AVALIAÇÃO DA IMDb
7,0/10
1,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaLena is the daughter of an Aboriginal mother and Irish father and Vaughn is a Murri boy doing time in a minimum security prison in North West NSW. Dramatic events throw them together on a jo... Ler tudoLena is the daughter of an Aboriginal mother and Irish father and Vaughn is a Murri boy doing time in a minimum security prison in North West NSW. Dramatic events throw them together on a journey with no money and no transport.Lena is the daughter of an Aboriginal mother and Irish father and Vaughn is a Murri boy doing time in a minimum security prison in North West NSW. Dramatic events throw them together on a journey with no money and no transport.
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- 8 vitórias e 12 indicações no total
Avaliações em destaque
The basic approach of "Beneath Clouds" is admirable. It's exactly the quiet, personal type of story I usually love. But here, it's too quiet. Breathing room finds itself drifting into meaningless space. There's a kind of politeness on display here, in the way the action is filmed, how the characters interact. They take too many turns in dialogue, allow for more room than would come naturally. It's awfully polite. The actors themselves are good enough - Dannielle Hall, especially. She provides a convincing lead performance, enough to ground the story in a more personal way. I was less impressed by Damian Pitt. Neither of them have gone on to pursue an acting career.
Ivan Sen wrote and directed this film, and all of its main strengths and weaknesses come down to him. He focuses on character, but in a way that pushes against the grain. He seems intent on making his characters talk and act in ways that are less than believable. He focuses on cinematography, but in a way that feels too clean and bright and artificial. His landscapes seem more like postcards. He writes a script designed to be a large-scale adventure/road trip, but provides hardly enough content to pad out an hour and twenty minute film. Even at that, it feels woefully overextended.
"Beneath Clouds" has a fair amount of potential. Indeed, the first twenty minutes promise a film of considerably more adventure and believability than is ultimately delivered. It's a good effort, but without much spark.
Ivan Sen wrote and directed this film, and all of its main strengths and weaknesses come down to him. He focuses on character, but in a way that pushes against the grain. He seems intent on making his characters talk and act in ways that are less than believable. He focuses on cinematography, but in a way that feels too clean and bright and artificial. His landscapes seem more like postcards. He writes a script designed to be a large-scale adventure/road trip, but provides hardly enough content to pad out an hour and twenty minute film. Even at that, it feels woefully overextended.
"Beneath Clouds" has a fair amount of potential. Indeed, the first twenty minutes promise a film of considerably more adventure and believability than is ultimately delivered. It's a good effort, but without much spark.
Lena is blonde-haired and blue-eyed. Most see her as white at first glance. She has an Aboriginal mother and an Irish father. When her mother gets her brother arrested, she decides to leave. She fails to get back on the bus at a stop. She starts walking and is joined by Vaughn. He escaped from low security prison work detail to go home to see his sick mother. The two struggle over views as they sometimes hitch rides.
There is a quiet sincerity personified by Lena. It is slow at times with its quietness. However, there is also a magnetism about the two leads. The young actors possess a dignity and power within them. It's an intriguing theatrical debut for filmmaker Ivan Sen.
There is a quiet sincerity personified by Lena. It is slow at times with its quietness. However, there is also a magnetism about the two leads. The young actors possess a dignity and power within them. It's an intriguing theatrical debut for filmmaker Ivan Sen.
This is a deceptively simple story of two young people, both on the run, meeting up on a rural New South Wales road. Both are aboriginal and both are, for family reasons, headed for Sydney. Nothing particularly dramatic happens but there is enough incident to keep the viewer watching, and perhaps see life as it is for alienated young blacks in contemporary Australia.
The director, Ivan Sen, has a strong visual sense, and he captures the land with breathtaking vistas (he also wrote much of the music). It is not the outback, it is the central west New South Wales of big commercial farming cotton, sunflowers and corn, yet even the big farms are dwarfed by their surroundings. The young couple proceeds through this magnificent landscape beneath the clouds of the title preoccupied by their own problems, though the boy (Damien Pitt) is angrily aware that this is the land taken from his forbears. She (Danielle Hall) on the other hand rejects her Aboriginal background and focuses on her Irish father and the green misty land he came from.
The dialogue is pretty sparse and the delivery often a little wooden but the two leads express the emotions required more than adequately. Their relationship could not be further from a conventional teen romance, rather they are two emotionally stunted people who come to realise they can still care for someone else.
As for the rest, there are the inevitable black brothers in clapped out HQ Holdens, a just cruisin' but still hassled by the police, and plenty of hostile or merely patronising whites. One old white man (Arthur Dignam) does give them a lift but most whites give our couple a wide berth. I thought the story required a little more development; the film describes a situation rather than tells a story, but it does so with great simplicity and honesty. It's a cliché I know, but I await Ivan Sen's next work with great interest he's a considerable talent.
The director, Ivan Sen, has a strong visual sense, and he captures the land with breathtaking vistas (he also wrote much of the music). It is not the outback, it is the central west New South Wales of big commercial farming cotton, sunflowers and corn, yet even the big farms are dwarfed by their surroundings. The young couple proceeds through this magnificent landscape beneath the clouds of the title preoccupied by their own problems, though the boy (Damien Pitt) is angrily aware that this is the land taken from his forbears. She (Danielle Hall) on the other hand rejects her Aboriginal background and focuses on her Irish father and the green misty land he came from.
The dialogue is pretty sparse and the delivery often a little wooden but the two leads express the emotions required more than adequately. Their relationship could not be further from a conventional teen romance, rather they are two emotionally stunted people who come to realise they can still care for someone else.
As for the rest, there are the inevitable black brothers in clapped out HQ Holdens, a just cruisin' but still hassled by the police, and plenty of hostile or merely patronising whites. One old white man (Arthur Dignam) does give them a lift but most whites give our couple a wide berth. I thought the story required a little more development; the film describes a situation rather than tells a story, but it does so with great simplicity and honesty. It's a cliché I know, but I await Ivan Sen's next work with great interest he's a considerable talent.
There are very few movies that I will want to watch more than once, but Beneath Clouds is definitely one of them.
The majority of movies I have seen over the past years were very much focused on plot development and I think most viewers will expect a movie to be heavy on the storyline.
What I expect from a movie is something totally different, though. None of my favourite movies have a a memorable or particularly well developed storyline. However, they all have something in common. All of them have a very powerful and gripping atmosphere, and it is this atmosphere that comes to my mind whenever I think back of these movies. Not a particular scene, a particular quote or a masterly twist in the storyline, not the visual effects or the sophisticated sound.
This movie would be just as enjoyable watching it from a low quality videotape on a black and white telly with low sound quality.
Beneath Clouds instantly became a favourite with me, from the very first moments I started watching it. I love this movie, simply because it gives you an experience, a combination of vision, sound, thought and emotion that cannot be described with words and that is exactly what I expect from a movie.
If you think what I am saying here is b.ll.cks and doesn't make sense - well, it's up to you. But if you know what I am blathering about you will understand and LOVE this movie. Wochit.
The majority of movies I have seen over the past years were very much focused on plot development and I think most viewers will expect a movie to be heavy on the storyline.
What I expect from a movie is something totally different, though. None of my favourite movies have a a memorable or particularly well developed storyline. However, they all have something in common. All of them have a very powerful and gripping atmosphere, and it is this atmosphere that comes to my mind whenever I think back of these movies. Not a particular scene, a particular quote or a masterly twist in the storyline, not the visual effects or the sophisticated sound.
This movie would be just as enjoyable watching it from a low quality videotape on a black and white telly with low sound quality.
Beneath Clouds instantly became a favourite with me, from the very first moments I started watching it. I love this movie, simply because it gives you an experience, a combination of vision, sound, thought and emotion that cannot be described with words and that is exactly what I expect from a movie.
If you think what I am saying here is b.ll.cks and doesn't make sense - well, it's up to you. But if you know what I am blathering about you will understand and LOVE this movie. Wochit.
a story of a young half-caste aboriginal girl in australia who is on a journey from her broken home in the country to sydney where her father, an irishman, lives. On her journey she meets a young boy who is on his way home aswell, after escaping a youth detention camp in the outback. The theme of conflict between Australian aboriginals and whites is presented in the journey. The boy is heading towards a future of problems and she is on her way to hope. I saw this movie at the Australian international film festival in sydney and had a chance to talk with the director after. It was two years ago but when i sit down to start a new script i am always reminded of this films subtle beauty and perfect structure. an amazing piece of art, i highly recommend it
Você sabia?
- CuriosidadesActor Damian Pitt had no previous acting experience and was spotted by director Ivan Sen in Moree in a group of 20 boys. Sen said he "had the perfect look".
- ConexõesReferenced in An Interview with Rolf De Heer, Producer, Writer and Director (2007)
- Trilhas sonorasStreets of Tamworth
("Streets of Old Fitzroy")
Written by Harry Williams
Performed by Roger Knox
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- How long is Beneath Clouds?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Beneath clouds
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 218.085
- Tempo de duração
- 1 h 30 min(90 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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