A Herança de Mr. Deeds

I wanted to comment on the stupidity of some people. I saw this in the Goofs.

Continuity: At the press conference, when Emilio is told he is the sole heir, he is standing on a balcony. In the shot immediately after it, he suddenly appears at the podium.

This was listed as a Goof. I don't think the person that wrote this watched the whole movie. If they did, they would not have under estimate the sneakiness of Emilio. He pops-up many time throughout the movie like this. It's what makes him funny in this COMEDY! If you have seen the movie you would know that Emilio is very very sneaky. So this was not a mistake. Duh!

Just watched this movie last night and the final verdict is: I loved it. Idk what all these other people be talking about. The character of Deeds is so incredibly likable and admirable and the film genuinely had me laughing in some points. Don't listen to the others hating on this film. Everyone should go watch it and decide for themselves because in my opinion, he film is genuinely super fun.

COMEDY: The comedy in this film is fair. It could be better for a movie labeled "comedy" however it's not enough to ruin the movie. Beside this, there are three or four moments that had me cracking up.

PLOT/SUBSTANCE: This movie's plot is fairly easy to understand and it works well for the movie. The plot is not bad nor great, it's just enough to push the film along and I think it fits great. When writing this category, I ask myself what would you have left if you took out all the comedic moments and characters and yes, I think the plot would hold up. It may not be very interesting, but luckily we have comedy and characters in the final product.

CHARACTERS: Now, this is the real saving grace of this film. For the most part, Deeds himself. He is one of the most lovable characters I've seen on screen in a long time. He is just a genuinely good guy and tbh I wish I could be more like him and I wish there were more people in the world like him. All the other characters really just make him better. It's seeing how they interact with a character as well done and as purely good as deeds on it's own, that really makes this movie worth watching. And Adam Sandler's performance just drives it home. Perfect casting right there. Y'all are some idiots if you don't like this bro like wth?

THEMES: Man, the movie's got heart. I don't know what else to say. The movie has heart all the way through, usually brought to the screen by Deeds, but throughout the movie and his acts, he makes the characters around him better and this is honestly phenomenally fun to watch and it really makes you feel better as a person and look at what is around you and just be grateful.

SEE THIS DAMN MOVIE! I BET YOU WONT REGRET IT!

Nobody goes to see an Adam Sandler movie for spiritual enrichment or intellectual stimulation - let's get that out of the way first. Once you accept you've paid your money to be mildly entertained in a lighthearted, slapstick manner, strap in and enjoy the ride.

I keep hearing Sandler is a major Hollywood player these days with an equal footing as producer as he is actor (he has produced a considerable amount with fellow actor Rob Schneider - the similarly inane but funny - mostly in spite of yourself - Hot Chick being the most recent example, in which he has a cameo role and indeed, Schneider helps Sandler out in Mr Deeds) so it's hard to prove that Sandler is now typecast as a lovable fool, because it's fairly likely he chose the part himself, possibly aware that Hamlet might be a little out of his league. Sandler need only check his bank balance to see that the lovable fool is certainly a lucrative one, having made an absolute mint playing countless other characters blessed with naive charm and a heart of gold.

The story - we all know it's a remake of the classic depression-era propaganda film starring Gary Cooper, designed to lift spirits and foster a sense of community - centres around a picturesque New England town and its perenially-cheerful, smalltown inhabitants, chiefly Longfellow Deeds (Sandler), who inherits a fortune from an uncle he never knew, finds himself at the helm of a media empire and heads to the Big Apple to find out more. Here Winona Ryder steps in as the ambitious TV reporter determined to get her big scoop and dupes the affable Deeds into falling in love with her. All the time she's wearing a wire and a hidden camera to enable their courtship and his antics, sometimes drunken, sometimes heroic, to be broadcast on the evening news. Typically Deeds is the last to know and is appalled when he makes the connection. By which time Ryder's character has fallen in love herself, resigned from her job and is begging for a second chance.

Deeds' only flaw is a short fuse and this is at odds with his generous spirit, who at times could be George Bailey, James Stewart's kindly smalltown character in Capra's It's a Wonderful Life (1946), but this spices things up a little and allows the suspension of disbelief to continue a little longer. The number of disrespectful, foulmouthed city folk he takes out is entertaining, while not always convincing, but then times have changed and these days your average bloke doesn't think of taking a swing at a man for swearing in front of a lady (more's the pity I say).

While you could aim criticism at this and jeer at the corny lines and simplistic moral at the film's end, there is something to be cherished here. The moral of course being that money is less important than being true to yourself, and while you're at it, be nice to your neighbour. As Mother Teresa once said, kindly words are heard once but their echoes are heard for ever - Deeds' character and his deeds (pun definitely intended) themselves are echoes of another, lamentably more innocent time and it's uplifting to see this spirit so laboured in the film's remake. It's also refreshing to see this bravely recreated by the producers, who have not shied away from dealing with the film's essence in these cynical times.

It's not all sentimental Queen of Hearts stuff though. There are some hilarious, laugh-out-loud moments that counter the film's message perfectly - the helicopter ride to Manhattan where the crew and Deeds are singing 'A Space Oddity' complete with air-guitar springs to mind here - and there is the usual dose of slapstick you'd expect from a Sandler picture. The 7 flying cats rescued from a burning building by our hero is particularly memorable and as I say, I was laughing in spite of myself.

This humour compliments the film's slushy message and prevents any actual retching in the theatre - leaving the cinemagoer shuffling out content, with a smile on his face - definitely a feelgood movie. I just hope Sandler doesn't attempt It's A Wonderful Life next, I don't think the world's quite ready yet.

Longfellow Deeds (Adam Sandler) is a small town guy who is taken to the big city when he learns he has an inheritance of $40 billion from a long lost uncle. He has to adjust to life in a Palatial Mansion with a personal butler, and he meets a beautiful school nurse (Winona Ryder); but its not long before the money begins to change everything, and he learns things are not what they seem.

This remake is not without plenty of laughs, but it never quite manages to do anything thats truly hilarious or new. For a bit of fun its worth a watch, but it's one of those films that you will forget about pretty quickly.

6/10 its just average i'm afraid

Mr. Deeds is very similar to many other Adam Sandler films. The film follows a basic and predictable formula. Many of the comedian's reliable standards are in effect: abuse of old folks, crude humor, a Rob Schneider appearance, and mentally deficient sidekicks. Some of the stuff works, but there's not much room for originality. This movie even perpetuates Sandler's trend of playing guys who are unexpectedly good at dishing out beatings.

Many have considered Mr. Deeds to be one of Adam Sandler's more underrated films, and in several ways it is. However the film is typical but entertaining in some areas. It is a decent comedy, and the humor is what one would expect from a Sandler film.