Albergue Espanhol

friendship, ages, community, small human map of E.U., French style to present a world far of limits , delicate feelings, reflection in the others, love, adventures, common existence, trips, joy, search of sense, invention of experiences and sentimental connections. a film about evolution and self definition. nothing complicated. but profound analyse of escapes, dreams and importance of gesture as skin of words. a picture of young people as picture of a very strange and, in same measure, common, Europe. a message of hope. with crumbs of courage, sentimental complications, personal problems, need of friends and importance of meeting. the first virtue - its fresh seductive air. the second virtue - its art to be perfect mirror of a generation. the last virtue - unspoken words, mixture of realism and poetry and the waters of emotions. a love story. for a continent as part of its citizens.

I have long been torn between Madrid and Barcelona, the former a dignified repository of old Spanish architecture and customs (a Catholic parade at 11 PM!) and the latter a Ramblas-rambunctious splash of youth and energy (Oh, that Olympic harbor!). Cédric Klapisch's `L'Auberge Espagnole'(`Euro pudding') now tips the scales to Barcelona for me as I watch a group of 20 somethings negotiate life in a communal apartment. They represent the emerging melting pot of Europe, learning each other's language and purging themselves of racism and sexism. The film is alive with change.

Protagonist Xavier (Romain Duris) is moving from Paris (a city against its type here-repressive and decidedly unromantic) to Barcelona for a year in order to qualify for a business job that demands immediate experience in Spain. Leaving his girlfriend (Audrey Tautou) and his hippie mother behind, he witnesses love in forms his shy French persona would have never encountered, including adultery and lesbianism. That he will be different, more urbane and wise, is preordained by the decision to move; that the director wishes us to see the allegory of a polyglot Europe is all too obvious.

But the photography through the narrow streets, even in the barrios, is muscular and lyrical, especially when it takes us all to the top of the Gaudi Cathedral to survey the messy world below (Xavier eventually comments the world is `badly made').

Beyond my affection for Spain, this film reaffirms for me the salutary effect travel has on the uncertain heart. After one year on his own, Xavier is ready to make a serious decision, but not about Paris vs. Barcelona-it's whether the corporate world that started this string of events is the one he wants or the artful one in his heart. Tennyson's Ulysses says, `I cannot rest from travel.' Xavier, on the other hand, found his rest in travel.

The first thing I wanted to do after watching this film was watch it again (because I'd missed lots with all the laughing I did). I'm European and I've studied abroad and I've as good as lived with Spanish, french, Italian and German people. The film was full of stereotypes, which, more often than not, p*** people off, and reading some of the other reviews I see that it did p*** people off. But, this film gets the stereotypes so right I cannot fault it. Except for maybe the way the french guy became a drunken party animal. The English guy was the perfect "geezer" stereotype. Drunk, annoying, insulting but shines through in the end. As well as the stereotypes the film also got the emotional aspect of studying abroad correct. At first he's shy, doesn't know anybody, misses home, doesn't know his way around. As time progresses it becomes his home and when the time comes to leave, it is extremely difficult. A feeling people can only understand if they've experienced it. I highly recommend this film.

There are a few things in life that we can't experience more than once and the college experience is one of them. Especially if we're living in a foreign country and in a apartment with 6 wackos from 6 different countries. Xavier the main character leaves his tidy life in Paris, his ex-hippy mother and his beautiful girlfriend and goes to Barcelona to study spanish in order to get a job at the embassy. He falls in love with the wife of a french doctor and he makes friends that make him look at things differently. When Wendy's brother (Wendy is one of the room mates) comes from England the film starts to become a lot funnier. Well anyway, Xavier starts to see things differently with all his new friends and he probably lives something he will never forget and will change his life forever. Overall a very nice nostalgic film, which becomes even more interesting because of the multinational cast. I thought it was very interesting that you could see all these kids from different countries, all of them speaking different languages and having different cultures get along with each other and fun. I gave it a 9 out of 10 because I left the theatre with a smile on my face and thinking about things I haven't done yet while I'm still in college and would want to do before it's too late.

One of the biggest French success of the year 2002, "l'auberge espagnole" was also very well greeted abroad which is quite extraordinary for a French film. It is not difficult to define the reasons of this success. This movie made by one of the most interesting French film-makers of these last years, Cédric Klapisch, presents students coming from all over Europe and gathered all together under the same roof in Barcelona. These students are described like the ones you imagine or you see in everyday life: either untidy, either serious or with a sense of humor. I guess that if the movie worked so well, it is because a lot of students must have recognized themselves in the main characters' portraits and especially Xavier's.

We follow the movie and so his experience abroad as an Erasmus student through his eyes. Xavier is really an ordinary student with his qualities, his faults. An intelligent making with quite a lot of ingenious ideas perfectly expresses his lost mind and his anxiety about the world and being an Erasmus student. On that subject, the best examples can be found in two sequences. The first one is when Xavier asks a woman at university for the papers he has to send to prepare his DEA. When the same woman informs him about the different necessary procedures, all the papers appear on the screen when she is naming them! In the next sequence, Xavier's voice-over confides to the spectator his vision of the modern world. Now, where to find the second example? Well, the scene where Xavier has a thorough medical examination during which Klapisch films his visions is widely sufficient to speak of itself.

Moreover, the director wasn't really interested by his main character's studies. He left this point low-key. He rather put a lot of effort into Xavier's private life, of course, in his love affair with Anne Sophie but also and especially in his relations with his fellow tenants. It is a real friendship story that Klapisch shows us with its moments of happiness but also its arguments and its tensions. Through Xavier's adventure and at the end of his stay, he will have been initiated into life which will make him more mature. The message that the author wanted to transmit isn't difficult to guess. You naively believe that you live in an untidy and complicated world. You mustn't give up but intensively search to get what you want even if it is difficult.

Apart from this, we could also fear that with the topic, Cédric Klapisch wouldn't avoid a trap: the clichés. Let's be frank about it: they are included in the screenplay but the director does his best not to spread them too much in his movie. Then, the screenplay contains convenient and predictable moments: at the airport and before boarding we see Xavier shedding a tear after he left his family. But fortunately the shortcomings of the script stop here. Quite funny dialogs and cool young actors perfectly at ease in their roles make up the whole.

In spite of its weaknesses, "l'auberge espagnole" is to be taken for a success in the movie of young people. Besides, the whole atmosphere it brings out lets us think that this movie is directed primarily to a young audience. Ultimately, the end of the movie and its big success let us suggest that Klapisch succumbed to a fashion that goes right for American cinema: the elaboration of sequels. And indeed, the film-maker currently works on a sequel entitled "les poupées russes". Let's hope that it will be as good as "l'auberge espagnole".