AVALIAÇÃO DA IMDb
6,4/10
11 mil
SUA AVALIAÇÃO
Um jogador idoso, em uma sequência de derrotas, tenta roubar um cassino em Monte Carlo. Mas alguém já avisou os policiais antes que ele pudesse fazer algo.Um jogador idoso, em uma sequência de derrotas, tenta roubar um cassino em Monte Carlo. Mas alguém já avisou os policiais antes que ele pudesse fazer algo.Um jogador idoso, em uma sequência de derrotas, tenta roubar um cassino em Monte Carlo. Mas alguém já avisou os policiais antes que ele pudesse fazer algo.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 1 indicação no total
Ralph Fiennes
- Tony Angel
- (não creditado)
Avaliações em destaque
I have seen every film directed by Neil Jordan. Being a big fan of his, I didn't want to miss this one. Well, it was the big disappointment of my life. This remake of Bob le Flambeur is horribly directed and acted. The last sequence is just about the best thing of this film, but as for the rest, it was just mediocre, at best.
The idea of putting together these many characters in the Riviera was probably a great thought, but then, the many actors of different nationalities and backgrounds prove to be a hindrance to the story. If one can get over the accent problem, then there is the sound track of this film, which was so hard to hear at all, at least in the theater where I saw it, that you have a double hurdle to get over.
Nick Nolte with his hair dyed a carrot hue looks hideous; he probably was going through a bad period when he made this movie. His take on Bob is fitting with the character's spiral descent into hell because of his drug problem, no doubt. But he is also hard to understand since he whispers and mumbles most of the time. A little more clarity would have helped.
The last moments of the film are very well executed, but as caper films go, this picture doesn't contribute anything to the genre.
Sorry Mr. Jordan, better luck next time out. Maybe leave remakes to mediocre directors. You could not improve in the original one, so why even bother?
The idea of putting together these many characters in the Riviera was probably a great thought, but then, the many actors of different nationalities and backgrounds prove to be a hindrance to the story. If one can get over the accent problem, then there is the sound track of this film, which was so hard to hear at all, at least in the theater where I saw it, that you have a double hurdle to get over.
Nick Nolte with his hair dyed a carrot hue looks hideous; he probably was going through a bad period when he made this movie. His take on Bob is fitting with the character's spiral descent into hell because of his drug problem, no doubt. But he is also hard to understand since he whispers and mumbles most of the time. A little more clarity would have helped.
The last moments of the film are very well executed, but as caper films go, this picture doesn't contribute anything to the genre.
Sorry Mr. Jordan, better luck next time out. Maybe leave remakes to mediocre directors. You could not improve in the original one, so why even bother?
Heist movies are of two kinds: those where the heist is successful and end in some sort of bliss for the robbers (on whose side the viewers always are) and those where it fails and ends up in tragedy. The heist told in this movie belongs to a third kind because in my opinion it's neither successful nor unsuccessful like you will see in the end and understand why I am saying so. Nick Nolte does an excellent job in the role of a middle aged gambler, heister and drug addict who plans a robbery of valuable pictures in a casino in the south of France despite the fact that he is being watched by the police. The heist plan is very original indeed and it is based on a fake heist on one place while the real robbery will take place on another one. The end of the movie is bit confusing while mixing luck at gambling (in a rather unbelievable and unexplained way) with the success or failure of the heist itself. Well but it's a merry movie (except for the only death that occurs there)and Nick Nolte plays his part in a wonderful way.
This was a re-make of the 1955 film noir, "Bob LeFlambeur," which I also own. That was black-and-white and made in France while this is 2002 movie in color with English-speaking actors.
Usually I'll take the original over the re-make but not in this case....with one major consideration. In order to like this film, I had to play the DVD with the English subtitles on because many of the accents were just too tough to decipher and if you can't understand the dialog, it gets a bit frustrating. The story is confusing enough as it is, so, if you have a similar problem as I had, play this with the subtitles.
If there is such a thing as colorful film noir, this would be it, with many splashes of the neon nightlife of France, inside and outside.
Story-wise, if you're confused you are not alone. After two viewings, I still haven't totally figured out the twist at the end. The dialog tries to be snappy mid-40s Raymond Chandler stuff and sometimes it's great, other times it's affected. Overall, however, it 's fun. Nick Nolte delivers most of the clever lines. The young girl in here, Nutsa Kukhianidze, is intriguing new face, as was the case with Isabelle Corey in "Bob."
This movie gets a lot of negative reviews from professional critics. Don't trust them; give this a look.
Usually I'll take the original over the re-make but not in this case....with one major consideration. In order to like this film, I had to play the DVD with the English subtitles on because many of the accents were just too tough to decipher and if you can't understand the dialog, it gets a bit frustrating. The story is confusing enough as it is, so, if you have a similar problem as I had, play this with the subtitles.
If there is such a thing as colorful film noir, this would be it, with many splashes of the neon nightlife of France, inside and outside.
Story-wise, if you're confused you are not alone. After two viewings, I still haven't totally figured out the twist at the end. The dialog tries to be snappy mid-40s Raymond Chandler stuff and sometimes it's great, other times it's affected. Overall, however, it 's fun. Nick Nolte delivers most of the clever lines. The young girl in here, Nutsa Kukhianidze, is intriguing new face, as was the case with Isabelle Corey in "Bob."
This movie gets a lot of negative reviews from professional critics. Don't trust them; give this a look.
THE GOOD THIEF (3+ outta 5 stars)
Very good character study/caper film about a drug-addicted American criminal (Nick Nolte) in France who straightens himself out for one more Big Score. He in constantly under the watchful eye of a kindly police inspector who wants to stop him for his own good... so he hits upon a plan to devise a *fake* robbery to divert attention from the *real* one. It's a remake of an old French classic, "Bob La Flambeur" (which I haven't seen yet... so I may have a different take on this movie after I've seen the original). The cast (various character actors of different nationalities) is great... and Nolte portrays a very believable down-on-his-luck substance-abuser... but that may not be much of a stretch for him. Directed and written by Neil Jordan... it may not be one of his best movies ("The Crying Game", "The Butcher Boy") but it's still a fine piece of work.
Very good character study/caper film about a drug-addicted American criminal (Nick Nolte) in France who straightens himself out for one more Big Score. He in constantly under the watchful eye of a kindly police inspector who wants to stop him for his own good... so he hits upon a plan to devise a *fake* robbery to divert attention from the *real* one. It's a remake of an old French classic, "Bob La Flambeur" (which I haven't seen yet... so I may have a different take on this movie after I've seen the original). The cast (various character actors of different nationalities) is great... and Nolte portrays a very believable down-on-his-luck substance-abuser... but that may not be much of a stretch for him. Directed and written by Neil Jordan... it may not be one of his best movies ("The Crying Game", "The Butcher Boy") but it's still a fine piece of work.
"The Good Thief " is a classier one-last-great-heist film than "Ocean's 11," in a more exotic Riviera locale with grittier repartee and well-worn actors with many different accents.
The long-time camaraderie among crooks and cops is comfortably reflected, though much back story has to be stretched to explain why American Nick Nolte fits in.
Based on a 1955 French film I haven't seen, "Bob le flambeur," I don't know how much Neil Jordan changed from the original. It has the kind of twists and turns that has strangers in the audience turning to each other at the end to compare notes.
Really odd that Ralph Fiennes's cameo is uncredited, as he's terrific, and much more effective here as a leonine cynic than as a romantic in "Maid in Manhattan."
Most creative transsexual character since "Adventures of Priscilla: Queen of the Desert" and neat use of the Polish brothers.
Jordan resists another male fantasy until the end when Nolte finally pairs up with the seductive teen-ager who conveniently announces she has just turned 18 so he can't add statutory rape to his rap sheet. Oh, so then we're supposed to feel happy ever after.
Very nice world-weary multi-lingual soundtrack, including Serge Gainsburg and Leonard Cohen.
The long-time camaraderie among crooks and cops is comfortably reflected, though much back story has to be stretched to explain why American Nick Nolte fits in.
Based on a 1955 French film I haven't seen, "Bob le flambeur," I don't know how much Neil Jordan changed from the original. It has the kind of twists and turns that has strangers in the audience turning to each other at the end to compare notes.
Really odd that Ralph Fiennes's cameo is uncredited, as he's terrific, and much more effective here as a leonine cynic than as a romantic in "Maid in Manhattan."
Most creative transsexual character since "Adventures of Priscilla: Queen of the Desert" and neat use of the Polish brothers.
Jordan resists another male fantasy until the end when Nolte finally pairs up with the seductive teen-ager who conveniently announces she has just turned 18 so he can't add statutory rape to his rap sheet. Oh, so then we're supposed to feel happy ever after.
Very nice world-weary multi-lingual soundtrack, including Serge Gainsburg and Leonard Cohen.
Você sabia?
- CuriosidadesAlthough Ralph Fiennes was not listed in the cast he did gain a credit in the technical assistance as Fine Arts Adviser.
- Erros de gravaçãoA mic pack can be seen on Anne's backside when she and Bob are leaving Paulo's car near the end of the movie.
- Citações
Tony Angel: If I don't get my money back by Monday, what I do to both your faces will definitely be cubist!
- Cenas durante ou pós-créditosFine Art Advisor--Ralph Fiennes
- ConexõesRemake of Bob, o Jogador (1956)
- Trilhas sonorasParisien du Nord
(Kheillari/Houairi/Pérez)
Performed by Mohamed Khelifati & K-Mel
Published by BMG Music Publishing Ltd.
Recording courtesy of Virgin France S.A.
Principais escolhas
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- How long is The Good Thief?Fornecido pela Alexa
- How much does Bob win eventually?
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- O Grande Ladrão
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 3.517.797
- Fim de semana de estreia nos EUA e Canadá
- US$ 131.580
- 6 de abr. de 2003
- Faturamento bruto mundial
- US$ 5.756.945
- Tempo de duração1 hora 49 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Lance de Sorte (2002) officially released in Canada in English?
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