AVALIAÇÃO DA IMDb
6,1/10
3,5 mil
SUA AVALIAÇÃO
Uma tentativa de assassinato fracassada em Harbin, na China, em 1909 muda o curso da história. Agora, dois agentes da JBI devem encontrar as conexões entre isso e um artefato coreano antigo.Uma tentativa de assassinato fracassada em Harbin, na China, em 1909 muda o curso da história. Agora, dois agentes da JBI devem encontrar as conexões entre isso e um artefato coreano antigo.Uma tentativa de assassinato fracassada em Harbin, na China, em 1909 muda o curso da história. Agora, dois agentes da JBI devem encontrar as conexões entre isso e um artefato coreano antigo.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 5 vitórias e 12 indicações no total
Kim Gyu-ri
- Teacher
- (as Kim Min-seon)
Avaliações em destaque
2009 LOST MEMORIES (2002): Fantastic action thriller set in an deliberately-created alternate future in which Korea is just another Japanese state, and Koreans have largely lost their identity. A Korean-blooded, Japanese-named cop slowly realizes that the terrorists he's paid to wipe out are actually Korean freedom-fighters trying to restore the timeline to its proper state.
This film gets slagged nearly everywhere, so I defend it whenever possible. It's a big, loud, arguably overblown "blockbuster" that deals with a very sensitive subject: Korean identity. People have, I believe, unfairly examined and criticized this film on two fronts:
one, it's inherent patriotism, which is an element of Korean cinema that seems to alienate so many non-Korean viewers and yet is a fundamental part of the culture, probably more so than in any other Asian country (let alone much of the world). And two, the historical events behind its "science fiction," which nearly everybody I've read gets wrong. The key plot device of the film is NOT simply that Japan won World War II, but that the legendary Korean patriot Ahn Chung-gun FAILED in his assassination of Japanese foreign minister Ito Hirobumi in China in 1909 (thus, sort of, the point of the title being 100 years later). This single event is extremely important to the Korean culture and not only is their a gigantic memorial named after Ahn, but also a form of Tae Kwon Do. Looking these two names up on the internet greatly aids in understanding the deeper messages this film offers. I give it a 9.
This film gets slagged nearly everywhere, so I defend it whenever possible. It's a big, loud, arguably overblown "blockbuster" that deals with a very sensitive subject: Korean identity. People have, I believe, unfairly examined and criticized this film on two fronts:
one, it's inherent patriotism, which is an element of Korean cinema that seems to alienate so many non-Korean viewers and yet is a fundamental part of the culture, probably more so than in any other Asian country (let alone much of the world). And two, the historical events behind its "science fiction," which nearly everybody I've read gets wrong. The key plot device of the film is NOT simply that Japan won World War II, but that the legendary Korean patriot Ahn Chung-gun FAILED in his assassination of Japanese foreign minister Ito Hirobumi in China in 1909 (thus, sort of, the point of the title being 100 years later). This single event is extremely important to the Korean culture and not only is their a gigantic memorial named after Ahn, but also a form of Tae Kwon Do. Looking these two names up on the internet greatly aids in understanding the deeper messages this film offers. I give it a 9.
This movie has a semi interesting plot. Not very new or original, neither very bad or too obvious. As usual when it comes to South Korean popular movie industry the craftsmanship is next to flawless. The lighting and the scenery are beautiful, the soundtrack is very sentimental and bordering to über-cheese but that shouldn't be a surprise to anyone with the slightest experience in Asian movies. The acting is also good though the English dub doesn't seem to even try to do any lip sync and brings down the overall impression. The special effects are functional but not really that spectacular. Also, the action scenes have way to much slow motion for my taste. Though, I guess this is made in order to boost the sense of patriotism. And, this is where I have my main criticism.
It contains about all components of the propaganda the nationalistic parts of South Korean society likes to flatter itself with. Embarrassingly obvious, even more than usual. North and South Korea are united because they really are brothers. No Korean would harm another Korean. Japan is an enemy, has always been and will always be. Japanese people are not to be trusted, not even those you consider close friends. The Korean on the other hand are brave and self sacrificing with a pure heart. The key to the entire plot comes from the superior ancient culture and system of worship from the Korean peninsula. There are so many subtle details that are being pushed in that mean really a lot if you have an understanding of Korean culture, like the Korean main character has become so Japanese he doesn't even eat Kimchi (!).
I agree that the patriotism is so much an undisputed part of Korean culture even today that it should not come as a surprise, and I have enough experience of South Korea to be very aware of this when watching this movie. The problem here is that this script is so saturated with nationalistic propaganda that I feel it being written for this very purpose. It can sometimes lead to (umm...) interesting results, though seldom to properly good ones.
It's the equivalent of the American action movie where all baddies have a "foreign" accent, smoke cigarettes and the bad guy boss has a hint of latent homosexuality. Just translate those components into Korean values. Enjoy it as no-brainer entertainment for killing some time, or more interestingly for understanding the components of Korean nationalism and the grudge toward Japan in a commercial movie production. If you want to see a really good Korean movie, for there are lots of them, pick another one.
It contains about all components of the propaganda the nationalistic parts of South Korean society likes to flatter itself with. Embarrassingly obvious, even more than usual. North and South Korea are united because they really are brothers. No Korean would harm another Korean. Japan is an enemy, has always been and will always be. Japanese people are not to be trusted, not even those you consider close friends. The Korean on the other hand are brave and self sacrificing with a pure heart. The key to the entire plot comes from the superior ancient culture and system of worship from the Korean peninsula. There are so many subtle details that are being pushed in that mean really a lot if you have an understanding of Korean culture, like the Korean main character has become so Japanese he doesn't even eat Kimchi (!).
I agree that the patriotism is so much an undisputed part of Korean culture even today that it should not come as a surprise, and I have enough experience of South Korea to be very aware of this when watching this movie. The problem here is that this script is so saturated with nationalistic propaganda that I feel it being written for this very purpose. It can sometimes lead to (umm...) interesting results, though seldom to properly good ones.
It's the equivalent of the American action movie where all baddies have a "foreign" accent, smoke cigarettes and the bad guy boss has a hint of latent homosexuality. Just translate those components into Korean values. Enjoy it as no-brainer entertainment for killing some time, or more interestingly for understanding the components of Korean nationalism and the grudge toward Japan in a commercial movie production. If you want to see a really good Korean movie, for there are lots of them, pick another one.
In an alternate time-line, in the near future(with some nifty tech), a young cop finds himself questioning why he and his men are fighting a group of... well, are they terrorists or are they freedom fighters? The story-line is nice and does get resolved, if there are subplots and events that either don't affect anything or, at least to me with my Western eyes, looked strange and unexplained. Maybe it would help if I knew more about Korea, because this is definitely a jingoistic piece on there, from there. Japan has taken over the aforementioned country, and is suppressing their independence. This leads to some melodrama, and though the two hour, 14 minute running time sans credits would be shorter if these instances were mercifully removed, this does really get to you, you find yourself caring and feeling the impact of bullets, and the grip of tension. The acting is pretty good. I watched this with subtitles, not dubbed, and while I had to read along to understand what they were saying, the power of the way they deliver the lines came through quite clearly. The action is all shoot-outs, it's quite well-choreographed, it's stylized(with slow-motion, and "frame-chopping") and it's cool. This has some well-done visuals. The FX are reasonable. There is a lot of bloody violence in this. The DVD comes with 8 and a half minutes of behind-the-scenes footage and four trailers. I recommend this to fans of Asian cinema, and John Woo type flicks. 7/10
This movie is the newest success of the rising Korean film industry. It's got drama, plot, action, emotions, and nice acting all rolled into one, on the background of a fantastical assumption on a twist of real history.
Note on the title. The setting is the year 2009, and the film is based on the assumption that Korea is still a colony of Japan, as it had been for the past 100 years, because a single assassination attempt back in 1909, which succeeded in real life, failed and changed the whole course of history for the past 100 years in this alternative story. A Korean-born special agent tries to set the history right, and his colleague, a Japanese-born and a friend of his, tries to stop him.
Although made in Korea, dialogues are about 70% Japanese, and you have to have some knowledge in the history of the two countries to fully understand this movie, but the setting and basis is very imaginative and fascinating, that anybody can appreciate it. The two stars of the movie, Dong-Kun Jang and Toru Nakamura, who are Korean and Japanese in real life, are very fine, and make up a nice team. The action scenes, which are plenty in this movie, are nicely choreographed and serve to contribute to the story. I thoroughly enjoyed this movie. The Korean film industry is growing, so the next time you catch a Korean movie, it could be this one!
Note on the title. The setting is the year 2009, and the film is based on the assumption that Korea is still a colony of Japan, as it had been for the past 100 years, because a single assassination attempt back in 1909, which succeeded in real life, failed and changed the whole course of history for the past 100 years in this alternative story. A Korean-born special agent tries to set the history right, and his colleague, a Japanese-born and a friend of his, tries to stop him.
Although made in Korea, dialogues are about 70% Japanese, and you have to have some knowledge in the history of the two countries to fully understand this movie, but the setting and basis is very imaginative and fascinating, that anybody can appreciate it. The two stars of the movie, Dong-Kun Jang and Toru Nakamura, who are Korean and Japanese in real life, are very fine, and make up a nice team. The action scenes, which are plenty in this movie, are nicely choreographed and serve to contribute to the story. I thoroughly enjoyed this movie. The Korean film industry is growing, so the next time you catch a Korean movie, it could be this one!
LOST MEMORIES is the second South Korean time travel movie I have seen. I don't know if there has been others, but I'm only familiar with this one and the romance IL MARE.
Time travel movies are risky, and the plot invariably gets badly convoluted in an attempt to explain everything. Some films just ignore explanations, but the good ones take the chance. LOST MEMORIES uses a more "parallel world" angle, but it's still all about time travel.
Don't let the South Korea/Japan collaboration fool you. The film is all South Korean, with nearly every single Japanese character coming across as incredibly evil. Cartoonishly so, in fact. If not for this, I would have given LOST MEMORIES a better grade. AS it stands, it's just too cartoonish, too crude, and too loud for its own good. Also, the music is quite terrible.
The best part of the film is the leading male, who seems to be channeling Chow Yun Fat. An incredible starring turn, and I look forward to seeing him in other movies.
6 out of 10.
Time travel movies are risky, and the plot invariably gets badly convoluted in an attempt to explain everything. Some films just ignore explanations, but the good ones take the chance. LOST MEMORIES uses a more "parallel world" angle, but it's still all about time travel.
Don't let the South Korea/Japan collaboration fool you. The film is all South Korean, with nearly every single Japanese character coming across as incredibly evil. Cartoonishly so, in fact. If not for this, I would have given LOST MEMORIES a better grade. AS it stands, it's just too cartoonish, too crude, and too loud for its own good. Also, the music is quite terrible.
The best part of the film is the leading male, who seems to be channeling Chow Yun Fat. An incredible starring turn, and I look forward to seeing him in other movies.
6 out of 10.
Você sabia?
- CuriosidadesBok Geo-il, author of the source novel Bimyeong-eul Chajaseo ("Looking for an Epitaph") (1987), refused to be associated with the finished product, and successfully sued the film-makers to have his name removed from the credits.
- Erros de gravaçãoWhen Sakamoto dives behind the couch you can see that next to his gun holster, on the back of the couch, there is a mound exactly where the squib for the gunshot is going to go off.
- ConexõesReferences Uisa Ahn Jung-geun (1972)
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Detalhes
Bilheteria
- Orçamento
- US$ 7.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 12.049.825
- Tempo de duração
- 2 h 16 min(136 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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