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Estranhas Ligações

Título original: Carnages
  • 2002
  • 16
  • 2 h 10 min
AVALIAÇÃO DA IMDb
6,1/10
761
SUA AVALIAÇÃO
Estranhas Ligações (2002)
aka Carnages
Reproduzir trailer1:35
1 vídeo
5 fotos
Comédia de humor negroComédiaDramaRomance

Adicionar um enredo no seu idiomaAfter a bull dies in an arena, its remains are transported throughout Belgium, France, and Spain, where various characters cross its path.After a bull dies in an arena, its remains are transported throughout Belgium, France, and Spain, where various characters cross its path.After a bull dies in an arena, its remains are transported throughout Belgium, France, and Spain, where various characters cross its path.

  • Direção
    • Delphine Gleize
  • Roteirista
    • Delphine Gleize
  • Artistas
    • Chiara Mastroianni
    • Ángela Molina
    • Raphaëlle Molinier
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,1/10
    761
    SUA AVALIAÇÃO
    • Direção
      • Delphine Gleize
    • Roteirista
      • Delphine Gleize
    • Artistas
      • Chiara Mastroianni
      • Ángela Molina
      • Raphaëlle Molinier
    • 13Avaliações de usuários
    • 29Avaliações da crítica
    • 71Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 6 vitórias e 4 indicações no total

    Vídeos1

    Carnage (2003)
    Trailer 1:35
    Carnage (2003)

    Fotos4

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster

    Elenco principal41

    Editar
    Chiara Mastroianni
    Chiara Mastroianni
    • Carlotta
    Ángela Molina
    Ángela Molina
    • Alicia
    Raphaëlle Molinier
    • Winnie
    Jacques Gamblin
    Jacques Gamblin
    • Jacques
    Julien Lescarret
    • Victor
    Ramon Arenillas Llorente
    • Pedro L'Apoderado
    Dominique Vache
    • le Peon de Confiance
    Michel Malmoustier
    • Le valet d'Epée
    Lucia Sanchez
    • Jeanne
    Stéphane Touitou
    • La Voix d'audition
    Armen Godel
    • Le Partenaire de l'audition
    Sandrine Laroche
    • La Maitresse de Jacques
    Rodolfo De Souza
    • Le Journaliste
    Begoña Quirós
    • La Jeune Femme de l'Aeroport
    • (as Begona Martinez Cezon 'Quiros')
    Jean-Michel Gouffrant
    • Le Medecin Chirurgien
    Clovis Cornillac
    Clovis Cornillac
    • Alexis
    Perrine Ferret
    • La Jeune Patineuse
    Pascal Bongard
    Pascal Bongard
    • Henri
    • Direção
      • Delphine Gleize
    • Roteirista
      • Delphine Gleize
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários13

    6,1761
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    10

    Avaliações em destaque

    writers_reign

    Meat-Cute

    So far the posted comments are mostly negative and appear to take the stance that the six degrees of separation syndrome is bull. I enjoyed it. Sue me already. Okay, it was the name Jacques Gamblin that 'sold' me. He's a solid, reliable actor who I've never seen give a bad performance whilst I HAVE seen him give some doozys. About a year ago he shared a screen with Clovis Cornillac in A Small Week and they're both here again except they never have a scene together. I was also interested in whether or not Lio could act - previously I'd seen her only in concert singing Prevert (not all that well, if anybody asks you, but then she did have to follow Montand). If as a film maker you are interested in telling the stories of several disparate characters there are worse ways to do it than to connect them via a dead bull. Okay, most of the characters are straight from Central Casting Weird but they do perform well and entertain. As a debut I'd say this was pretty impressive. 8/10
    7benwellington

    Interesting, Surreal and Phycological

    This movie freaked me out at times. It really made me think about how people from all over the world interconnect. I liked how it switches from one character to the next, each time giving a little information about them. Each character is a little weird and at times seems...unbelievable. I like how everything starts at a Bull's death and as it moves around the world the characters reveal themselves more and more. Overall I liked this movie for its gritty feel and all the thought put into it unlike many other films I have seen recently. This movie is worth seeing at least once, for me many times. It is a great example of film making and a creative screenplay.
    8hippiedj

    A slice of life...and of a bull

    For those that enjoy films that give us glimpses into people's lives and let us be passersby to their experiences, then Carnage is an absorbing feature. Liking this film doesn't make one snooty at all, some of us just don't always require direct plot nor overwhelmingly "beautiful" people to be entertained. Like the brilliant 2001 film Bug, it connects different people to one incident, and how their lives interconnect even if they don't realize it's happened.

    In this case, it's the death of a bull after a bullfight. The bull is butchered and the different parts go out to people in different European countries. That part is really incidental, as the main concern is how these folks' lives interconnect and lives are lost, saved, secrets revealed, and friendships made. I confess I was slightly confused by some of the conversations and revelations, but that did not wreck the experience for me, it just meant I had to go back and view it again at some point to absorb the story better.

    The actors in Carnage were quite refreshing to see, they seemed like real people instead of pristine mega-stars. I must disagree strongly with a reviewer here who kept insisting, for instance, that the naked people in the primal scream therapy scenes were all fat and not ones you'd want to see naked. Take a closer look at that scene, buddy. Different shapes and sizes. Look around you and you'll see 99% of people are not beautiful models, and to just have naked beautiful models in the pool would have made the entire scene unbelievable. These were intended to be REAL people, and frankly it's real people that I find to be more attractive instead of fit, shaved "hotties!" Beauty is in the eye of the beholder...I'm sure there are plenty who found the folks in the pool just fine -- Clovis Cornilla as Alexis and 'Mr. Beard' seemed quite masculine indeed, and the women were beautiful each in their own way. Those that criticise how these actors look should take a good look in the mirror at themselves and wake up.

    My only discomfort with Carnage are the scenes of the bullfighting. I abhor any abuse of animals, and seeing the poor bulls being slowly killed to the delight of a crowd upset me. I don't know for certain if the bullfighting scenes were real in the manner that the bulls were actually harmed, but I have to understand the fact that this was considered a sport in Spain and I try to focus on the stories of the characters' lives.

    It's quite alright if you don't find this film interesting enough. I agree it's an acquired taste. But hey, if there weren't all kinds of different films out there this world would be a boring place, and I enjoyed the lives I got to know in the realm of Carnage. It was an unsettling and beautiful place all at once in my eyes...
    10xnycole

    One of the Best films i've seen in a long time.

    I really have no idea what the other people who have posted on this film are thinking. Maybe they don't really know what they are talking about. This film blew me away. I saw it a week ago and i cannot get it out of my mind. I will admit that i am a fan of the six-degrees stories. I think they are quite interesting and i'm sorry if some people are too used to their linear, straight forward plot lines of most major features. The cinematography is beautiful throughout the entire film, and the mise-en-scene really deserves a second or third look to be fully appreciated. The characters are dynamic and interesting, and we care about them without having everything fed to us on a platter. I was so amazed to learn that this was the directors first film, and i greatly anticipate anything she puts out in the future, please see this movie and make up your own mind. I really doubt anyone will be disappointed, even if you do not hold it in as high regard as me.
    9youneedsome

    Superb Modern Myth

    Formally and in terms of subject matter this movie is a really fine piece of cinema. The music is perfect and its direction and editing have moments of true brilliance. This film explores the events that surround the death of a bull. This film is inspired by the forms and the spiritual intent of ancient myth. The film begins with a bullfighter getting gored in the arena as he kills his first bull. The bull is then processed and divided into its respective products. As the these parts move out into the world they "affect" the lives of the film's characters. The struggles of each individual character seem resonant with the struggle between the bull and his bullfighter. Each story takes on the feel of a fatal dance.

    This film is not an attempt to describe the world as it is but rather it is the telling of a story that appeals to our mystical notions of the world. It is a retelling of an ancient myth of replenishment as it relates to modern symbols of grace. Our relationship with the animal master is intact and a covenant still exists between man and beast. It is an understanding that the bull will die and be consumed and that we will kill and reclaim him. It is a pact to participate in the business of life and recognize the inexhaustible source from which all life comes, to which all life goes. This is a great film but modern film goers may need some help with its reference.

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    Comédia de humor negro
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    Enredo

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    Editar
    • Trilhas sonoras
      Fiesta de Jerez
      Performed by Carmen Amaya

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    Detalhes

    Editar
    • Data de lançamento
      • 13 de novembro de 2002 (França)
    • Países de origem
      • França
      • Bélgica
      • Espanha
      • Suíça
    • Centrais de atendimento oficiais
      • Balthazar Productions (France)
      • Wellspring Media (United States)
    • Idiomas
      • Francês
      • Espanhol
      • Italiano
      • Polonês
    • Também conhecido como
      • Carnage
    • Locações de filme
      • Bélgica
    • Empresas de produção
      • Balthazar Productions
      • France 3 Cinéma
      • Need Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 60.158
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 7.139
      • 7 de set. de 2003
    • Faturamento bruto mundial
      • US$ 99.049
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 10 min(130 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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