Instintos Diabólicos

"I am Dina" has a lot of good actors. Many of them are not as familiar with the English language. That makes the acting a bit stiff. The main characters, however are doing fine. Dina is played with a lot of heart and passion. The story is true to the book, but tries to say too much in too little time. The depth is created by the actors, in each scene, not by the writers. The setting and the costumes are wonderfully balanced. There are not too many panoramic views and colorful costumes. Everything is carefully balanced, as to not steal focus from the intense acting. I´m especially impressed with Hans Matheson, who plays Tomas, the stableboy. The scenes with Tomas and Dina are very intense and powerful. There is an energy between them, that reaches all the way to the back rows of the theater

I don't really like to write reviews but I've read the one for this particular movie and I can't let others read it and think the movie is as bad as it is accused of being.First of all I've read the book by Herbjorg Wassmo and there is a reason why the original dialog is "my momma left me",Dina is after all like a child.The film simply emphasizes the same aspects as the book.The acting is not at all bad,Maria Bonnevie is simply great,intense and embodies the exact spirit of the wild gray-eyed flamboyant teen.An 18-year-old woman with eyes as old as stones.If you have the opportunity to watch it I strongly recommend you do because it can change your perception on life.You find yourself asking do the people around me exist or is the world full of insipid people who I should look through? Dina's character is simply magnetic and you can't help not being attracted to her and hating those who get to be around her while you can't.I especially enjoyed the scenes where she plays the cello,seeing her hold it between her thighs,seeing her possess it like she does with everything from her horses to men.And some of the most enjoyable scenes are the ones where Dina is either in the presence of Lorch or Tomas,fascinating characters themselves each addicted to Dina in his own way.I loved this movie and I wouldn't recommend it if I wouldn't know you will too.

This is a truly brilliant film. The storyline is fantastic; Herbjørg Wassmo is a very good author. The film is emotionally very strong, and some of the scenes are not for the faint hearted, but nevertheless it is worth seeing. The dialog is English, however most of the actors are not, it is evident that some of the actors are not used to using the English language in their line of work (not everybody goes to Hollywood) and therefore the accents are a bit off so to speak, but this does not make the film any less brilliant. It is my opinion that the actors have had the chance to show just how good they are at ACTING, rather than their ability to pronounce the English language. This is absolutely a film worth seeing, even if you're English and the actors are not!

First I was sick, then I was enthralled, in the end I was totally convinced that this is one movie worth seeing. I totally agree with other comments noting that the acting should have been kept in Norwegian, but alas, international budgets require international language.

But - but - the awkward phrases are soon forgotten when you're sucked into the powerful story of a psychotic Norwegian woman, battling with her past, the men around her and her own role in a very restricted provincial community. Dina is by no means the weakest woman potrayed on screen, rather her person will probably go over into film history as *the* strongest and most strong-willed female heroine ever in Scandinavian movie history.

The story's gaudy, vulgar, perverse and absolutely mesmerizing. I found myself hating this woman and yet feel very strongly for her. See it, and see if you agree with this uncompromising story.

Norwegian Herbjørg Wassmos bestseller is turned into an unorthodox costume drama by the director of "Night Watch", Danish Ole Bornedal. Overwrought, but fast paced drama tells the story of Dina, a young girl who was way ahead of her time, and her influence on the men in her life, her stern father (Floberg), husband Jacob (Depardieu, in great form), and Russian lover Leo (Eccleston, sporting as dubious a Russian accent as Sean Connery did in The Hunt for Red October...). Dina is played by Maria Bonnevie, who turns in a wild-eyed, over-the-top performance that is alternately frightening and fascinating (think Liv Tyler with a bad caffeine addiction). Major liabilities are the shifting accents, due to the film´s cast of mostly Northern European actors. This is a distraction, and would have worked better just sticking to Norwegian actors, but then, no one would probably go see "I Am Dina". Many Danish character actors appear in bit parts; you can spot them by their dodgy accents...although Sætter-Lassen and Mikkelsen stand out positively as cello tutor Lorch and the treacherous bookkeeper Niels. Beautiful locations and lush cinematography by Dan Laustsen, a Bernard Herrmann-inspired music score by Marco Beltrami help this a long way. Plenty of sex and violence that you wouldn´t find in a Merchant-Ivory working of the same theme, the film is more reminiscent in tone and execution to Luc Besson´s "Joan of Arc", but just as uneven.

Best scene has young Dina introduced to the magic of the cello. 6/10.