Adicionar um enredo no seu idiomaWith the help of a hot, slightly older new acquaintence (Noseworthy), the closeted son (Newton) of a conservative U.S. Senator (Lerner) puts a shocking spin on his dad's re-election campaign... Ler tudoWith the help of a hot, slightly older new acquaintence (Noseworthy), the closeted son (Newton) of a conservative U.S. Senator (Lerner) puts a shocking spin on his dad's re-election campaign.With the help of a hot, slightly older new acquaintence (Noseworthy), the closeted son (Newton) of a conservative U.S. Senator (Lerner) puts a shocking spin on his dad's re-election campaign.
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- 1 vitória e 2 indicações no total
- Skip Franklin
- (as Ian Kessler)
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Avaliações em destaque
The best aspect of the film is the acting. The core cast are all fantastic. What didn't work so well for me was the cinematography, editing and the general low budget approach. The cinematography is mostly (or maybe all) hand-held, with a lot of shaky cam shots and a lot of blurriness. The film is loaded with overexposed shots and a dominance of white. While that may have been so for metaphorical reasons, it's not the most pleasant thing to watch aesthetically if it's relentless--and that's also not the best way to get the metaphorical aspects across. The editing is frequently frenetic. In combination with the locations, sets and general lack of music, Poster Boy has the feel of a 100-thousand dollar art house drama made by a director who is way too obsessed with The Blair Witch Project.
Fortunately, the story is better than that would suggest, although it's not perfect. This would have been far more on-target and controversial 15 years ago (given our present knowledge and overall lack of reaction to the sexuality of some political offspring), but it's still engaging enough, especially given the performances, and at any rate, it deals with important issues that are still far from resolved in our culture.
The story is told in the form of a rather obnoxious reporter interviewing Henry, the senator's son. As he describes the events leading up to his outing, we fade in & out of the scenes. This format has been used successfully several times in the past. It doesn't work this time. By the end of the film I felt as thought I'd watched a bad documentary, just witnessing the events, feeling nothing for the people involved. The other problem is the main characters seem almost schizophrenic in their personalities. One moment Henry is throwing the suit & tie clad Young Republican into the pool; the next moment he's bonding with him and hiring him a hooker when he learns he's still a virgin. We first meet Anthony as an "out there" Act Up! activist; we next see him a sensitive best friend of an AIDS-stricken woman. Next he's telling her that he also had sex with her boyfriend that gave her AIDS; we next see him caring about Henry, whom he had vowed to "out".
By the time Henry is outed, I was looking at my watch and waiting for the ending credits. Too bad. Good plot done wrong in about every detail. Better luck next time.
Enter Anthony, a 28 but younger looking gay man, who's been a member of Act Up but who is now more interested in spending his time with affluent gal pal Izzie and perhaps getting into the pants of some college boy when they crash a campus party.
Despite being 28 Anthony can easily pass for a college guy and quickly meets several guys willing to show him a good time including Henry. Unaware of Henry's name Anthony hooks up with him and spends a fun evening on the floor of the school's darkened gymnasium. Only in the morning, after Henry has left him alone on the floor, does Anthony find out Henry's full identity.
Looking for any chance to take a shot at the conservative government that he detests Anthony decides to take this opportunity for political action. Only problem is that he finds himself beginning to care very deeply for Henry and he must decide if he can use someone he cares for in this way.
Some other users have commented on the movie not being multi dimensional, but I think that the way that the characters reacted are pretty realistic, and most people (generally) are multi dimensional but may only show one side of their selves for one reason or another, and don't forget that this movie is focused from the point of view of Henry Kray. It also has many plot twists, and though it has be commented upon that it is too predictable, I thought nothing of the sort. The characters are oddly unpredictable, and are like multi layered onions, many people might just look it and observe that is it just another gay movie, but it is not, it is so much more than that.
Why I Gave It 7 Stars: It was a solid 6, leaning towards 8 in the beginning, and towards the end, so I compromised. A solid B- film you might say.
The Story: It centers around Henry (played by Matt Newton). Henry is the son of a ultra conservative Senator from the south. Think of "The Birdcage", minus anything to laugh at. Henry is also gay. The film, told in "flashback style" as Henry tells his story to a reporter unfolds over the course of 6 months. Basically, Henry comes out, and family chaos follows. But not for long, as we're almost to the end of the film.
What I Liked: Personally, I liked the edge. This was almost more of a docu-drama, albeit a fictitious one, which could easily be based on truth. The actors were good to very good, the overall production was good as well.
What I Did Not Like: I was nearly half-way through the film, starting to get concerned where it was going, before all the character/story sub-plots were connected. The second half of the movie was strongest.
The Rest of the Characters: Besides our lead, Henry, we also focus on his stereo-typical bigot Republican Father/Senator, and his "senator's wife" Mother. And to the mix, a straight girl Izzi, and her gay male friend Anthony, whose relationship was unusual at best. Anthony and Henry meet under some unusual circumstances at a college party.
The Ending: I never give away specifics, but let's just say it's not a "Brady Bunch" wrap-up. If the ending was all tidied up for viewers, I would have knocked this down to a 5 or 6. Everything about the film was somewhat gritty, dark, "off". It's not the type of film that usually comes out of the USA. We usually have to watch films like this with sub-titles, so kudos to Here! films and those involved for producing the film.
Final Thoughts: This is not a laugh-out-loud sex romp. No, not at all. It's a good story trying to make a point about politics, sexuality and family values. It does all of those well.
Unrelated Chatter: Jack Noseworthy, the actor who played Anthony also starred in "The Brady Bunch Movie" and in his early years, "Cats" in the theater. Matt Newton (Henry) has appeared on the "Gilmore Girls" and "Judging Amy".
Você sabia?
- Erros de gravaçãoWhen Henry and Anthony are walking through the campus, Henry points out one of the girls walking ahead of them. Seconds later, you can clearly see her as an extra in the background.
- Citações
Henry Kray: [to Jack] What am I part of, Jack? An issue? Don't you get it? Issues are what they use to divide us. Sexual orientation, race, gender... All issues that don't actually pertain to anyone except those being cut out and thrown away by the issue. Does it really matter to some farmer in Kansas whether or not two men get married in Vermont? But see, they need us to choose sides. They create these issues for us to cling to, to grasp at. You know they separate us into these divisions: Black, White, Gay, Straight, Rich, Poor. Blame it Christian, Liberal, Democrat, Conservative. Split. Different. Opposed. How can a cause be just if it puts people against each other?
- ConexõesReferences O Mágico de Oz (1939)
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- How long is Poster Boy?Fornecido pela Alexa
Detalhes
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Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 62.062
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.806
- 13 de ago. de 2006
- Faturamento bruto mundial
- US$ 62.062