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Best surprise I've had in a long time: funny, sweet, and just well, good. It's not crude, or rude ('cept for a couple of obligatory phallic jokes and a couple of swear words) : it could be Rowan Atkinson in the title role. Here Steve Coogan, for my money, leaves behind the skewering satire and parody that made him a household name and a cult figure on UK television, and by half way through the film develops a character that you root for 100%

Nice storyline, a fun caper, and mixed bag of personalities make this a much better mix than expectations might lead you to believe.

I love Ealing Comedies, and good British comedies like Brassed Off, and thought the recent US remake of the Ladykillers was just about everything you don't want a crime comedy movie to be...

... the thing about the Parole Officer is that it is simply enjoyable; it has great pace, some tension and thrills, good laughs, with enough silliness, and ideas to keep it afloat; but it also has a sweet heart and a decency at its center. We thoroughly enjoyed it: especially the last hour: once Coogan stops trying to prove he can develop figures only to poke fun about - he becomes a really likable character - and that's no bad thing.

It's fun - pure and simple - which is a quality sadly lacking in films these days. Definitely worth viewing.

After mediocre initial reviews, this film could become a cult classic.

It's a 'perfect crime' comedy with hints of 'A Fish called Wanda', and different people will take different things from it. There's high-level slapstick, satire/parody and a lot of Steveish in-humour for die-hard Coogan fans.

The entire plot is unbelievable to a farcical extreme, and every character other than Simon Garden suffers from a lack of depth, but then this was always going to be a Coogan vehicle (Rover 75 V6 with Walnut dash, perhaps) and he makes the transition to big screen star successfully, if reluctantly.

I suspect that as Coogan matures as an actor and relaxes into mainstream life, the Parole Officer's reputation will retroactively improve and in ten years time, this will be seen as a classic British comedy.

Steve Coogan has arguably been the funniest man on British television in recent years. His rise from Spitting Image voice and impressionist to the inventor of classic character comedies involving Alan Partridge, Paul and Pauline Calf and the like has been unrivalled, taking in tv shows like The Day Today and long runs in West End theatre.

Surely transposing this impressive track record to the big screen would prove no difficulty at all? Well, it does. Perhaps it is judging this film in light of Coogan's previous output, but I was expecting more frequent laughs and more outright comedy, rather than falling into the typical English track of delivering a gentle, amusing tale that is charming but ultimately forgettable.

The plot, involving Coogan's failed parole officer who witnesses a murder and is subsequently framed by a corrupt police officer, is all well and good. There are several comic moments, including the now infamous rollercoaster scene.

Somehow however the characters are not strong enough (Coogan himself is most guilty here) and the laughs insufficiently hearty. I expect the appeal of the film will be limited outside of the UK.

There are some laughs and some entertaining dialogue in a low budget film, which survives harsh criticism, because Steve Coogan carries the rest of the cast along with his Cluesoesque ability to get it right without really knowing what he is doing. This is really for Partridge fans.

You've seen similar plots, characters, tension/release "will the good guys prevail against unbelievable odds" elements if you've seen any movies at all. But you probably haven't seen too many lead characters like Steve Coogan's rather ungifted parole officer in this.

Coogan specialises in 'little' English characters (though quite a diverse range over his career) - graceless, irritating, of terrific drive but little achievement, and prone to finding the greatest possible embarrassment and humiliation in any situation. They're somewhat like Michael Palin's favourite type of characters (if you know Eric Olthwaite from the TV series "Ripping Yarns" that's probably one of his) but Palin had more affection for them as a rule.

Somewhat unusually for Coogan he displays a certain affection for his parole officer here - he has his triumphs - but this is a more conventional kind of entertainment than Coogan is normally prone to.

It really is just a feelgood comedy caper movie, with a stand-out lead character, but the feelgood stuff is done pretty slickly, and the protagonist is invariably hilarious - Coogan is funny every time he puts himself at the centre of a scene.

I can understand why other long-term Coogan fans are surprised or disappointed about the conventional nature of this movie, as opposed to his TV work. But I think "The Parole Officer" achieves everything it intended to. Steve Coogan is an exceedingly talented man.