O Núcleo: Missão ao Centro da Terra

** out of ****

The Core is the "low-budget" answer to Armageddon, meaning it was made on less than half the cost but desires to be its equal in delivering thrills and big buckets of popcorn fun. Now, whether or not you liked Armageddon is a good determinant of whether or not you should even bother watching The Core in the first place. I myself haven't seen that Michael Bay/Jerry Bruckheimer production in a while, and memory serves that it was an unbelievably preposterous, but enjoyable thrill ride that had a great sense of humor. How does The Core compare?

Well, if I hadn't seen Armageddon, I might have liked this film more, which is not to say that it's a weaker movie, just that the disaster formula plays out in much the same way so there's a sense of deja vu hanging over the proceedings. There are a lot of people out there who hated Armageddon, perhaps for its absurd science or for its quick-cut action sequences, so for those who didn't like the latter, The Core would be more up their alley, though the science here is even sillier.

The premise is the anti-Deep Impact/Armageddon. A group of expert individuals have to go to the center of the Earth to jumpstart the core, which has stopped spinning for some unknown reason. Heading this mission is professor Josh Keys (Aaron Eckhart), who's leading a six-man team, with a woman playing a key role, of course, as the pilot, played by Hilary Swank. Recognizable faces Delroy Lindo, Tcheky Karyo, Stanely Tucci, and Bruce Greenwood round out the rest of this very expendable team.

Already, we realize the plot is fundamentally impossible. The only people who wouldn't recognize this are those still in grade school, so they'll probably get a kick out of the movie while thinking they're getting some kind of education out of this because of all the scientific mumbo-jumbo and technobabble. More discriminatory viewers will scoff at all the sudden new inventions that aid our intrepid group of heroes, particularly the hull Delroy Lindo devises that's actually strengthened by heat. For me, scientific flaws are acceptable so long as it's not so blatantly obvious, but this movie's stretching my suspension of disbelief.

But those who don't care for any scientific inaccuracies will wonder, is the action any good? The answer's a mixed bag. Almost all the action is entirely CGI-related, so the question of whether or not you find it exciting to see an "earthcraft" (named Virgil) get banged around quite a few times is crucial to your enjoyment. The action aboveground is all given away in the trailers, and none of it's particularly exciting, thanks to the weak special effects. The space shuttle crash, the destruction of the Roman Colosseum and the Golden Gate bridge are not examples of CGI-work at its best, to put it kindly. A 60 million dollar budget isn't quite enough to pull a movie of this sort off, and it sometimes shows.

Surprisingly enough, the scenes set below ground do somewhat make up for the slack. A crisis is introduced every five to ten minutes to keep the characters working, so what we get is a briskly paced and often enjoyable second half. The effects work is still spotty, but I found the characters relatively engaging, the situations fairly compelling, and the Mcgyverish-solutions amusing. Still marring this outing on a consistent basis, however, are the film's predictability, the occasionally really bad dialogue, the lack of solid intentional humor, and the stilted finale. The Core is not an unenjoyable timewaster, but it's not exactly a great night at the movies, either.

I enjoyed The Core.

Okay, we all know the centre of the Earth doesn't look as Hollywood as that. And the pressure suits, and the coincidences, and the split-second-timing giant nuclear bombs, and the blah blah blah blah ...

For God's sake, what did you expect ... a documentary? The Core is escapism, just like a cartoon, just like your comic books. Movies can be highly implausible and still be fun. James Bond has made a career out if it.

For what it's worth, I'm glad the Ugly Attractive Kid with the weird nose finally justified his salary at the end. Aaron Eckhart's chin must surely win Best Jawline in a Leading Role some time soon. I was disappointed Hilary Swank didn't get to struggle for half an hour in a sweaty, clingy t-shirt. And, for once, my private predictions as to the Exact Order of Death among the leading characters turned out to be 100% correct. I'm bad at that, so imagine how easy it is in The Core to forecast who's going to die next - it's eeeeeasy.

And the earthworm-like ship varies in scale between awesomely big to comically small. And there was no real sense of claustrophobia. And the heroes didn't seem to mind, before launch, that they all had a "I knew this was a one way ticket", Ed Harris style, staring them in the face. I mean, two thousand miles, straight down ... better squeeze your nose and blow, because I know MY ears would pop.

It was a laugh, I'll buy the DVD because it looked and sounded great, and the special FX were perfectly fine thankyou. Not awesome, but entertaining.

Hollywood has always had an infatuation with films that deal with natural disasters. However, the portrayal of such disasters is usually far over-blown for the sake of dramatic effect. But these films can't be taken seriously, as their purpose is nothing more than to give their audience an exciting, wild ride. This was the case in `The Core,' the new film from director Jon Amiel whose last film was 1999s `Entrapment,' which starred Sean Connery and Catherin Zeta-Jones. At first glance, `The Core' appears to be a science fiction/disaster flick about the end of the world. However, after analyzing the film, it's safe to say that this film is about 25% science fiction, and about 75% absurdity. But don't let that stop you from seeing it. Despite its silly story, `The Core' is a likable film that actually had me cracking up more than shivering with fear.

The film opens with various minor catastrophes occurring worldwide, from 32 sudden deaths in a major American city to flocks of birds flying into crowds of people and buildings (an apparent rip-off of Hitchcock's, `The Birds'). Scientists are brought in to examine these occurances and they hypothesize that the core of the earth has stopped spinning. They now need to find a way to get the core rotating once again in order to stop the cataclismic events from taking place. With the help of world's best scientists, they create a ship, properly titled as `Virgil,' designed to travel to the center of the earth, dump off a nuclear payload of about four bombs, and then as Aaron Eckhart's character, Josh says, `then we outrun the biggest shock wave in history.' `The Core' has some great talent. Eckhart (`Erin Brockovich') and Tcheky Karyo (`The Patriot') portray professors brought on to study the devastation of the super storms and strange deaths that are happening. Stanley Tucci (`Road To Perdition') plays a famed scientist with a severe ego problem. Hilary Swank, the Oscar winning actress of `Boys Don't Cry' plays a NASA astronaut sent to maneuver the ship through the earth's interior, along with Bruce Greenwood of `Double Jeopardy.' Richard Jenkins, who has appeared in several Farrelly brother's films including `There's Something About Mary,' and `Me, Myself, and Irene' appears as a general in charge of the mission.

Perhaps the film's most humorous points transpire when DJ Qualls (`The New Guy') enters the film has a hacker recruited to keep the media out of the public's eye by hacking the Internet and rooting out those who know of this secret mission to save the planet. If word of the events did get out, naturally as in any disaster flick, the fear of rioting and social unrest could take place. `The Core' is filled with clichés. It's easy to sit there and point out scenes that have taken place in other films, especially `Deep Impact,' and `Armageddon.' However, I found it to be forgivable. I liked `The Core' and found it to be fun escapism, not to be taken to heart. Disaster films have always been ridiculous, especially the greatest disaster schlock film of all, `Earthquake,' which starred Charlton Heston and George Kennedy. In recent years though, the idea of Earth's destruction from a force that mankind has no hold over has grabbed both the film industry and the public's attention, most notably with `Armageddon.' Quite frankly, I don't see why so many people loved `Armageddon' what with its stupidity, exaggerated direction from Michael Bay (`Pearl Harbor') and its dumbfounded performances from Ben Affleck and Bruce Willis. `Deep Impact' was a far superior film that was a box-office success in its time, but wasn't remembered because of mass appeal of `Armageddon.' Nonetheless, `The Core' is a decent flick that the average person can check his or her brain at the door of the theater with and veg-out to. ***

I love this flick,not boring for a second,moves along at a fair clip,no long drawn out boring scenes.But boy,is it stupid,oozes out of every frame but not for a second does that get in the way of doing it's job,which is to entertain,which it does in spades. The science is at the same level as 'Journey to the Center of the Earth' with James Mason,no giant mushrooms here,but we do get giant diamonds and a geode the size of New York. The actors are all having a blast,playing it straight for the most part,their fun translates to the audience,but never over the top.The effects are capable,the story ridiculous,but who cares,a more fun disaster movie is not too easy to find,it certainly is a 'guilty pleasure' type of flick,and some days,that's all you want to see.

A really nice way to spend an afternoon, The Core does not pretend to be a huge Sci-Fi mega movie, but rather a pretty good romp with some pretty nice special effects (the birds, the Golden Gate Bridge, etc.) and even like to poke at itself.

I love Sci-Fi movies where the professor or the hot-shot pilot don't have all the answers and yes, there are holes in this film that you could drive cities through, but really, who cares?

Sit back, munch on that popcorn, sip on that soda, and have just fun with this predictable, simple, yet enjoyable movie.