Ghetto Rhapsody

I picked this film up randomly about 10 years ago, and have been watching it ever since. This honestly was the best independent film I have seen thus far, which was a surprise to me since I picked it up as an impulse buy for a low price. I was shockingly surprised at the honesty of the film, and the ability of the writer to remain sincere throughout the film. The film captured reality, and stayed away from a fairy tale ending. This was no typical, happily ever after film. The coloring of the movie was a daring move, and gives it an edge of originality over other films in this category, and I think portrays the film further as true, without any artificial components. A classic "hood" flick, however, the acting was superior for an independent film, and I was fully entertained throughout the entire picture. It was drama packed, with a bit of comedy sprinkled throughout. If you are looking for an honest, talented, entertaining movie to keep your attention through the entire picture, this is the way to go. 10 out of 10!!

A great real life Romeo and Juliet type of movie that relates more to the younger generation of around 16-25. It's fresh and tells the story straight up without sugar coating. The actors are good and the angles of the camera help deliver a natural setting. Moreover, the concept of using the film coloring sets it apart from any typical independent film.

Ghetto Rhapsody is an independent feature released through the First Rites video series, which releases films by first time directors. That director here is Darrel Simien, who's got much more talent than Kevin Smith. This film might draw comparisons to Smith's "Clerks" by those with no eye for composition, because it early on it features lots of hipster talk and black and white photography. But Simien actually has a clue where to place the camera and how to get natural performances out of the actors. "Ghetto Rhapsody" is way more ambitious than "Clerks", which is not a good thing. The problem is the script, which suffers from the "dummy-plot" syndrome... the story advanced only because some central characters are really stupid. Maybe that would be okay if they were written as fools, but, while they aren't necessarily supposed to be too bright, that isn't the case. The script offers a turning point where the central character does something so ludicrous, but the script doesn't offer any kind of motivation... even when another character later asks "why?" the dude just sits there looking like a fool. It's absolutely maddening, and there simply is no reason for anyone to continue caring about this guy. Not that every character in a film needs to act smartly and morally, but a script must provide motivation and attempt to make the audience understand why the character failed. It's too bad, because the film has got some nice acting and chemistry from the two leads. But the sloppy writing just kills it. Maybe the director will learn next time.