Fantasmas do Abismo

Watching Ghosts of the Abyss on the big screen simply took my breath away. The photography was simply majestic, and will leave you in awe. If you are a hard core Titanic buff, you will recognize a little of the footage from another documentary that Cameron did at the same time as Ghosts. The 3-d effect is pretty interesting, but probably a bit overrated. This would have still been a fantastic documentary on the big screen even without the 3-d effect. It does make it very interesting though. They go into parts of the ship never seen before so it was very good. I left wishing it would have lasted about 2 hours longer. Even 90 years later the ship still has the power to take your breath away. I would rate this a 10 for people that truly love the Titanic, but maybe only a 7 for those do not. I left this movie feeling that James Cameron really has a love for the ship and really believes in what he is doing, and not that he just did it to make a buck like some have suggested. A must see for any fan of the Great ship.

Experiencing the ship firsthand and her mysteries, histories, details respected and moralities still teaching, it's a love, an awe inspiring and sad tale of Bibilical proportions.

The mystery and history of the Titanic is fascinating and evocative; nearly Biblical. The largest liner, the ignorance to think it could never sink and the arrogance of not putting on enough lifeboats due to aesthetics, I'm just glad in this day and age we have life rafts which take up so much less space we will never run into a shortage of life rafts problem ever again.

Paxton is great as always, and a documentary setting brings out the explorer within, and is respectfully and well made. Learning about the stairway floating out allowing for easier access to the interior of the ship for example I did not know about.

Good movie.

QUESTION: Anyone know why they were not supposed to go into C deck? They seemed to have a very good, albeit unspoken reason for this.

I see nothing wrong with Cameron's love for the Titanic story, it's a near mythical experience and I find it truly a learning experience and a marvel.

Soon the sea will claim the ship utterly, and the Titanic is a teacher of morality, of a past, and the failings of modern man, and the mystery of history in heart of exploration and awe.

The Titanic will always have something to teach us, and that is important.

The museum pieces are important because it allows for the memory to be respected and a teacher to future generations.

That we can put a name to artifacts assures their memory lives on.

There was no disrespect, in fact quite the opposite.

Director James Cameron scored, against all odds (and his swarm of nervous auditors) a huge success with "Titanic." Not as artistically strong as several predecessor films about the legendary disaster it rocked the box office boat as new generations of Titanic enthusiasts and curious folk flooded the theaters.

Personally fascinated by the tale of the doomed April 1912 maiden voyage of the era's seaborne tribute to Mammon, with its unsolved mysteries - technical and human - Cameron dives to the wreck site in this 3-D stunning documentary, "Ghosts of the Abyss."

RMS Titanic's grave was discovered by Robert Ballard, the foremost maritime archeologist working today. Using the then latest technology he first located the wreck and then filmed it with "Alvin," a submersible of amazing capability. But today ""Alvin" is to underwater exploration and technology what a typewriter is to a PC. Basing his expedition on a Russian research vessel, Cameron takes to the depths and launches "Jake" and "Elwood," two camera-equipped robots that can be guided from the mother ship's two submersibles through the interstices of the sprawling Titanic. These robots can and are guided through spaces no person could maneuver in, even at shallow depths.

Cameron's intense nature masked by good humor comes clearly across as actor Bill Paxton narrates much of the film. Paxton doesn't seem to be acting as he seeks multiple reassurances from the Russian crew man operating the descending sub that there are ways to escape if something goes wrong.

"Jake" and "Elwood" capture scenes from the ship no previous expedition could. At one point the viewer is staring up front at a bathroom mirror with water jug and glass eerily standing exactly where the stateroom's occupant left it before the collision. The grand staircase is gone but its cavernous space is superimposed by scenes from Cameron's feature film, creating an almost scary sense of reality. Period music accompanies the changing scenes which alternate the brief life and long interment of the grand vessel.

This was a scientific expedition with microbiologists on board to assess the continuing and inevitable reduction of RMS Titanic to dust. But the bulk of the film deals with the evidence of life on the ship during its short journey and the story is told with verve.

This is a 3-D film that fully and beautifully exploits the medium and it's a deep sea outing for the whole family.

All that said, is there anything negative about "Ghosts from the Abyss?" There sure is: whatever the cost of 3-D cinematography it's a near crime to limit the end result to a mere 60 minutes!!

9/10.

If this were James Cameron's slideshow of his ocean vacation, we would all agree he did a great job. Unfortunately, this collection of nice pictures doesn't work well as a film. Moreover, the incredibly high technology that enables remote cameras to drop two miles to the sea floor without imploding is not matched by state-of-the-art 3D imagery. To fit in their sardine cans, the 3D cameras used for this film had to be very, very small, and they had to use extreme wide-angle lenses. The result is that, notwithstanding the IMAX format, the scale ends up feeling small. There are a number of shots of the giant, four-story tall engines that powered the Titanic, still intact at the bottom of the ocean. Amazing! These things should take your breath away. Somehow, they don't in this presentation. You just don't get a feel for their size. Also, the blue/red 3D technology borrowed from the 1950s is not in the same league as the new polarized 3D technology used in, for example, the most recent Space Shuttle IMAX film. Disappointing. Also, Bill Paxton was not the right choice (yes, I get the whole "life imitating art" thing, but he added exactly nothing to this film). Rod Serling's narrations for the Cousteau films were interesting because, well, he was Rod Serling, but also because he had interesting things to say. You didn't hear Rod saying "look at that" or "wow" or "I can't believe we're really here." Finally, a crew member describes seeing an object on the ship that really brings home the humanity of the tragedy. Do we get to see the object (I am not identifying it here so as not to spoil this part of the film)? No. A waste. Now the good: the computer graphics are terrific, the reenactions are good, and the lighting, expert commentary, and photography are engaging enough to remind us of how many souls were lost in the Titanic disaster, the heroism and cowardice along the way, and how terribly sad and unnecessary the loss of life really was. Worth seeing, despite its flaws.

Rating: **** (out of *****)

James Cameron's journey down undersea into the heart of the Titanic gets the IMAX treatment, with Bill Paxton as the narrator. The words "into the heart of the Titanic" may scare off some people, but don't worry, there's no wooden love story here. Instead, we get a fascinating, well-prepared and detailed documentary about the Titanic and some of its passengers, underlining how many of the ship's elements have stood the passage of time. Unfortunately (in my opinion anyway), it's a little pretentious, not always involving and sometimes self-indulgent. But I still highly recommend it to those really interested in either the history of the Titanic or the 1997 film, and also to general audiences who are looking for something a little more innovative than what we get in cinemas these days.