Peso Morto

Launched in the Spring 2002 in France, "le boulet" was hugely successful (more than 3 million of spectators in the French theaters). Why? This success remains both mysterious and unexplainable because Alain Berbérian's movie's got every conceivable fault, every fault imaginable so that you can name it: the perfect load of rubbish. It consists on an uninspired and hackneyed script with threadbare topics. Dialogs that aren't very worked and a poor directing that emphasizes too much on special effects.

But above all, "le boulet" is a bad movie because it borrows mostly elements or sequences from a lot of French movies. Thus, you find traces of "la cité de la peur" (1994) made by the same director, always Berbérian. But you also think about "la soif de l'or" (1993) and "la grande vadrouille" (1966) both made by Gérard Oury. Even the duo of characters with opposed disposition (here, we deal with the frail Poelvoorde and the heartless Lanvin) and who are however compelled to work together isn't original. Indeed, this comic device had been already used (and brilliantly) by Francis Veber. You only have to watch "la chèvre" (1981) or "les fugitifs" (1986) to realize it.

With this poor movie that looks hollow, we deal with a very serious situation: it would appear that French comedy is declining...

I didn't expect to but I liked the film very much. Granted, buddy films have been done one million times, but rather than try to put a new twist on an old theme, this one simply had fun with it. A cheerfully kooky film, with some really well-executed stunts (loved the "It's TURK, not KURD" shootout and the chase scene--nice to see a Peugeot stand in for an Aston Martin for a change), a wild set of plot twists, snappy dialogue, exotic locations. I genuinely enjoyed the Malian prison warden--very funny especially during the (brief) watch scene. I honestly laughed a lot. It's just a well-done, clever, fresh little buddy flick. Sit back and enjoy it.

"Le Boulet" has been brought out on DVD in the Netherlands with the title "Rally"! This title is a reference to the race (Paris-Dakar)being held in Afrika! IMDb didn't recognize this title,so I guess they made this title up for the dutch market! From the cover I expected something like "Taxi" but wasn't sure. But I got more!This movie surprised me totally! It is shown that the actors in the movie really had fun making this movie! So much is happening in this movie and never gets boring! I laughed a lot while watching this movie and enjoyed the action! The main character is a real idiot and drives his reluctant partner in crime totally mad! I don't understand why many reviewers didn't like this movie! Because this one is really funny and even delivers on some great stunts and action! Pure fun!

I recently saw this movie on an airplane. I watched it on a tiny 4inch screen (100mm) and had to read subtitles all the way through. It was a hilarious film. If the creators were trying to make a serious blockbuster film, they missed the mark. But I looked to me like they were out to make a fun film that just got crazy at times. This they did. Even reading subtitles, I laughed out loud several times (not a good idea on a crowded plane, btw). Now it is possible that it was because I was in a confined environment with little or no outside stimulii for 8 hours that I found this piece highly entertaining, but I still have to rate this a 7 or 8 outta 10 for entertainment value. Look for it. (Probably not on a North American screen though...)

The movie starts well, fast-paced. With Reggio beeing slightly idiot, and Moltès the hard guy you may get a little Taxi feeling. Then the whole thing turns to a bad comedy as the two became fake black guys, and old James Bond bad guy appears. And the end.... A comedy always ends with happy-end, but they loose all their money (sloooowly, while the cast&crew displayed), and it's over. Gérard Lanvin, Benoît Poelvoorde and José Garcia play well, the rest is forgettable. Matte painting and 3d effects are also on low budget, even a child could spot them.