Além dos Limites

As far as i know potatoes were brought to europe in 1493....... Then how is it possible that they were SLICING potatoes in 1452?????

Anyway nice blood

Compared to Ittenbach's earlier films, definitely a step or two up in terms of camera work, production value, and overall professionalism. However, some criticism still applies: the acting is, well, somewhere between so-so and pretty abysmal. The dialogs are sometimes more than a little over the top, in general, though, it's not too bad. I don't believe, Ittenbach's films will ever win an Oscar for the best script, but on the other hand, I have had to endure much worse during my search for (halfway) decent splatter flicks. BTW: the English track is IMHO superior to the German dubbed version. Splatter effects are pretty good and--for the most part--effective, provided you catch the uncut version (106 minutes), although not quite as numerous as in Premutos. Beware of German rental version, it is cut by approx. 5 minutes. Recommended to Ittenbach and splatter fans. All others proceed at your own risk.

okay the actors in the first story are clearly amatures but given motivations and content Ie - a reason to show graphic Ittenbach effects, I guess they were playing by numbers but the story and perfomances in the med-evil story are quite engaging - Darren Shalavi (I-Spy)is quite remarkable as the quite sorry Dennis who decides to use his impressive fighting abilities to defeat Brewster played with gusto by Rusell Friedenberg (Legion of the dead) and the evil lord Demming to save his love. the visual effects, graphic as they are compare on a higher level to Ittenbachs earlier work - Black past and Burning Moon and Premutos but this time using dual stories tied in by a beautiful reporter and graveyard caretaker tryiong to explain things for us, we get a more complex and anticipated story. the main problem with this film is that no matter how great Shalavi, Ittenbach and some of the rest of the cast are or not, as with the gangsters in the first story, the effects do add some craziness to the film and as with Ittenbachs last film Legion of the dead they will be cut from most releases as they ended up being here in Germany due to the increadable realism, so you get a diluted version which may not make to much sense. Heck though if you like gore and sword fights along with your torture this is the film for you, seek out the directors cut though.

PLOT

A young female journalist Vivian comes to the Cemetery to get an interview from its keeper , a creepy looking guy named Frederick. Frederick tells her two strange stories that lead to an unspeakable and mystery secret.

COMMENTS

A few options I would like to comment :

1. Acting. Acting is actually poor except for a few people that can actually act so you can believe them. The Director Olaf Ittenbach has a cameo appearance in the beginning of the movie. Among actors , Darren Shahlavi looks really solid and shows good martial art skills. Those of you who seen 'Bad Moon' with Gary Daniels and Shahlavi , will probably agree with me. Another martial art specialist , Matthias Hues appears in the end of the movie as one of the bad guys. Other actors look really poor , and almost all of them have an accent (no clean English , whatsoever). But in this kind of movie you don't expect great acting at all.

2. Gore. Ittenbach does a great job here with all the SFX , gore effects. As usual , in Ittenbach's movies there's a lot of gore, tons of blood , people get slaughtered , cut into pieces , and tortured in very disturbing manner. Everything looks real , what is a big plus for this kind of movie. Its not as gory as Ittenbach's earlier movies "Premutos (1997)" and "Burning Moon (1992)" but there's enough of it to satisfy a gore fan ,believe me. Also with all the gore ,the movie is extremely violent.

3. Plot. I started getting the plot with about 3-4 minutes left till the end. First story told by Frederick is about a bunch of guys who get involved in to this usual 'money-drugs' thing , and in the end they all get slaughtered like animals , in very violent ways. Second story takes place , probably in medieval Europe. A demented inquisitor is searching ancient writings which can make him eternal and give unrestricted power.By searching he tortures and kills people who don't obey him, in very gruesome ways. Both stories lead to Fredericks's own secret. But when Vivian realizes that , it's just too late…..

OVERALL

Recommended to Olaf Ittenbach's fans only. Fans of gory movies will be satisfied as well. For those of you expecting acting , plot or anything else except gore…..keep searching. Would I recommend this movie ? Watch for yourself people… I did like the violence and gore....everything else in this movie just doesn't worth it.

Having read a lot about Premutos (another Olaf Ittenbach movie, often mentioned in the 'goriest horror of all time' debate), but unable to get hold of a copy cheaply enough, I opted instead for Beyond the Limits, a movie which might not have got such great reviews, but also promised to deliver its fair share of splattery delights.

And boy, does the blood flow in this one. Ittenbach and his crew have created a gore drenched anthology-style movie with some of the most brutal scenes I have seen in a long time. In the wraparound story, a young female journalist interviews a cemetery caretaker for her newspaper; he tells her the shocking tale behind one of his recent 'customers' and then follows that up with another set in medieval times.

The first story has a dinner party (attended by a group of mobsters and their wives) interrupted by a pair of ruthless killers. The sadistic assassins, hired by a man seeking vengeance for the death of his wife, set about slaughtering the party guests. But all is not as it first seems...

The second sees a bloodthirsty inquisitor and his henchmen slaughtering innocent people in a quest to revive an ancient demon. Chock full of torture and gruesome deaths, this is definitely not for the squeamish.

Ittenbach handles the direction confidently and there are some well filmed action scenes and great use of scenery and lighting. Unfortunately, he does also succumb to the use of annoying visual trickery and unnecessary MTV style editing (a particular bugbear of mine). The quality of acting varies from reasonable to very bad, but let's face it—it's the gore that really counts, and that is of a very high standard indeed: vicious, unrelenting and downright unpleasant, but very convincing.

Beyond the Limits is not a film that should be watched by casual horror fans (it's way too disturbing for most viewers, I fear), but those who enjoy 'extreme' movie-making should be more than happy with the tour de force of revolting effects that splash across the screen.