat named Elvis.

That barely gives a hint of the flavor of the film, which is *very* quirky, often darkly humorous, and sometimes dramatic. I enjoyed individual bits (Lourdes Bartolomé steals the scenes she's in as Lucía's aunt Manola), but on the whole it didn't really work for me. Still, there's enough here to give it a mild recommendation.

This was Australia's nomination for the best foreign language film of 2001, which is an interesting concept in that Australia is an English speaking country, but this is in fact a foreign language film. It is currently playing in Europe, but the director (who was at the San Francisco International Film Festival screening where I saw it on 5/1/2002 to introduce it but not for questions) does not expect it to get distribution in the U.S.

The plot is tenuous, the action is repetitive, the cinematography is gawky industrial, the obsession with cars is cute, the multiple languages is interesting, the performances are adequate, the overall effect is "if you are tired watching Hollywood stuff you may want to check it out but then maybe not, just curl up in bed with a good book".

And if you are male, you may want to see it just for the blatant pleasure of ogling Lola Marceli in glorious 35 mm color.