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I watched Failan yesterday and i still feel my nerves vibrating when i think about the most intense moments. I could loose myself now praising the protagonists actors Min-sik Choi and Cecilia Cheung, but to keep it simple i only say they did a incredible good job. Korean cinema delivers one masterpiece after another, as 'A tale of two sisters' watched a few days before, manages to define a new standard as well. Now i have to regenerate for a while before i am able to fully appreciate another emotional challenging stuff like this. Absolute recommendation. 10/10

Failan is the tale of a Chinese woman who comes to Korea seeking relatives after the death of her parents. Unfortunately, they have moved on to Canada and now she must try and make a new life for herself in a foreign country. Firstly, I must admit, what drew me to Failan was the presence of Choi Min-Shik in the cast. After seeing him in both Shiri and Oldboy I wanted to explore more of the career of this extraordinarily talented actor. I expected a lot from him, and I was not disappointed. Nor was I disappointed with the extremely talented supporting cast. Cecilia Cheung is both charming and eminently watchable as Failan. And the rather colourful mobsters are appalling and humorous in equal amounts. The story is a slow paced one and is built heavily around character and emotion and is not made in the style of Hollywood offerings. Following Failan's experiences and the way in which others react to her story is a captivating experience which quickly pulls you in. It is a keenly observed and intimate tale that will pull at the heart-strings of anyone, even the most cynical. Make sure you have a handkerchief to hand when watching this, there really is a good chance you'll cry.

If you are a fan of world cinema, don't miss this film, arguably the best film of the 21st century so far.

After the first watching this film, I was left dumb-founded. How can I understand this movie? Is this really a melodrama? How can a movie where main male and female characters really never meet be a melodrama? Though, this movie is still an absolutely heart-breaking and tear-jerking love story. This movie is a quantum leap in the melodrama genre. We will probably never see a melodrama like this one again. This movie not only completely rewrites the rules of melodramas but shows that a melodrama can deliver powerful social commentary. Can a melodrama be subversive? Check it yourself. This movie is as subversive as Fight Club.

Though this movie is based on 'Love Letter', a Japanese short fiction by Jiro Asada, the movie is much richer in social context. Failan is the saddest movie in my living memory. I don't know how many times I have seen this film. I cry at the same parts during each viewing. The ending where Failan sang for her 'husband' is simply heart-wrenching. The saddest of all is that even Failan could not save us, poor souls like her husband, from this cruel world. Then, who can? Only death?

Having only seen 2 Korean movies before viewing Failan, I was quite skeptical about the quality of Failan. What is typically expected of Asian produced and directed movies are badly dubbed 1970 Kung-Fu flicks (with the exception of Crouching Tiger, and Hidden Dragon). More unimaginable was an Asian movie that could touch the heart of the viewers. An asian movie so moving that it can move the audience to tears? Bah! Ever since I began watching films at the tender age of 5, I've always held this belief of Asian movies mainly due to the stereotypes and marginalization of Asians and Asian culture presented and strengthened by the white dominated media world.

Then came Failan I have never cried in a film before. While others were sobbing over My Girl, I was wondering how many bee's had stung him. But in Failan (well I gotta admit, I didn't cry) it was the closest I had ever come to crying in a film.

Acting:Amazing

Story: Unbelievably touching

Girl: My new "dream girl." She has to be one of the most beautiful characters of our times. Her innocence and her love is unmatched.

I found the unthinkable happening...

Into my greedy little hands, fell a key. Looking around my well, defined (but impeccably small) world of Cinema, I saw an old old rotting door that had been bolted, shut, and hidden. And suddenly, a mysterious light turned that ugly door into the most awe-inspiring sight I have ever led my eyes on. Using that key, and trembling from excitemet I quickly, opened the door and lo-and-behold, I found myself being led to a whole new and not to mention magical world of Korean cinema.

Since viewing Failan (2 days ago), I have seen 3 more Korean films. I am just saddened that I have not heard a peep in America about the quality of Korean films. I was made to believe that American movies like, 40 days and 40 Nights, The Sweetest Thing, Just Married, were the only emotional roller coaster current romantic movies could offer. No longer. The Korean movie Oasis actually made me cry.

Watch Falian!

And wait for the key to fall into your laps...

I've never cried because of a movie. I always sympathize with characters, yet I never empathize. I can never feel the true emotion. Sure, "Schindler's List" had amazing worksmanship, but it didn't do anything for me, and "Grave of the Fireflies" is equally as good, but neither, as well as pretty much any other film I've seen, has made me cry.

But "Failan" made me come pretty close.

At first, I was skeptical of the film. Korean films have come a long way, yet I trust their action and flashy stylish movies more then their dramas. "JSA" and "Shiri" are great, "Jakarta's" a lot of fun, and "Nowhere to Hide" is stylistical live manga if I've ever seen it.

But "Failan" comes out of nowhere, and makes me wonder why this didn't make it out of Korea. It's hands down one of the best films of the last year. Storywise, it avoids cliche, and other traps of romantic/tragic films, and comes out on its own.

The story is simple. A wretched bum Kang Jae(Min-Sik Choi of Shiri fame) who sells pornography and is involved in the organized crime syndicate in Inchon marries Failan (Cecilia Cheung in an amazing performance,) a young Chinese girl abandoned and alone in the world in a marriage of convenience; she gets to stay in Korea and work, and he gets some cash for it. The two never meet, yet Failan is eternally grateful.

The thing is though, Failan is not even mentioned until 45 minutes into the story. Until that point, you're following the life of Kang Jae. But as you soon discover, both are tragic characters. Failan, is one of the most beautiful characters put onto film; not just in terms of outer aesthetics, but in terms of inner beauty. She is the sweetest character I've seen in a film, and that fact makes it even harder to watch.

The film borders on drama and melodrama, but thankfully, most of it is not melodramatic. Oh sure, there's some parts where the audience scoffs, but there are other parts when what is happening is so tragically beautiful, that you can't help but get involved emotionally. Thankfully, most of it is subtle and not slam in your face "Pay it Forward" style. What affected me was when Kang Jae was reading the letter from Failan thanking him for being the kindest person she's met. What's said isn't long prose, and if you're familiar with the Korean language, the sentence structure is very simple. However, the way in which the Failan's voice-over reads it is so innocent, so sweet, and so full of emotion that I choked up at that point.

The rest of the film is equally as wonderful. The group I saw it with, 2 girls and 3 guys all in college, were all equally affected. It surprises me that Shiri, conceivably a Hollywood-esque film (albeit very well done) gets a release in the U.S but this one doesn't.

If you get a chance to see this film, do not hesitate. It took me a while to get into it, as the first 45 minutes seem to have little bearing on the story, but they actually do. Beautiful acting, cinematography, and a story. Highly Recommended.