O Forasteiro

We've been down this road before and to better effect but "The Outsider", a made-for-television variation on both "Shane" and "Witness", isn't at all bad. Naomi Watts, (excellent), is the Mennonite widow who takes in a wounded gunfighter, (Timothy Daly), who in turn helps her in her battle with the men who murdered her husband and naturally they fall in love, much to the displeasure of her family and community. It's fairly conventional but it's well acted and it's entertaining. The director was Randa Haines, who made "Children of a Lesser God", and a good supporting cast includes the Carradine brothers, David and Keith.

Hi: My name is Pat D'Spain, and I am from Bandera, Texas. I am posting this message to say that The Outsider is absolutely the best film I have ever seen. I can't describe how wonderfully Tim Daly and Naomi Watts fit their parts. They gave top quality performances, and the whole film was perfectly cast. The beautiful music brought this film to an ultimate level. The story is heartwarming and touching. It is portrayed with such deep feeling, and there is not a dull or boring moment. I have viewed hundreds of films and I have never been so captivated by any movie as I am this one. I have watched this film over and over partly because Naomi Watts was so good in her part, and partly because Tim Daly is absolutely the best actor I have ever seen.

The Outsider (based on a novel by Penelope Williamson) A film review by Joan Mostert

The Outsider, Johnny Gault (Tim Daly), arrives as a wounded stranger in an Amish-like community and is tended by Rebecca Yoder (Naomi Watts) who is a daughter of the 'plain' people. Doc Henry (David Carradine) wonders 'what kind of marks were left on his soul' when he sees the old wounds that were inflicted on Johnny's body. Although Johnny is seen as a 'shootist' and a dark, dangerous man, Rebecca has faith in the good of people.

The 'plain' people are intolerant of strangers and Noah Weaver (Keith Carradine), who is a potential suitor, resents the stranger. It is ironic that the 'plain' people do not realize that they too are Outsiders. Hunter, the cattle baron (John Noble) tells them that his family worked the land for three generations and he will not yield. Noah resents Rebecca's independence of thought. Although she belongs to the community, she does not share their herd instinct.

Rebecca experiences transcendence when she is in harmony with nature, it is then that she hears her inner music. It is pleasant for her to see the sun while Johnny knows how to read eyes because he is a 'shootist'. Because music is forbidden by the 'plain' people, except for the singing of hymns, she does not speak of her inner music to anyone except Johnny.

Johnny is a strong, passionate man and his facial expressions reveal his inner moods of anger, love and hate. He often reveals a sense of humour when, for instance, Rebecca asks him why he is buying a horse he replies, 'because you are the one that promised that I was gonna be gone.'

The preacher and the 'plain' people do not practice what he preaches: 'he who loveth God love his brother.' They see Johnny as the Outsider, not as a 'brother' within their closed community; Johnny sees them as 'kind folk.'

Doc Henry is a perceptive man who, in his quiet, understated way, understands people. The contrast of sun and rain, light and dark during the scenes of emotional intensity underscores the drama. The fine interactions of the ensemble cast all contribute towards the excellent film which is 'truly a pleasant thing to behold.'

Very impressed with an unknown movie with mostly unknown actors. Tim Daly - who I had always considered as an actor in light comedy - was extremely impressive as a dark, possibly evil, character. In a movie that could have been just a mixture of Shane/Witness, it brought something new and impelling. It made you care - even if the ending was a little too Hollywood.

Nope, it ain't a Clint Eastwood western. No deeply wrought moral tales or stoic heroes herein.

But it is a better than average take on the dime-a-dozen romance novel genre. First of all, gone are the distracting subplots that dot the novel written by Penelope Williamson. Second, this version is long on visual poetry. A lot can be conveyed by simply letting the camera stay on the principle characters as they convey the emotional content of the story. Third, the director takes advantage of a much better than expected cast. Naomi Watts has emerged as a powerhouse of an actress in the last few years and she does not disappoint in this role. Tim Daly is restrained and manages to convey more than a touch of humor to what could be a well-worn stereotype of the world weary gunfighter.

If you're in the mood for a simple story, well acted and pretty to look at, this one will serve you well.