Quo vadis
- 2001
- 2 h 45 min
AVALIAÇÃO DA IMDb
5,7/10
2,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaMarcus Vinicius falls in love with Lygia, but she's Christian. Marcus kidnaps her, but Ursus captures him. After meeting Nero, he returns to Rome to find Lygia.Marcus Vinicius falls in love with Lygia, but she's Christian. Marcus kidnaps her, but Ursus captures him. After meeting Nero, he returns to Rome to find Lygia.Marcus Vinicius falls in love with Lygia, but she's Christian. Marcus kidnaps her, but Ursus captures him. After meeting Nero, he returns to Rome to find Lygia.
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- 4 vitórias e 2 indicações no total
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Avaliações em destaque
This movie impressed me greatly. Seeing the grand coliseum scenes, movies like Gladiator feels like cheap imitations.
Excellent acting, pacy, and sensitive, I consider Quo Vadis on par with UNDERGROUND, the Emir Kusturica classic.
Hope a wider audience can catch this in theaters, even a DVD wont pay justice to the wonderful sets, costumes etc. I saw this in the Polish film festival in Chicago.
Excellent acting, pacy, and sensitive, I consider Quo Vadis on par with UNDERGROUND, the Emir Kusturica classic.
Hope a wider audience can catch this in theaters, even a DVD wont pay justice to the wonderful sets, costumes etc. I saw this in the Polish film festival in Chicago.
During 63 a.d. Roman , a prefect official named Marco Vinicio returns from war and he get home his uncle Petronio , friend of emperor Nero . Vinicio confesses him he is enamored Ligia , a mysterious and virginal young whom has known in the Aulus Paucius's home . Marcus Vinicius meets Lygia in Rome and falls in love . But she is Christian and doesn't want anything to do with him . In a party Vinicio tries to utilize to Lygia but she is helped by Ursus who carries her at a place of Christ's supporters . Later on , Christians are accused of burning ancient Rome . Vinicio risks his life to save his lover .
The motion picture is a larger than life production upon Nero and the Christians persecutions with lots of crowd scenes . It's realized on a giant scale with moving fighting scenes , dramatic scenes , spectacular sequences and bloody gladiator combats in the arena and lions attacks and Christian martyr . Depraved emperor want to get rid and he orders use like meat for lions and burn them on stakes . The Polish cinema's first great financial success but with unknown actors for general public although allegedly are famous in Poland . The picture is profitable by public tendency for ¨sword and sandals¨ genre re-initiated by ¨Gladiator¨ . The film is a definitive version of the classic novel by the Polish Henryk Sienkiewicz (Nobel prize winner) . Special mention to enjoyable music score by Jan Kaczmarek (Oscar winner for ¨Finding Neverland¨). The movie obtained three ¨Eagle Award¨, the greatest prize of Polish cinema , to the best gowns , production design and support cast. The motion picture was well directed by Jerzy Kawalerowicz (Pharaoh) . Rating : Good and entertaining.
The motion picture is a larger than life production upon Nero and the Christians persecutions with lots of crowd scenes . It's realized on a giant scale with moving fighting scenes , dramatic scenes , spectacular sequences and bloody gladiator combats in the arena and lions attacks and Christian martyr . Depraved emperor want to get rid and he orders use like meat for lions and burn them on stakes . The Polish cinema's first great financial success but with unknown actors for general public although allegedly are famous in Poland . The picture is profitable by public tendency for ¨sword and sandals¨ genre re-initiated by ¨Gladiator¨ . The film is a definitive version of the classic novel by the Polish Henryk Sienkiewicz (Nobel prize winner) . Special mention to enjoyable music score by Jan Kaczmarek (Oscar winner for ¨Finding Neverland¨). The movie obtained three ¨Eagle Award¨, the greatest prize of Polish cinema , to the best gowns , production design and support cast. The motion picture was well directed by Jerzy Kawalerowicz (Pharaoh) . Rating : Good and entertaining.
Jerzy Kawalerowicz's Quo Vadis is a great adaptation, based on the novel by the Nobel Prize winner, Henryk Sienkiewicz. This is one of those films which make you wonder: What are our priorities in life? You cannot just leave the cinema and go back to reality and forget what you've seen. Wonderful acting is an unquestionable virtue of this Quo Vadis. Saint Peter played by Franciszek Pieczka, is not the esteemed, serious Saint Peter we can see on paintings or sculptures in churches, he's not this stern guardian at heaven's gate, the one who keeps the key to heaven. Ke is an eye witness of Christ's life and death, and he is a sage you may ask for advice in difficult moments of your life. He is one of us - the man who understands the love of young people - Marek and Ligia, and doesn't find anything wrong in it.
Jerzy Trela, in my opinion, in the role of his lifetime as Chilon, starts off as a comic character, as a cheater, plotter, unscrupulous liar, who isn't afraid to bertray people causing their death. For such a role, so comic and tragic, a great actor is needed. Jerzy Trela is undoubtedly a wonderful artist, the right actor for this role. I was crying with laughter at the beginning, and of emotion at the end of the film, watching his Chilon Chilonides.
A good idea, I think, was giving the role of Neron to a singing actor, Micha³ Bajor. This red-haired artist created a wonderful character, despite the role being so difficult. His musical and singing talents were spot on this film.
The best female performance was Ma³gorzata Pieczyñska's role of Acte, the only woman who really loved Neron - a love expressed so convincingly.
A breathtaking scene is the fight between Ursus (Rafa³ Kubacki) and the bull, especially, considering there were no computer or other special effects. Although Rafa³ Kubacki clearly isn't a professional actor, his fighting skills and sheer on screen power are worthy of respect.
Quo Vadis isn't a Hollywood style film. This film is not like Cleopatra or Gladiator. Comparing Quo Vadis to these films is a pointless exercise. The only thing these films have in common is the place of action: ancient Rome. The rest is quite different. The last scene of the film (I hope you will watch this film, and see this scene) begs the question: "Quo Vadis XXIst century world?"
Jerzy Trela, in my opinion, in the role of his lifetime as Chilon, starts off as a comic character, as a cheater, plotter, unscrupulous liar, who isn't afraid to bertray people causing their death. For such a role, so comic and tragic, a great actor is needed. Jerzy Trela is undoubtedly a wonderful artist, the right actor for this role. I was crying with laughter at the beginning, and of emotion at the end of the film, watching his Chilon Chilonides.
A good idea, I think, was giving the role of Neron to a singing actor, Micha³ Bajor. This red-haired artist created a wonderful character, despite the role being so difficult. His musical and singing talents were spot on this film.
The best female performance was Ma³gorzata Pieczyñska's role of Acte, the only woman who really loved Neron - a love expressed so convincingly.
A breathtaking scene is the fight between Ursus (Rafa³ Kubacki) and the bull, especially, considering there were no computer or other special effects. Although Rafa³ Kubacki clearly isn't a professional actor, his fighting skills and sheer on screen power are worthy of respect.
Quo Vadis isn't a Hollywood style film. This film is not like Cleopatra or Gladiator. Comparing Quo Vadis to these films is a pointless exercise. The only thing these films have in common is the place of action: ancient Rome. The rest is quite different. The last scene of the film (I hope you will watch this film, and see this scene) begs the question: "Quo Vadis XXIst century world?"
I thought this was one of the most beautifully filmed movies I've ever seen. I found it much more visually interesting than the earlier Hollywood version, and a lot more sly maneuvering is shown, making it more than a simple love story. I thought it showed considerable character development and made me want to learn more about that period in early Christianity.
Like summary states Polish is out of my leauge....but this quite wonderful movie isn't for me or any epic movie fan. VERY well done..with great sets,costumes and visuals. (I think the cinematography is beautifully done) The main characters look right and knowing the 1951 version of "Quo" as I do, I can follow their actions easily. In fact their appearance seems to make them more believable than previous versions of the movie.Sequences set in the "Circus" are realistic and in final scene closer to the novel. The entire movie is pretty wonderful and I think it's $18 million dollar budget shows. It's lavishly done. A worthy successor to MGM's version. Best, Mike M.
Você sabia?
- CuriosidadesNever given a wide release in the U.S., its only engagement (so far) in the U.S. was in Los Angeles, California, in 2002. The film has also never been shown on U.S. cable television.
- Erros de gravaçãoIn the final episode the Emperor Nero is fleeing Rome, afraid of being killed by the mob or the new Emperor Galba. He attempts to hide in a thicket of prickly pear cactus and agave plants, both of which are native to the Americas and unknown in Europe until the 1500s, approximately 1450 years after Nero's death.
- Versões alternativasOn December 25, 2003 the first channel of Polish public television aired first episode of the television version of the movie. It contains of six episodes and is more than 100 minutes than the theatrical edition. Many scenes, previously deleted, were included in the mini-series.
- ConexõesVersion of Quo Vadis? (1901)
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Quo Vadis Domine
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Bilheteria
- Orçamento
- US$ 18.000.000 (estimativa)
- Tempo de duração
- 2 h 45 min(165 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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