Um repórter tenta descobrir porque houve uma crise energética nos Estados Unidos. Para complicar as coisas, há uma série de réplicas de um terremoto, estranhos disparando armas contra ele e ... Ler tudoUm repórter tenta descobrir porque houve uma crise energética nos Estados Unidos. Para complicar as coisas, há uma série de réplicas de um terremoto, estranhos disparando armas contra ele e o desaparecimento de alguns trabalhadores.Um repórter tenta descobrir porque houve uma crise energética nos Estados Unidos. Para complicar as coisas, há uma série de réplicas de um terremoto, estranhos disparando armas contra ele e o desaparecimento de alguns trabalhadores.
- Direção
- Roteiristas
- Artistas
Boti Bliss
- Sara Rose
- (as Boti Ann Bliss)
Prince Gharios
- Pallbearer
- (as Mauricio Guerios)
Avaliações em destaque
Two days after seeing this thing, I'm still in agony over HAVING seen it. It's so bad, you have to wonder how anyone could write this tripe, much less allow it to be loose on the general public. Stilted acting, a leading man who looks like he's sleepwalking, and Alison Eastwood embarrassing herself. The action is indicative of low budget movie making, which means it is painfully bad. The plot? Well, if you were 6 years old, then you could have written this movie. Simplistic, idealistic, and just plain lame.
My one line summary should explain it all, but I'll have a go at it.
From the get-go, this movie seemed like an overdone soap opera, and that's about all I can comment on. There were a few interesting scenes, such as the "Big one" that hit during the middle of the movie, but, wait, what's that? The earthquake *gasp*, wait a minute! That's Dante's Peak! Well, parts of it butchered and slapped in. I can't believe how poorly this movie was done, "borrowing" scenes from other, much better films. One wonders what director thought that viewers are dumb enough to believe large wooded mountain-esque backdrops exist in downtown LA, ala Dante's Peak.
My advise, forget the Bond Wanna-be, Nash, in this film and go for the real thing (again, someone from Dante's Peak coincidentally.)
From the get-go, this movie seemed like an overdone soap opera, and that's about all I can comment on. There were a few interesting scenes, such as the "Big one" that hit during the middle of the movie, but, wait, what's that? The earthquake *gasp*, wait a minute! That's Dante's Peak! Well, parts of it butchered and slapped in. I can't believe how poorly this movie was done, "borrowing" scenes from other, much better films. One wonders what director thought that viewers are dumb enough to believe large wooded mountain-esque backdrops exist in downtown LA, ala Dante's Peak.
My advise, forget the Bond Wanna-be, Nash, in this film and go for the real thing (again, someone from Dante's Peak coincidentally.)
I thought this was a spoof of old 1970s disaster-movies for the first 10 or so minutes I was watching it ... the script seemed to be pretty much as cliche-ridden as "Scary Movie" or even "Police Squad", so I was settling down waiting for the comedy parts to start .... they just never started.
Then it became like having a loose tooth that you can't leave alone with your tongue and just have to keep playing with - I became obsessed with watching it to the bitter end, no matter what the cost to my psyche or my HMO for Therapy afterward. I HAD to find out if there was anything remotely redeeming about this film, but I was sadly disappointed.
The main characters were insipid and disappointing, with Dylan Walsh looking like he was on Quaaludes most of the time, and Alison Eastwood appearing uncomfortable delivering hackneyed lines to their uncaring cast-members on sets that must have cost all of $9 (Nine Dollars) to build.
In future years, this film may achieve cult-status alongside the likes of "Plan 9 From Outer-Space" or "Santa Claus Conquers The Martians", but all-in-all, your time may be better spent laying under a bright light having root-canal.
Then it became like having a loose tooth that you can't leave alone with your tongue and just have to keep playing with - I became obsessed with watching it to the bitter end, no matter what the cost to my psyche or my HMO for Therapy afterward. I HAD to find out if there was anything remotely redeeming about this film, but I was sadly disappointed.
The main characters were insipid and disappointing, with Dylan Walsh looking like he was on Quaaludes most of the time, and Alison Eastwood appearing uncomfortable delivering hackneyed lines to their uncaring cast-members on sets that must have cost all of $9 (Nine Dollars) to build.
In future years, this film may achieve cult-status alongside the likes of "Plan 9 From Outer-Space" or "Santa Claus Conquers The Martians", but all-in-all, your time may be better spent laying under a bright light having root-canal.
The blurb on the DVD box made this sound very promising.
From the first scene, one had to wonder just what sort of production this was going to be. Thank goodness the bad guys shot that hysterical shrieking greenie - her acting was just too much to bear. I think we were all wanting to do that ourselves.
The earthquake scenes were so drawn out and repetitive, and the props so fake.
As for the first car chase, since when has every car involved in every car smash burst into flames?? (I think the German APCs did in Eagles Dare). The second car chase, when every car in LA was immobilized by the quake our second shrieker was able to talk on her mobile, avoid all the wrecks, and the pursuer was equally immune from the chaos. Like the first scene, it was a mercy when the poor girl perished.
Now, the ultimate destruction of the power plant was about as awful as the earthquake scenes.
Overall, perhaps the worst movie I have ever seen.
From the first scene, one had to wonder just what sort of production this was going to be. Thank goodness the bad guys shot that hysterical shrieking greenie - her acting was just too much to bear. I think we were all wanting to do that ourselves.
The earthquake scenes were so drawn out and repetitive, and the props so fake.
As for the first car chase, since when has every car involved in every car smash burst into flames?? (I think the German APCs did in Eagles Dare). The second car chase, when every car in LA was immobilized by the quake our second shrieker was able to talk on her mobile, avoid all the wrecks, and the pursuer was equally immune from the chaos. Like the first scene, it was a mercy when the poor girl perished.
Now, the ultimate destruction of the power plant was about as awful as the earthquake scenes.
Overall, perhaps the worst movie I have ever seen.
i saw this film and couldn't not tell you what it was about. It is very poor.
Dylan Walsh (who played Nash) appeared to me wooden and showed no sign of emotion whatsoever. He looked like he found himself on the film set but did not know why he was there nor what he had to do. He was supposed to play a journalist who was also a heart-throb (I DON'T THINK SO!!! - NO WAY) and having woman fall at his feet. What a joke!
Alison Eastwood looked bemused and no wonder (Dean Cain (who is a heart-throb) was set to play 'Nash' but for some reason he did not take the part - a very wise guy indeed) finding herself faced with a completely different co-star to Dean, who wouldn't look bemused.
My main concern with this film was that Nash (Walsh) spent most of his time spying on various people and getting caught. He was then in a fight and every time he seemed to be beaten pretty badly BUT SHOWED NO SIGNS WHATSOEVER OF ANY INJURIES (THIS INCLUDED FALLING ABOUT 20 FEET AND STILL GETTING UP WITH NO SIGNS OF INJURY) doesn't this send the wrong message to people, in that you won't be hurt whether you fall 20 feet or are beaten pretty badly.
My advice watch something else.
Dylan Walsh (who played Nash) appeared to me wooden and showed no sign of emotion whatsoever. He looked like he found himself on the film set but did not know why he was there nor what he had to do. He was supposed to play a journalist who was also a heart-throb (I DON'T THINK SO!!! - NO WAY) and having woman fall at his feet. What a joke!
Alison Eastwood looked bemused and no wonder (Dean Cain (who is a heart-throb) was set to play 'Nash' but for some reason he did not take the part - a very wise guy indeed) finding herself faced with a completely different co-star to Dean, who wouldn't look bemused.
My main concern with this film was that Nash (Walsh) spent most of his time spying on various people and getting caught. He was then in a fight and every time he seemed to be beaten pretty badly BUT SHOWED NO SIGNS WHATSOEVER OF ANY INJURIES (THIS INCLUDED FALLING ABOUT 20 FEET AND STILL GETTING UP WITH NO SIGNS OF INJURY) doesn't this send the wrong message to people, in that you won't be hurt whether you fall 20 feet or are beaten pretty badly.
My advice watch something else.
Você sabia?
- Erros de gravaçãoDuring the car chase, two cars hit head to head and the bad guy's 4x4 hits them, is thrown in the air, and is clearly seen to come down hard on the front end. We see the front right wheel buckle and break off the axle. Moments later it's chasing our hero.
- ConexõesEdited from O Inferno de Dante (1997)
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Detalhes
- Tempo de duração
- 1 h 40 min(100 min)
- Cor
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