Ascension

I think that all the favorable comments on this site come from the director and his buddies - note the constant Tarkovsky comparisons. Don't be deceived: this film is crap, and a tragic misuse of the talents of three great actresses. The whole thing was just sickeningly repetitive and dull, I felt as though I was watching it for decades. While everything should work: Ir: talent, cinematography, score, lighting - the basic premise of this movie is so pretentious and empty that it's a waste. Spend your money on an Ingmar Bergman flick for the real thing and not some lame wannabe. This emperor has no clothes, people!

Everything about this movie is HORRIBLE. I saw the advanced screening of "Ascension" and I was amazed at what I saw. I could not understand how a film like this could get made. Everything about it was awful. The acting was monochromatic, the scenes were atrociously edited and designed, the DIALOGUE was a wonderful effort put in by a third-grade child, the camera movements and shots were uninteresting. The film was bland and repetitive and served no purpose. The only good comments posted about this movie were made by the unimaginitive, banal director. DO ANYTHING TO AVOID SEEING THIS MOVIE, INCLUDING THE GOUGING OF YOUR OWN EYES.

My friend and I have always enjoyed watching all types of arthouse movies. So when we heard of this one we thought "ok cool, this seems like the kinda movie we'd like". We watched this movie in 2004, and now, 18 years later we still talk about "that horrible movie". Just last night my friend said "remember Ascension? I still can't get over that movie". We've recommended the movie to people as a cruel prank, which I'm now thinking no one deserves. We both agree that this is the worst film we've ever seen, and that's saying something.

Ascension is the kind of film you either love or hate. Those who hate it seem quite passionate and will no doubt defend their reasons to the end, but those who love it will also defend their reasons and be passionate about it. Visionary works of art are often subject to polarized points of view, which in my opinion, is what makes them resonate and have longevity.

Karim Hussain is a bold filmmaker. With this film, he has challenged our views and expectations regarding dialogue, music, lighting, cinematography, and even left some questions unanswered; a rare thing in an age where almost every film feeds us answers by the shovelful...

When you leave the theater, Ascension's images, sounds, and possible hidden meanings will linger in your mind. Even if you feel your cinematic status-quo has been turned inside out, one thing you will not feel is indifference.

Karim Hussain's Ascension has just won Best Film at the Sitges International Film Festival in the Official Competition - Noves Visions Section. The film also earned a nomination for Best Film at the Also if you can Fantasporto International Film Festival in Portugal.

It is interesting to see how dramatically people react to this movie. You've got to have an open-minded approach to be able to appreciate the slow, poetic vision of the director. If you don't like to think while watching a film, this is simply not for you.

I think this is a fantastic film. The young women have a talent for magic and poetry for this sort of surrealist artistic statement. It is impossible to take your eyes of them. That is probably also the thought of the camera zooms.

There are a lot of memorable lines. They are loaded with among the most cynicism and nihilism I have heard. Sometimes they are so extreme you have to laugh. It's like watching Evil Dead only you react to the dialouge instead of the gore.

Musicwise it is especially interesting. It reminds me of B-science fiction films set in a post-apocalyptic world, like Cyborg 3, but obviously with fingertip feeling. It merges with the soothing sound design similar to that in Blade Runner.

Overall, well worth watching if you are into Nietzsche-philosophies and Tarkovsky-symbolism.